Comus – First Utterance

Style: Avant-Folk, Progressive Folk

Moods: Ominous, Forest, Surreal, Dark, Theatrical, Disturbing, Hallucinatory, Mysterious, Ritualistic, Aggressive, Complex, Shadowy

Musical Qualities: Acoustic, Percussive, Chamber Arrangements, Technical

Instrumentation: Acoustic Guitar (6 & 12-Strings), Violin, Viola, Oboe, Flute, Percussion, Electric Bass

Meg Baird – Don’t Weight Down the Light

Style: Psychedelic Folk, Singer/Songwriter

Vibe: Flowing, Dreamy, Nocturnal, Mellow, Soothing, Introspective, Haunting, Pastoral, Airy, Ethereal, Intimate Bittersweet, Melancholy, Contemplative, Loner, Peaceful, Soft

Musical Qualities: Vocal Harmonies, Acoustic, Lush, Melodic, Sparse, Reverb

Roy Harper – Valentine

Released in 1974 Chrysalis Pressing (US, 1978) Format: LP Style: Psychedelic Chamber Folk, Singer/Songwriter, Progressive Folk Vibe: Romantic, Floating, Heartfelt, … More

Josef Van Wissem / SQÜRL – Only Lovers Left Alive

Style: Film Score (LP1 – Stoner Rock, Noise Rock; LP2 – Psych Folk, Arabic Folk, Gnawa)

Vibe: Nocturnal, Murky, Melancholy, Hypnotic, Raw, Loose, Dark, Loner, Stoned, Droney, Alienation

Musical Qualities: Atmospheric, Noisy, Fuzzy, Riffs

Sand – Golem

Style: Kosmische, Ritualistic Folk, Space Ambient, Psych

Vibe: Primordial, Exploratory, Ancient, Mysterious, Swampy, Ominous, Ritualistic, Desolate, Spacey, Floating, Psychedelic, Eerie

Musical Qualities: Atmospheric, Droney

Earthforce – Earthforce

Released in 2021 on Lion Productions Recorded 1977, Archival Release Format: LP, includes 12-page 12″ booklet Style: British Folk, Psych … More

Bobby Brown – The Enlightening Beam of Axonda

Style: Experimental Songwriter, Spiritual Folk, Avant-Folk, Outsider Folk

Vibe: Spiritual, Adventure, Alienation, Cathartic, Cryptic, Eccentric, Existential, Loner, Poetic, Psychedelic, Storytelling, Tribal, Tropical, Warm

Musical Qualities: Homemade Instruments, Acoustic, One Man Band, Percussive, Spoken Word, Progressive

Black Forest / Black Sea

Style: Psychedelic Drone-Folk, Free-Folk

Vibe: Forest, Mystical, Nocturnal, Mysterious, Exploratory, Abstract, Spontaneous, Murky

Musical Qualities: Electro-acoustic, Improvisation, Lo-fi, Loops, Drone, Collage, Suite, Atmospheric

Sarah Louise – Earth Bow

Style: Free Folk, Cosmic Appalachia, Ambient Folk, Healing Music

Vibe: hypnotic, amorphous, confident, cosmic, dreamy, earthy, ethereal, existential, exploratory, forest, warm, spiritual, spontaneous, soothing, psychedelic, passionate, nature, meditative, hallucinogenic

Musical Qualities: Suite, Electro-Acoustic, Studio-as-an-instrument, Loops, Home Recording, Progressive, Field Recordings

Pelt – Pearls from the River

Style: Ritual Folk, Dhrupad, Free Folk

Vibe: Meditative, Mysterious, Psychedelic, Spiritual, Earthy, Hypnotic

Musical Attributes: Acoustic, Drone, Improvisation, Instrumental, Repetitive, Raga

Osamu Kitajima – Benzaiten

Style: Progressive Acid-Folk, Ritual-Folk, Psych-Rock



Moods: Sombre, Earthy, Ritualistic, Psychedelic, Brooding, Exploratory, Mysterious, Spiritual



Musical Attributes: Progressive, Acoustic, Percussive, Rhythmic, Complex, Dynamic



Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

Natalie Rose Lebrecht – Mandarava Rose

Style: Ambient Pop, Free Folk, New Age

Vibe: Cosmic, Dreamy, Earthy, Ethereal, Lethargic, Meditative, Mystical, Passionate, Ritualistic, Soothing, Spiritual

Musical Attributes: Atmospheric, Droney, Slow

Nuke Watch – Countdown

Style: Organic Beat Music, Tribal Ambient, Ritual Psych-Folk, Progressive Electronic

