Released in 1981 on Gramavision Format: LP
Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP
Released in 1975 on Virgin Records UK Pressing Format: LP
Released in 1978 on Mercury Records Format: LP
Released in 2017 on ATO Records Format: LP, Vomit splatter vinyl
Released in 1968 on Probe Records 1968 Second Pressing Format: LP
Originally released in 2004 on Relapse Records 2014 pressing on Oxblood vinyl Format: LP
Released in 2012 on Sargent House Records Format: LP Signed by Nick Reinhart
Self released in 2007 Format: 12″ EP, 45rpm Limited to 250 on brown vinyl
Released in 2005 on Asthmatic Kitty Records Format: LPx2 Listen: Purchase: https://asthmatickitty.com/merch/illinois/
Released in 1974 on Atlantic Format: LP
Released in 1971 on Warner Bros. Format: LP, white label promo
Released in 1973 on Atlantic Records Format: LP
Released in 1994 by Drag City Format: 12″ EP, 45rpm
Released in 2012 on Polyvinyl Records Format: LP, white vinyl
Released in 2004 on Dim Mak Records Format: 12″ EP
Originally released in 1964 on Blue Note Records 2009 Music Matters audiophile pressing Format: LPx2, 45rpm
Released in 1970 on Island Records UK Pressing Format: LP
Released in 1969 on Atlantic Format: LP Pressing quality: While this album is a masterpiece, these early pressings/masters sound a … More
Released in 1991 on Touch and Go Records 2000’s pressing Format: LP
Released in 2016 on Thrill Jockey Records Format: LP
Released in 2007 on Warp Records Format: LPx2
Released in 2003 on Asthmatic Kitty Records Format: LPx2
On their second LP, Henry Cow weaves together elements of eerie chamber music, free improvisation, and deconstructed prog to create something that seems like the missing link between the Canterbury jazz-rock of Soft Machine and Gong and the dissonant avant-rock of This Heat.
Discpline marks the first in a trilogy of complex prog-meets-new-wave masterpieces that have been relished by anxious overthinkers for decades…featuring polyrhythmic riffs, innovative guitar textures, overwrought sing-talking, and a strong inter-band chemistry.
Over the past decade, Josh Abrams has been using his guimbri to create music inspired by the ceremonial music of the Gnawa in North Africa, infusing it with a wide variety of influences from kosmische to minimalism to the avant-garde jazz of his local scene in Chicago. On this album, the focus is on “pure motion” driven by double drummers hypnotically interlocking with guimbri, guitar, keys and harmonium. Each individual plays unique rhythmic figures that push and pull against each other like polyrhythmic tectonic plates, creating constantly changing, yet circular grooves.
Space Age Pop
Psychedelic post-punk from Chicago with noise rock dissonance, free jazz sax freak outs, Rhodes keyboards, proggy time signatures, and anxious vocals drenched in delays.
Album Information: Released in 2007 by Polyvinyl Record Co