Recorded Dec 3-4, 1965 in Stockholm, Sweden Released in 1966 on Blue Note Records Ornette Coleman – Alto Sax, Violin, … More
Recorded live at Cafe Monmartre in Copenhagen, Denmark on November 23, 1962 Released in 1976 on Arista Records
Released in 1971 on Columbia Records Format: LP
Released in 1959 on Atlantic Records 1970’s Pressing
Released in 1988 on Parlophone Records 2012 Pressing
Released in 2006 on Drag City Records Format: LPx2
Released in 2015 on People Teeth Format: LP
Released in 2007 on Young God Records Format: LPx2
Released in 2002 on Arts & Crafts Records Format: LPx2
Information: Released in 1974 on Milestone Recorded on July 7, 1973
This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.
Three volumes of instrumental heavy-psych jams from Denmark, inspired by Black Sabbath, jazz fusion and krautrock.
Information: This album was released in 1969 on Bizzarre Records
Information Released in 1973 on Columbia Records Recorded between 1936-1958
A hypnotic, meditative minimalist classic whose influence can be traced throughout several threads of modern music.
Information: Originally released in 1971 This deluxe pressing was released in 2013 on Klimt Records Format: LPx2 (second LP contains … More
Information: Released in 1978 on PVC Records Format: LP
A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.
Space Age Pop
Poliça’s brooding, atmospheric trip-hop/synth pop consists of the passionately dynamic vocals (from co-leader/lyricist Channy Leaneagh), prominent, groovy basslines, driving double drums, and occasional string and horn arrangements all run through effects and mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and even addressing on police violence on “Wedding”.
For fans of Portishead, The Knife
Information: Released in 2002 on Constellation Records
On their debut long-player, the Houston quartet explores apathy, disconnectedness and the loss of relationships through their sludgy post-hardcore.
For fans of These Arms Are Snakes, Drive Like Jehu, Unwound
“What I’m asking you to do is take some risks. Stop paying war taxes, refuse the armed forces, organize against the air war, support the strikes and boycotts of farmers, workers and poor people, analyze the flag salute, give up the nation state, share your money, refuse to hate, be willing to work…in short, sisters and brothers, arm up with love and come from the shadows”
Five intuitive and melodic duets performed by two longtime musical soulmates. Charlie Haden plays upright bass and Ornette plays tenor saxophone and trumpet on the last track.
Information: Originally released in 1963 on Columbia This pressing was released in 2001 on Sundazed records Format: LP, 180g, Mono
On his debut album, the guitar and banjo virtuoso starts off with a 22-minute droning epic fusing American and Arabic Folk music with Indian Raga on his acoustic guitar (often trying to imitate the feeling of the oud). Here, he is accompanied by the fluid, driving drums of Billy Higgins. Side 2 is made up of 4 shorter solo pieces, mostly for the banjo, including an impressive rendition of “Carmina Burana” by German composer Carl Orff and a folky mountain song.
Album Information Originally released in 1981 This pressing was released in 2013 on Grönland Records Format: LP Features parallel groove … More
British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker
Album Information: Released in 2003 on Saddle Creek Format: LPx7, box set Includes 5 Bright Eyes releases between 1997 and … More
Fuzzy riffs, driving rhythms, and spacey synths tear through the speakers like a blistering comet through the solar system.
For fans of Black Sabbath, Neu!, Jethro Tull
This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.
Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.
Lush, beautiful psych-folk with a spiritual jazz fluidity that comes from Larkin inviting her close musician friends to improvise over her passionate songs with harp, trumpet, strings, woodwinds, etc. Think Tim Buckley meets Alice Coltrane
Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.
The singer makes an album dealing with the grief and eventual acceptance that followed her sister’s suicide. The style is reminiscent of the spacey lounge-pop of her previous band, Stereolab, although much lighter and dreamier.
Makes me feel like I’m sitting alone at a party, gazing across a dark, smoky room; an outsider looking in. Chill beats, hushed atmospheres, melancholy melodies.
