Rooted in primordial energies and ancestral knowledge, these sonic ritual assemblages channel transformational, connective, healing and empowering vibrations in the direction of a post-colonial future.
featuring Mwandishi, Embryo, Dadawah, White Boy Scream, Irreversible Entanglements, Brötzmann/Graves/Parker, etc…
Re\/Rooting Rituals [Sonic Gnosis Radio | BCS 0324] Read More »
Sharing some folky guitar heroes to an old friend, and getting sucked into a Brit-Folk vortex with Pentangle, Nick Drake, Incredible String Band, Robbie Basho, JJ Cale, Michael Chapman, COB etc…
Vibrational Emergences #1 [Folk Guitar-Heroes, British Folk Vortex] Read More »
Style: Singer/Songwriter, Folk Rock
Vibe: Panoramic, Peaceful, Contemplative, Uplifting, Morning, Breezy, Warm, Open, Mellow
Musical Qualities: Lush, Polished, Melodic, Catchy, Lyrical
Steve Gunn – Other /\ You Read More »
All tracks recorded live in sacred places (Seiryu Temple, Waseda Salvation Church)
Style: Ritual Folk, Acid Folk
Vibes: Mystical, Ancient, Ritualistic, Spiritual, Forest, Psychedelic, Mysterious, Medieval, Haunting, Dreamy, Eclectic
Instrumentation: Chants, Flutes, 12-String Guitar, Cello, Drums, Organ, Hurdy Gurdy, Harp, Piano, Horn
Ghost – Temple Stone Read More »
Each artist fills an entire LP side with their own improvised interpretation of Ornette Coleman’s “Lonely Woman” . Shalabi channels the tune through a solo oud meditation, shaped by his characteristically searching and sensitive improvisations. On the other side, Sunn Trio performs an undulating percussive ritual, overdubbed with a wide pallet of tangled acoustic instruments, dub psychedelia, and hypnotizing drones.
Sunn Trio / Sam Shalabi – Trippin’ on Coleman Read More »
“A reverberating despair echoes through dry canyons and off distant concrete walls filled with ancestral subversions, it is the far crying conspiracy of anti-colonial dissonance. It is the conflict of Settler cognition in discord with itself, resonating against its contours and contradictions. It is the overbearing sound of desperation and failure weaponized into a pedagogy of negation. Our defiances, our subterfuges, our anti-colonial antagonisms all have a natural resonant frequency. This is the indelicate strategy of breaking glass with sound. This is part of how we make sense of this world, again. I offer that it is the responsibility of those who wage anti-colonial struggle to break the static infrastructures of settler colonialism.”
On their twelfth live recording, the electrifying power trio continues to expand the vocabulary of their improvised sonic sorcery. One LP of mysterious duo invocations, followed by two LPs of primordial free rock. Through concentrated force and harnessed chaos, the trio patiently pushes primordial riffs to their noisiest, most visceral limits, striving to become the sound itself.
Stimulus Overconclusion wastes no time in launching you into an otherwordly space where even familiar textures feel alien and mysterious. Throughout the first side, aquatic percussion loops on tabla or drums are submerged in strange electronic smears and warbly acoustic strings & flutes, suggesting a shapeshifting noise-folk beat tape. The flip side features overcompressed drum blasts, fractured noise rock and sci-fi electronics.
Recommended if you dig Nuke Watch, Fourth World, or This Heat
(Blouseusa) – Stimulus Overnclusion Read More »
This review was recently published as part of Bedcrumbshow newsletter (issue 002), follow them on substack to get updates from our music & radio community “How long can I pretend that music’s more relevant than fighting for a socialist world?” -Robert Wyatt (from Matching Mole’s “Gloria Gloom”) In this thorough biography on the influential singer
Different Every Time – the Authorised Biography of Robert Wyatt [book review] Read More »
Whilst in Istanbul for an artist residency, the adventurous Montreal chamber rock group recorded Dalmak with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, and drums with the saz, darbuka, bendir and several other instruments used in Turkish and Arabic folk music. Epic, modal themes emerge from watery beds of minimalistic polyrhythms and suspenseful string arrangments. While often sombre, mournful or foreboding, the musi seems driven by a collective sense of spiritual determination and hope.