Vibe: Hallucinogenic, Exploratory, Mysterious, Meditative, Hypnotic

Musical Attributes: Electro-Acoustic, Beats, Percussive, Polyphonic, Loops

Holy Sons – Raw & Disfigured

Style: Loner Folk, Psych Rock, Singer/Songwriter

Vibe: Introspective, Loner, Dark, Nocturnal, Psychedelic

Lyrical Themes: Philosophical, Existential, Death, Personal

Musical Attributes: Lush, Melodic, Lyrical

Spires that in the Sunset Rise – Psychic Oscillations [Review]

Psychedelic electro-acoustics and earthy minimalism from long-running avant-folk group Spires that in the Sunset Rise. The multi-instrumentalist duo of Ka Baird and Taralie Peterson ritualistically loop and layer a hypnotic tapestry of pre-verbal vocalizations, upright bass, flute, saxophone, synth, and autoharp, running each instrument through trippy stereo delays, visually represented by the two minute-apart clocks next to each other on the album cover. While not as witchy or jarring as the their early releases, Psychic Oscillations finds the band as entrancing as ever.

The Incredible String Band – U

Style: Psychedelic Folk, Brit-Folk

Vibe: Theatric, Colorful, Eccentric, Eclectic, Imaginative, Messy, Mystical, Playful, Surreal, Warm

Musical Attributes: Acoustic, Lyrical, Conceptual, Indian-Influenced

Lyrics: Storytelling, Philosophical, Fantasy, Humorous, Poetic

Rituals of the Moonlit Wood [Mix]

Rituals of the Moonlit Wood is a 100-minute vinyl mixtape for those unafraid to venture into the depths of the shadowy unknown….featuring nocturnal and ritualistic music of the acid-folk, drone, and experimental varieties.

Ilyas Ahmed – I Am All Your Own

Style: Loner Folk, Singer Songwriter, Psych Folk

Vibe: Lethargic, Loner, Peaceful, Soothing, Airy, Mellow, Contemplative, Dreamy, Droney, Hypnotic, Intimate, Introspective

Musical Attributes: Acoustic, Droney, Slow, Sparse, Soft

Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

The Incredible String Band – The Big Huge

Warm, mellow Scottish folk with lyrics that border spiritual, philosophical, and fantasy themes. The arrangements are a bit stripped down from their lush psychedelia of previous releases, but still feature a good amount of sitar, organ, Irish harp, and violin to add some color to the vocals and acoustic guitar-centric songwriting.

Avey Tare – Eucalyptus

Eucalyptus is a beautiful, enveloping excursion of aquatic psych-folk characterized by flowing, hallucinogenic instrumentation, atmospheric production, nature field recordings, and ghostly background vocals from one of my favorite singers, Angel Deradoorian. Avey Tare’s introspective and intimate lyrics mix psychedelic revelations, reminiscing, surreal imagery, and nature/water themes, often leading to profound realizations of a very personal sense of spirituality. The lush orchestrations are arranged by the amazing and unique violist Eyvind Kang, which include woodwinds, horns, strings, and pedal steel slide guitar from Susan Alcorn.

For fans of Animal Collective’s “Campfire Songs” and the slow portions of “Feels”.

Click for full review

Exuma – Exuma

Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.

Meg Baird & Mary Lattimore – Ghost Forests

An ethereal and somewhat haunting dream-folk collaboration between guitarist/singer Meg Baird (Espers, Heron Oblivion), and harpist Mary Lattimore, who’s recorded with Fursaxa, Steve Gunn, and others in addition to her hypnotic solo work.
Highly Recommended for fans of Natural Snow Buildings, Cocteau Twins “Victorialand”, Laraaji, and 60’s British & Scottish Folk music

Six Organs of Admittance – Asleep on the Floodplains

Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.

Ryley Walker – Deafman Glance

Acoustic-shredder/singer-songwriter ventures out of the jazz-inflected folk-rock territory explored by his last few albums to create something that feels fully himself. Deafman Glance is full of angular left turns, complex structures, airy flutes, jazz detours, and psychedelic atmospheres. A balance of great songwriting, jazz musicianship, and experimental/art-rock tendencies. Recommended to fans of Tortoise’s Standards, Tim Buckley’s Starsailor, and King Crimson’s Red. (Click for full review).

Six Organs of Admittance – Ascent

Taking a detour from his usual loner-droner psych folk style, Ben Chasney enlists former Comets on Fire bandmates to jam some heavy rock burners with a a cosmic amount of electric guitar shredding, evoking Neil Young & Crazy Horse blasting off on a rocket. The new electric energy brought to this album is balanced out by an equal amount of the fingerpicking prog-folk and meditative acoustic ballads that have been developing in his music since the 90’s. While I will always love his more melancholy, nocturnal records that sound like he’s lost in a forest somewhere, I welcome the fiery energy of Ascent.