Album Information: Originally released in 1970 on Atlantic Records 1974 Repress
Album Information: Originally released in 1973 on United Artist Recordings This pressing was released in 2014 on Mute Records
After a prolific career as a noise/improvisational/experimental guitarist and a few forays into folk and chamber pop, Jim O’Rourke surprised his audience with an album closer to straightforward rock than his audience could have ever expected of him. Yet underneath it’s catchy, cheery, and polished exterior, his lyrics are full of humorously bitter resentment. Like his debut singer/songwriter album Eureka, Insignificance is full of the meticulous and lush arrangements that Jim would become known for.
Peaceful drone meditations and mantras for bass clarinet and sitar. The improvisatory melodies are beautifully expressive, exploratory, and blanketed in a soft, soothing reverb.
Album Information: Compilation of 3 EPs, released in 2013 on Temporary Residence Format: LPx2, etchings on each side
Album Information: Originally released in 1999 as Jerusalem on London Records, and then in 2003 as Dopesmoker on Tee-Pee Records. … More
Album Information: Released in 1969 on Impulse Records 1972 pressing
Album Information: Released in 2009 on Frenchkiss Records
Psychedelic post-punk from Chicago with noise rock dissonance, free jazz sax freak outs, Rhodes keyboards, proggy time signatures, and anxious vocals drenched in delays.
Album Information: Released in 1972 on Reprise Records 2009 reissue, mastered from original analog tapes
Album Information: Released in 1997 on Constellation Records Format: LP, includes inserts, a flyer, and a penny smashed by a … More
Album Information: Released in 2014 on Constellation Records
Album Information: This album was self-released on CD in 1997 This pressing was released by Constellation Records in 2013 Format: … More
Album Information: Released in 2007 on Constellation Records
Album Information: Released in 2014 on Merge Records Format: LP
Album Information: Released in 2000 on Motown Records 2016 pressing on Motown Format: LPx2
Album Information: Released in 2012 on XL Recordings Format: LPx2
Album Information: Released in 2009 on Rodriguez Lopez Productions Artwork by Sonny Kay Recorded on the E-Clat Morgue Portable Disaster … More
Album Information: Released in 2000 on Constellation Records Recorded November 1999 at the mighty Hôtel2Tango
Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.
Album Information: Released in 2012 on Editions Mego Format: LP
Saxophonist Colin Stetson and violinist Sarah Neufeld employ innovative performance techniques, mutating ostinatos and an atmospheric sense of texture to compose minimalist compositions that are as brooding and haunting they are hypnotically beautiful.
Album Information: Released in 2007 on Southern Lord Records Produced by Steve Albini and Om Recorded and mixed by Steve … More
Album Information: Released in 1975 on Atlantic Records Produced by Jimmy Page Format: LPx2 Recommended Tracks: A3 – In My … More
Album Information: Originally released in 1971 on Impulse Records This pressing was released in 1997 on Impulse/MCA Records Recorded November … More
Kamasi Washington and his band The Next Step, pick up where their forefathers and mothers left off by making spiritual jazz that respects the jazz canon without getting stuck in the past. This album ranges from free to groovy to melodic without losing sight of its mission. The inclusion of such a large band, an orchestra, a choir, and even a turntablist allows an infinite, colorful array of tonal and dynamic possibilities.
Acoustic-shredder/singer-songwriter ventures out of the jazz-inflected folk-rock territory explored by his last few albums to create something that feels fully himself. Deafman Glance is full of angular left turns, complex structures, airy flutes, jazz detours, and psychedelic atmospheres. A balance of great songwriting, jazz musicianship, and experimental/art-rock tendencies. Recommended to fans of Tortoise’s Standards, Tim Buckley’s Starsailor, and King Crimson’s Red. (Click for full review).
Album Information: Released in 2008 on Important Records
Album Information: Released in 1973 on CBS/Columbia
Abstract fusion grooves, driving hard bop, and spacious modal jazz with horn overdubs and spacey synthesizers.
Album Information: Released in 1978 on ECM Records Recorded November 1977 at Talent Studio, Oslo Engineered by Jan Erik Kongshaug … More
Album Information: Released in 2010 on Drag City Records Produced by Joanna Newsom Arranged & Conducted by Ryan Francesconi Recorded … More
Album Information: Released in 2013 on Mexican Summer Hand numbered: 777/1000 Format: LP