Mysteries’ process-based guitar meditations feel like introspective encounters with the unknown, never diving into chaos but leading you safely to the edge for observation.
recommended if you dig Ashra, Durutti Column or Popol Vuh
Matt Baldwin – Mysteries [Review] Read More »
a few words on Jeanette Leech’s comprehensive history of post-rock, along with a selection or inspiring quotes from the book and related records from my collection
Fearless: The Making of Post Rock by Jeannette Leech [Book Review & Album Selections] Read More »
An autumnal, intimate collection of Scottish, Irish, & English folk songs, previously interpreted by singers such as Anne Briggs, Shirley Collins, & Robin Dransfield. Backed by nothing but sparse acoustic guitar, Roberts’ voice sounds especially tender and reflective.
Alasdair Roberts – The Crook of My Arm Read More »
Style: Outsider Folk, Singer/Songwriter, Weird Americana
Vibes: Loner, Pastoral, Playful, Reflective, Rootsy, Warm, Aquatic, Peaceful, Mellow, Morning, Rural, Surreal, Relaxed
Musical Qualities: Acoustic, Sparse, Lyrical, Melodic, Simple
Michael Hurley – Blue Navigator Read More »
“But stand brave, life-liver, bleeding out your days in the river of time.
Stand brave: time moves both ways, in the nullifying, defeating, negating, repeating joy of life.
The moment of your greatest joy sustains: not axe nor hammer, tumor, tremor, can take it away, and it remains.
And it pains me to say, I was wrong. Love is not a symptom of time. Time is just a symptom of love”
Joanna Newsom – Divers Read More »
This collective of experimental Seattle musicians perform back-porch seances on old-time jigs & folk tunes, half of which can be found in Alan Lomax’s Folk Songs of North America book. The ritualistic, droning dissonance of cello, banjo, harmonium, & fiddle recall Pelt, Henry Flynt, & Tongue Depressor. Despite an often haunting atmosphere, folksiness and camaraderie pervade the tape in the form of warm lo-fi sing-a-longs and friendly, candid banter between tracks. The original social function of the music lives eternally, a nonlinear communication with fellow travelers from the past, present, & future.
Friends of the Road – Now You Know Something Right Here and I’ll Tell You For a Fact Read More »
Blue Afternoon continues the flowing jazz-folk of Happy Sad while occasionally detouring into the avant-garde atmospheres that manifest more fully on Lorca and Starsailor. The arrangements are characterized by fluid vibraphones, lobbing upright bass, and the virtuosic jazz guitar of Lee Underwood, but what really ties everything together are the vocals and songwriting. Buckley’s voice is so versatile that he is able to express a wide range of emotions, sometimes blurring them from one moment to the next.
Tim Buckley – Blue Afternoon Read More »
“I am not me” the chorus sings repeatedly, a spell to dissolve the ego and deconstruct the myth of American individualism, leaving fertile ground for a collective vision of abundance to bloom. The open-door band of multi-instrumentalists shakily weave through a suite of haunting drone seances, raggedly tender folk sing-a-longs, liberated group improvisations and triumphant post-rock discord. Once again Jackie-O Motherfucker continues their forward march to a beautiful anarchic world without losing touch with its roots in the weird American underground.
Jackie-O Motherfucker – Bloom Read More »
These ceremonial meanderings are the interrupted transmissions of campfire songs picked up by intergalactic satellites. Past and future collapse as old-timey banjo melodies fade into squiggly synthesizers and lo-fi electronics. Distant harmonicas sink behind thick fogs of ghostly whirring, while warped slide guitar, drone fiddle and echo percussion bubble through the folky primordial soup
The Futuristic Folk of The Tower Recordings [Vol. 1 & 2] Read More »
“Way of the Pilgrim” unfolds as a 4-movement suite of dark acoustic summoning rituals, spiritually connected to a mystical lineage of wyrd-folk practitioners through the ages. That strangely familiar feeling of being lost in the woods, of venturing into the archetypal unknown, pervades the atmosphere right from the opening… [Click for full review]
Recommended if you dig Six Organs of Admittance, Fursaxa, Robbie Basho, Third Ear Band
Seven Rivers of Fire – Way of the Pilgrim Read More »
Distorted ghosts of past love and futures lost haunt the spaces between these woozy, blown-out guitar loops and the fragmented rhythms of decaying drums machines. Occasional bursts of noise tear through the sedating static of bittersweet nostalgia.
