Active Listening

Albert Ayler – Revelations

Style: Spiritual Jazz, Free Jazz

Moods: Ecstatic, Uplifting, Anthemic, Passionate, Energetic, Bittersweet, Cathartic, Chaotic, Cosmic, Flowing, Free, Heartfelt, Joyful, Kinetic, Love, Spiritual, Tender

Musical Qualities: Thematic, Collective Improvisation, Acoustic, Extended Technique, Live Performance

ONO – Red Summer

Styles: Industrial-Gospel, Dub Poetry, No Wave, Experimental

Moods: Visceral, Dystopian, Disturbing, Haunting, Surreal, Aggressive, Mechanical, Heavy, Deconstructed, Vulgar, Cerebral, Conscious, Dark, Ominous, Shadow

Themes: Racism, History, Philosophy, Sex

Musical Qualities: Noisy, Spoken Word, Dub, Sampling, Rhythmic, Studio-as-an-Instrument, Dissonant

Cecil Taylor – Indent

Style: Free Improvisation, Free Jazz

Moods: Passionate, Kinetic, Complex, Ecstatic, Dramatic, Energetic, Angular, Exploratory, Meditative, Focused

Musical Qualities: Solo Improvisation, Dense, Acoustic, Progressive, Dynamic, Percussive, Atonal, Active Listening, Instrumental, Technical, Rhythmic, Live

Art Ensemble of Chicago – Nice Guys

Styles: Modern Creative, Avant-Garde Jazz

Moods: Communal, Colorful, Eclectic, Ritualistic, Uplifting, Playful, Suspenseful, Mysterious, Abstract, Noir, Open

Musical Qualities: Collective Improvisation, Percussive, Acoustic, Dynamic, Sparse

The Art Ensemble of Chicago – Bap-Tizum

Style: Avant-Garde Jazz, Modern Creative, Spiritual Jazz, Free Jazz

Moods: Ritualistic, Passionate, Cathartic, Open, Colorful, Visceral, Warm, Communal, Free, Abstract, Chaotic, Exploratory, Responsive, Tribal, Spiritual

Musical Qualities: Collective Improvisation, Percussive, Suite, Live, Dynamic, Polyphonic, Group Vocals

Instrumentation: Trumpet, Flugelhorn, Kelphorn, Bass Drum, Percussion, Saxophones (Alto, Soprano, Sopranino, Tenor, & Bass), Clarinet, Drums, Alto Flute, Conga, Vibraphone, Upright Bass, Electric Bass, Log Drum, Gong, Whistle, Bass Marimba

Angel Bat David – The Oracle

Style: Organic Beat Music, Bedroom Gospel, Spiritual Jazz

Moods: Heartfelt, Raw, Sombre, Spiritual, Flowing, Passionate, Mournful, Mysterious, Haunting, Cathartic, Eclectic

Musical Qualities: Home Recording, Collage, Beats, Improvisation, Solo, Loose, Studio-as-an-Instrument, Lo-fi

Instrumentation: Clarinet, Vocals, Keyboards, Percussion, Drums

Osjan – Roots

Style: Free Folk, Organic Music, Progressive Folk, Psychedelic Chamber Music

Moods: Ritualistic, Ancient, Flowing, Tribal, Earthy, Communal, Hypnotic, Intertwined, Medieval, Mysterious, Mystical, Nocturnal

Musical Qualities: Percussive, Collective Improvisation, ?Acoustic, Suite, Thematic, Progressive, Atmospheric, Repetitive

John Coltrane & Pharoah Sanders – Live in Seattle

Style: Free Jazz, Spiritual Jazz

Vibe: Apocalyptic, Intense, Transcendent, Epic, Cosmic, Bombastic, Chaotic, Complex, Exploratory, Energetic, Serpentine, Powerful, Passionate, Triumphant, Spiritual, Heavy

Musical Qualities: Dense, Dissonant, Polyphonic, Collective Improvisation, Acoustic, Live Recording, Extended Technique, Progressive, Technical

John Coltrane – Sun Ship

Style: Spiritual Jazz, Avant-Garde Jazz

Vibe: Cathartic, Transcendent, Triumphant, Passionate, Intense, Chaotic, Powerful, Adventure, Searching, Spiritual

Musical Qualities: Collective Improvisation, Dense, Dynamic, Complex, Acoustic, Thematic, Dissonant, Technical

John Carter – Fields

Style: Avant-Garde Jazz, Country-Jazz, Jazz Theater

Vibe: Rural, Historical, Sombre, Resolute, Intertwined, Passionate, Storytelling, Determined, Resolute, Heartfelt, Complex, Theatric, Conceptual

Musical Qualities: Suite, Acoustic, Progressive, Collective Improvisation, Polyphonic, Dynamic, Technical

Jackie-O Motherfucker – Fig 5.

