Tag: ECM

Jack DeJohnette’s Directions – Untitled

Style: Progressive Jazz, Post-Bop, Jazz Fusion

Vibe: Triumphant, Pastoral, Airy, Searching, Eclectic, Mysterious, Soothing

Musical Qualities: Thematic, Improvisation, Progressive, Odd Time Signatures, Atmospheric

Steve Tibbets – Northern Song

Style: Ambient Folk, ECM-Jazz, New Age

Vibe: Soothing, Airy, Meditative, Pastoral, Winter, Open, Hypnotic, Nature

Musical Qualities: Acoustic, Percussive, Sparse, Progressive

Instrumentation: 6 & 12-String Acoustic Guitars, Percussion (Kalimba, Shaker, Bongos, Congas, etc), Tape Loops

Charlie Haden / Liberation Music Orchestra – Ballad of the Fallen

Style: Experimental Big Band, Avant-Garde Jazz, Flamenco

Vibe: Mournful, Communal, Political, Anthemic, Conceptual, Conscious, Liberation, Sombre, Traditional

Musical Qualities: Polyphonic, Suite, Acoustic, Complex, Dynamic, Thematic Improvisation, Instrumental, Orchestral, political, Technical

Eberhard Weber’s Colours – Silent Feet

Style: Chamber Jazz, ECM Jazz

Vibe: Impressionistic, Peaceful, Lush, Triumphant, Climactic, Open, Airy, Bright

Musical Attributes: Progressive, Acoustic, Instrumental, Melodic, Improvisation (Structured, Chordal), Dynamic, Technical

Instrumentation: Upright Bass, Soprano Sax, Piano, Drums

Bill Connors – Of Mist and Melting

Personnel: Bill Connors – Acoustic Guitar, Jack DeJohnette – Drums, Gary Peacock – Upright Bass, Jan Garabek – Saxophone

Style: ECM Jazz, Jazz Fusion, Atmospheric Jazz

Vibe: Airy, Suspenseful, Smooth, Open

Musical Attributes: Acoustic, Improvisation, Atmospheric, Technical, Instrumental

Circle – Paris-Concert

While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.

Eberhard Weber – The Colours of Chloë

The German upright bassist and composer is joined by a jazz quartet, cello ensemble, and choir for a colorfully complex album of atmospheric improvisation, progressive structures, and sweeping orchestral arrangements, with occasional segments of groovy fusion or synthesizer spaciness, all draped in the warm, reverbed production ECM albums are known for.

Collin Walcott/Don Cherry/Nana Vasconcelos – Codona

Spacious, Raga-inflected improvisations from Collin Walcott, Don Cherry, and Brazilian percussionist Nana Vasconcelos. Walcott has studied sitar directly under Ravi Shankar, and tabla under Alla Rakha, while trumpeter and flutist Don Cherry, after playing regularly with Ornette Coleman, has proceeded to travel around the world to study various musical traditions. Their wide influences come together organically to create meditative and exploratory music. A melodic and atmospheric fusion of airy flutes, watery sitar, hypnotic hammered dulcimer arpeggiations, driving webs of percussion, and bassy throat singing.

Julian Priester Pepo Mtoto – Love, Love

I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.

Dave Holland Quartet – Conference of the Birds

While living in London I had an apartment with a small garden. During he summer around 4 or 5 o’clock in the morning, just as the day began, Birds would gather here one by one and sing together, each declaring its freedom in song. It is my wish to share the same spirit with other musicians and communicate it to the people. -Dave Holland

Jack DeJohnette – In Movement

The past, present, and future of jazz converge on this progressive new release from the legendary drummer Jack DeJohnette, who’s played on everything from Miles Davis’ Bitches Brew to albums with Keith Jarrett, Alice Coltrane, Freddie Hubbard, and numerous other masters since the late 60′s. Joining him are two descendants of the classic John Coltrane Quartet, Ravi Coltrane on tenor and soprano sax and Matthew Garrison (son of Jimmy Garrison) on electric bass and electronics. Rather than dwell in the shadows of their fathers, these two have already developed their own powerful and unique voices which are welcome additions to the jazz lineage.