Jefre Cantu-Ledesma – A Year With 13 Moons Read More »
Land of Kush’ Against the Day is a passionate, adventurous & rebellious masterpiece of mystical electrified big-band compositions, inspired by the surreal novel of the same name by Thomas Pynchon. Bilocal oudist & composer Osama Shalabi (Montreal/Cairo) bravely leads this 20+ member orchestra through a progressive suite of long form arrangements that synthesize sounds of spiritual jazz, Arabic folk & experimental rock into a sound that’s overwhelmingly unique and gripping.
Land of Kush – Against the Day Read More »
While Magnolia Electric Co’s final record is still tinged with the weariness & melancholy that pervades all of Jason Molina’s previous work, Josephine also feels imbued with vital life force, bittersweet romance, and hopefulness that make it uplifting despite the odds.
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Recommended if you dig dobro & lap steel, ditch-trilogy Neil young, and autumnal contemplation
Magnolia Electric Co. – Josephine Read More »
Style: Modern Creative, Chamber Jazz, Experimental Big Band, Great Black Music, Avant-Garde Classical
Vibe: Communal, Triumphant, Suspenseful, History, Eclectic, Colorful, Intricate, Ritualistic, Patient, Open, Complex, Theatric
Musical Qualities: Poly-Free Improvisation, Dynamic, Collective, Progressive Structures, Technical, Orchestral, Percussive, Reductionism, Suite, Polyphonic
Instrumentation: Trumpets, Upright Bass, Spoken Word, Operatic Vocals, Drums, Percussion, Saxophone, Cello, Violin, Viola
The Art Ensemble of Chicago – We Are On the Edge Read More »
Style: Progressive Jazz, Post-Bop, Jazz Fusion
Vibe: Triumphant, Pastoral, Airy, Searching, Eclectic, Mysterious, Soothing
Musical Qualities: Thematic, Improvisation, Progressive, Odd Time Signatures, Atmospheric
Jack DeJohnette’s Directions – Untitled Read More »
“the chill of loneliness emanates from the blurred, glitchy instrumentation as it entrances you into its wintry and spectral world”
Follow the link for the full review of Tim Hecker’s debut, written by Jack Von Bloeker
[REVIEW] Tim Hecker – Haunt Me, Haunt Me Do it Again Read More »
Recorded in Tokyo with regular collaborators Gary Peacock and Benny Maupin, plus amazing local pianist Hideo Ichikawa, “Have You Heard?” is an interesting & exploratory record from master drummer Jack DeJohnette. Two shorter cuts of nocturnal modal-jazz bookend a pair of longer, abstract pieces that recall the “modern creative” improvisations coming out of Chicago.
Recommended for fans of Miles Davis’ Nefertiti as well as the works of Art Ensemble of Chicago
Jack DeJohnette – Have You Heard? Read More »
Style: Free Pop, Bedroom Psych, Progressive Soul
Vibe: Spontaneous, Woozy, Imaginative, Brooding, Surreal, Loose, Eclectic, Raw, Playful, Fuzzy, Psychedelic, Colorful
Musical Qualities: Post-Production, Progressive, Vocal Harmonies, Manipulated Vocals, Studio Improvisation, Distorted
Lightman Jarvis Ecstatic Band – Banned Read More »
Ry Cooder’s beautifully spacious ambient-western compositions are a transcendent pairing with this meditative, expansive film.
Ry Cooder – Paris, Texas (Soundtrack) Read More »
Styles: Kosmische Musik, Progressive Electronic, Krautrock, Psychedelic Folk, Experimental Rock
Vibe: Exploratory, Eclectic, Spacey, Futuristic, Pastoral
Deutsche Elektronische Musik 3: Experimental German Rock and Electronic Music 1971-81 Read More »
Style: Progressive Songwriter, Art Rock, Progressive Pop
Vibe: Satirical, Depressive, Anxious, Dystopian, Bright, Eccentric, Existential, Longing, Pessimistic, Urban, Storytelling
Musical Qualities: Complex, Dense, Progressive, Intricate, Dynamic, Conceptual
Richard Dawson – 2020 [Review] Read More »
Style: Primitivist Theater, Avant-Folk Minimalism, Drone
Vibe: Pastoral, Alienation, Hypnotic, Abstract
Musical Attributes: Sparse, Theatrical, Repetitive, Minimalist, Acoustic
Instrumentation: Acoustic Guitar, Voices, Organ, Cello, Trombone, Bass Trombone, Saxophone
David Grubbs – The Coxcomb [Review] Read More »
Bobb Trimble’s 1980 debut (originally released on his own label) contains nightmarish folk-pop that fits on the fringe of the loner-psych lineage of Syd Barrett and modern bedroom-psych artists like Alex G or Holy Sons.?