Style: Mystical Americana, Free Folk, Post-Rock, Drone

Vibe: Haunting, Meandering, Rootsy, Rustic, Nocturnal, Mysterious, Deconstructed, Ragged, Communal, Murky, Abstract, Lethargic, Hallucinogenic, Raw

Musical Qualities: Collective Improvisation, Instrumental (except B1,C1), Loose, Lo-fi, Dynamic, Droney, Noisy, Group Vocals (B1), Harmonies (B1, C1)

Luke Stewart & Jarvis Earnshaw Quartet

Style: Free Jazz

Vibe: Powerful, Energetic, Cosmic, Kinetic, Driving

Musical Qualities: Collective Improvisation, Dynamic, Acoustic, Instrumental

Instrumentation: Upright Bass, Sitar (w/ Electronics), Drums, Saxophone

Charlie Haden / Liberation Music Orchestra – Ballad of the Fallen

Style: Experimental Big Band, Avant-Garde Jazz, Flamenco

Vibe: Mournful, Communal, Political, Anthemic, Conceptual, Conscious, Liberation, Sombre, Traditional

Musical Qualities: Polyphonic, Suite, Acoustic, Complex, Dynamic, Thematic Improvisation, Instrumental, Orchestral, political, Technical

Horace Tapscott & the Pan-Afrikan Peoples Arkestra – The Call

Style: Avant-Garde Big Band, Spiritual Jazz, Vocal Jazz (A2)

Vibe: Spiritual, Communal, Epic, Passionate, Active Listening, Energetic, Religious, Triumphant

Musical Qualities: Polyphonic, Complex, Dense, Acoustic, Thematic, Improvisation, Melodic, Technical, Orchestral

Archie Shepp – Attica Blues

Style: Soul-Jazz, Avant-Garde Big Band, Vocal Jazz

Vibe: Conscious, Communal, Political, Passionate, Poetic, Groovy, Lush

Musical Qualities: Suite, Orchestral, Improvisation, Rhythmic, Spoken Word

Comus – First Utterance

Style: Avant-Folk, Progressive Folk

Moods: Ominous, Forest, Surreal, Dark, Theatrical, Disturbing, Hallucinatory, Mysterious, Ritualistic, Aggressive, Complex, Shadowy

Musical Qualities: Acoustic, Percussive, Chamber Arrangements, Technical

Instrumentation: Acoustic Guitar (6 & 12-Strings), Violin, Viola, Oboe, Flute, Percussion, Electric Bass

fAust vs. Dälek – Derbe Respect, Alder

Style: Industrial Hip-Hop, Experimental, Krautrock

Vibe: Gritty, Dystopian, Mechanical, Political, Heavy, Cold, Dark, Conscious

Musical Qualities: Sampling, Noisy, Rhythmic, Studio-as-an-Instrument

Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

Sélène Saint-Aimé – Mare Undarum

Style: Avant Chamber-Jazz, Vocal Spiritual Jazz

Vibe: Ritualistic, Poetic, Complex, Hypnotic, Nocturnal, Passionate, Mellow

Musical Attributes: Progressive, Thematic Improvisation, Rhythmic, Chamber, Percussive

Gastr Del Sol – Camofleur

Style: Post-Rock, Avant-Rock, Experimental Singer/Songwriter, Chamber-Folk

Vibe: Cryptic, Warm, Cerebral, Spring, Exploratory, Eclectic, Melancholy

Musical Attributes: Odd Time Signatures, Progressive Structures, Melodic

Robert Wyatt – Shleep

Style: Surreal Pop, Imaginative Singer/Songwriter, Prog-Pop, Canterbury Scene

Vibe: Dreamy, Ethereal, Airy, Floating, Surreal, Eclectic, Introspective, Complex, Mellow, Imaginative, Atmospheric

Musical Attributes: Progressive, Melodic, Studio-as-an-Instrument, Active listening, Jazz-Influenced

Revolutionary Ensemble

Style: Free Jazz, Creative Music

Vibe: Ritualistic, Loose, Cathartic, Complex

Musical Attributes: Collective Improvisation, Acoustic, Polyphonic, Active Listening, Instrumental, Dynamic, Live