Bobb Trimble – Iron Curtain Innocence [Review] Read More »
Psychedelic electro-acoustics and earthy minimalism from long-running avant-folk group Spires that in the Sunset Rise. The multi-instrumentalist duo of Ka Baird and Taralie Peterson ritualistically loop and layer a hypnotic tapestry of pre-verbal vocalizations, upright bass, flute, saxophone, synth, and autoharp, running each instrument through trippy stereo delays, visually represented by the two minute-apart clocks next to each other on the album cover. While not as witchy or jarring as the their early releases, Psychic Oscillations finds the band as entrancing as ever.
Spires that in the Sunset Rise – Psychic Oscillations [Review] Read More »
This lost slab of mythical prog doesn’t shy away from indulging in the retro pleasures of instrumental psych-jammage and triumphant jazz-rock. The atmospheric guitar, spacey Moog, and Hammond organ playing are both epic and economical, nary a note wasted. Philip Grondahl’s violin playing on the opening track is especially heroic, recalling the flights of Jean-Luc Ponty or Mahavishnu’s Jerry Goodman. Despite their collective starward gaze, Klyfta remains firmly grounded by the tightness of the rhythm section. Aside from the explosive entropy of the first track (beginning with Anders Strand’s expansive upright bass solo), the grooves focus on repetitive momentum with unwavering determination.
Klyfta – Cosmic Pilgrimage: The Klyfta Tapes (1972-1975) Read More »
Blending elements of math rock, shoegaze, and early indie rock, Shuttering’s latest is an intimate expression of fluctuating emotional landscapes, with lyrical themes revolving around co-dependent relationships, anxiety, and healing from past trauma. How to Drown’s primary charm lies in its delicate balance between raw pathos and instrumental complexity.
[Follow link for full review]
Shutterings – How to Drown [Bandcamp Review] Read More »
Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.
Spencer Zahn – Sunday Painter Read More »
Style: Jazz Fusion, Future Jazz, Post-Rock
Vibe: Forest, Knotty, Intricate, Nature, Impressionistic, Mysterious
Musical Attributes: Improvisation, Modal
[Click for album overview, listening links, and more information]
David Lord – Forest Standards, Vol. 2 Read More »
Overview
Bass clarinet, pedal steel guitar, and synthesizer swirling together into a highly immersive and emotive combination of voices. Truly beautiful soundscapes that melt the worry away, with moments of quiet catharsis that I don’t experience very often in ambient music.
Golden Retriever & Chuck Johnson – Rain Shadow Read More »
The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.
Anna & Elizabeth – The Invisible Comes to Us Read More »
Amidst the icy winds of tribal drones and pagan folk rituals, there are moments of mystical serenity in the music of Natural Snow Buildings, like serendipitously finding warm shelter while lost in a punishing blizzard.
Natural Snow Buildings – The Snowbringer’s Cult Read More »
Welcome Home Pup is a a swirling haze of dreamy bedroom-pop and homespun psychedelia that wears its heart on its sleeve.
Recommended if you dig Alex G, Animal Collective (pre-Feels), or American Football
Puppy Soul – Welcome Home Pup [Bandcamp Review] Read More »
While the luminescent drones and angelic simulacra of Deepak Verbera expanded out into the cosmos, Botany’s newest LP feels more rooted in the soil of our material reality. The bass heavy beats and impassioned vocal samples inspire movement and action rather than contemplation alone, not to say the results aren’t heady. Rich tapestries of resonant acoustic instruments (harps, flutes, percussion, strings), woozy synths, and warm tape hiss are as intricate as ever and easy to lose (or find?) yourself in.?Recommended to fans of Flying Lotus’ Until the Quiet Comes, Boards of Canada, and Alice Coltrane.?
Botany – End the Summertime F(or)ever Read More »
While escapism is an understandable instinct in times of turmoil, The Spirits Will Shimmer encourages reflection on our current realities rather than turning a blind eye. New Balance’s Jeremy Leasure thoughtfully constructs a sonic cocoon of backwoods ambience from warped banjo improvisations and Casio synth atmospheres, foregoing the vivid lyrical imagery and lush arrangments of past releases. By offering a temporary respite from overstimulation, these meditative mood pieces carve out the space necessary to process the endless stream of information weighing on our hearts and minds.