Instrumentation: Violin, Upright Bass, Drums

Ghost – Lama Rabi Rabi

Style: Progressive Folk-Rock, Psych-Folk, Raga Rock

Vibe: Mysterious, Earthy, Eclectic, Epic, Exploratory, Psychedelic, Ritualistic, Tribal

Musical Attributes: Progressive, Dynamic, Acoustic, Complex

Albert Ayler – Holy Ghost

Style: Free Jazz, Spiritual Jazz
Vibe: Abstract, Active Listening, Chaotic, Energetic, Raw, Spiritual
Musical Attributes: Improvisation (Collective, Thematic, Free), Live, Lo-Fi, Instrumental, Acoustic

Joe McPhee – Nation Time

Originally released in 1971 on CjR Recorded December, 1970 Superior Viaduct Reissue (2019) Style: Free Funk, Free Jazz, Abstract Groove Vibe: Energetic, Triumphant, Groovy, Confident, Rebellious, Black Pride Musical Attributes: Collective Improvisation, Live, Loose, Raw

Cecil Taylor – Silent Tongues

Style: Free Jazz, Solo Piano, Free Improvisation

Vibe: Abstract, Complex, Energetic, Intense, Expressive, Exploratory

Musical Attributes: Piano, Solo, Live, Improvisation, Acoustic, Suite, Percussive, Dynamic

Art Ensemble of Chicago – Full Force

Style: Avant-Garde Jazz, Free Jazz
Vibe: Abstract, Communal, Exploratory, Rootsy
Musical Attributes: Collective Improvisation, Poly-Free Improvisation, Dynamic

The Mars Volta – The Bedlam in Goliath

Style: Progressive Rock, Psych, Experimental Rock
Vibe: Bombastic, Mystical, Cerebral, Chaotic, Cryptic, Desert, Energetic, Epic, Hallucinogenic, intense, manic, Psychedelic, Complex
Musical Attributes: Dense, Odd Time Signatures, Progressive Structures, Polyrhythmic, Riffs, Technical

Anthony Braxton – Creative Orchestra Music 1976

Style: Avant-Garde Big Band, Free Jazz

Vibe: Cerebral, Bombastic, Energetic, Complex, Abstract

Musical Attributes: Dense, Poly-Free Improvisation, Polyphonic, Dynamic, Instrumental, Technical, Innovative

Gruppe Nuova Consonanza – Improvisationen

Style: Free Improvisation, Experimental, Tape Music

Vibe: Suspenseful, Active Listening

Musical Attributes: Collective Improvisation, Atonal, Sparse, Dynamic

Instrumentation: Trumpet, Upright Bass, Cello, Trombone, Percussion, Piano, Electro-Magnetic Tape

Ornette Coleman Double Quintet – Free Jazz

Style: Free Jazz

Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic

Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic

Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

Black Spirituals – Of Deconstruction

Style: Free Improvisation
Influences: Spiritual Jazz, Noise, Free Jazz
Vibe: Spiritual, Ritualistic, Cathartic, Abstract

Recommended for fans of Albert Ayler, Oren Ambarchi, Stephen O’Malley

Supersilent – 6

LPx2, Rune Grammofon (Distributed by ECM), 2003 Recorded December 3-7, 2001

Anthony Davis – Epist?m?

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

This Heat – Deceit

Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP

Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil Taylor – Piano Alan Silva – Upright Bass Henry Grimes – Upright Bass Andrew Cyrille – Drums Jimmy Lyons – Alto Saxophone Eddy Gale Stevens, Jr. – Trumpet Ken McIntyre – Alto Saxophone, Oboe, Bass …

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Arca – Arca

Released in 2017 on XL Recordings Format: LP Overview By introducing heartfelt vocals into her (often) harsh environments of contorted glitch-pop, Venezuelan producer Arca reaches near-claustrophobic levels of intimacy.

The Ornette Coleman Quartet – This is Our Music

Style: Free Bop, Avant-Garde Jazz

Vibe: Kinetic, Joyful, Energetic, Playful, Passionate, Colorful,

Musical Qualities: Improvisation, Harmolodic, Rhythmic, Swing, Acoustic, Instrumental, Technical

Circle – Paris-Concert

While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.

Fleet Foxes – Crack Up

Compared to the immediate songwriting and lush textures of Helplessness Blues, the progressive folk-rock opus Crack Up feels like an impenetrable wilderness on first listen with its dense, tangled arrangements and complex compositions.