New Balance – The Spirits will Shimmer while I stare at their Shadows Read More »
The free-form psychedelia and tribal “group therapy” of Sunburned Hand of the Man are in great hands with producer Kieran Hebden (Four Tet)—his dubs and cuts transform their usually lo-fi, meandering jams into something much more immediate, without losing any of their exploratory and spontaneous energy. Recommended for fans of polyrhythmic Afro-inspired percussion, dubbed out production, communal sound rituals, and dense psychedelia.
Sunburned Hand of the Man – Fire Escape Read More »
Style: Psychedelic Funk
Vibe: Triumphant, Energetic, Anthemic, Communal, Rebellious, Groovy, Sunny, Psychedelic, Powerful, Confident, Eclectic, Complex
Sly & the Family Stone – There’s a Riot Goin’ On Read More »
Listening to Alex G, one might imagine a young alien sitting alone in his martian bedroom baring his angsty, teenage confessions to his 4-track tape recorder. Yet, at the core of his music, underneath layers of psychedelic guitars, weird pitch-shifted vocals, and occasional lo-fi hiss, lies some genius pop songs that feel simultaneously adolescent and mature.
Recommended for fans of lo-fi experimentation and bedroom pop. Alex seems to pull influences from all over and channel them through his own unique personality and penchant for odd, psychedelic production. Recalls Elliot Smith’s loner acoustic songwriting and drum machines pulled from 80?s pop songs; there’s even a fucked up jazz piano ballad thrown into the mix.
Alex G – Beach Music Read More »
This impressionistic and contemplative collaboration channels deep American folk roots through free flowing improvisations. The panoramic and sensitive drumming of Jim White (Dirty Three, Cat Power, etc) is a perfect match for Marisa Anderson’s primitivist guitar sensibilities, which feel both immediate and abstract.
Jim White and Marisa Anderson – The Quickening Read More »
These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine. The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos.
Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson
James Holden & the Animal Spirits – The Animal Spirits Read More »
Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.
Human Behavior – Kedumim Read More »
Released in 2017 on Drag City Records Format: LP Review “The world wants an oath but all you can say is: ‘I promise to take up space. I can only promise to take up space” In a society that places such high expectations on individuals to shrink themselves in order to fit into the predominating
Circuit Des Yeux – Reaching for Indigo [Review] Read More »
Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.
Irreversible Entanglements – Who Sent You? Read More »
The second Radio Gnome transmission finds Zero the Hero astral projecting to PlanetGong where he meets with Selene the Moon Goddess and the Octave Doctors to learn the infinite powers of their lovewisdom vibrations. This psychedelic journey brings together fantastical imagery of pothead pixies and flying teapots (and a dose of hippy hedonism) with heady spiritual concepts delivered in a quite fun and silly way, but even before digging into the concept I was immediately grabbed by their unique style spacey jazz-rock with its propulsive bass lines, immersive synthesizer atmospheres and serpentine soprano sax soloing.
Gong – Angel’s Egg (Radio Gnome Invisible Part 2) Read More »
Style: Canterbury Scene, Psych Rock
Vibe: Psychedelic, Whimsical, Joyful, Eccentric, Spacey, Playful
Musical Attributes: Raw, Progressive, lo-fi
Gong – Magick Brother Read More »
This heavy drone rock feels like a journey through some haunted terrains and forests in ancient Europe. Monolithic fogs of synths and electronic soundscapes drone on for minutes at a time, occasionally being infiltrated by psychedelic guitars and pummeling marches of drums and bass. Given the cohesive ark, determined focus, and fluidity of the album (without as much as a pause between tracks until track 7), it was surprising to find that most of the songs are studio-enchanced improvisations pulled from 2014 tour recordings.
Recommended for fans of motorik drums, the thick drone of early Earth or Sunn O))), psychedelic guitar noises and fuzzy stoner rock riffs.
Ulver – ATGCLVLSSCAP Read More »
Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil Taylor – Piano Alan Silva – Upright Bass Henry Grimes – Upright Bass Andrew Cyrille – Drums Jimmy Lyons – Alto Saxophone Eddy Gale Stevens, Jr. – Trumpet Ken McIntyre – Alto Saxophone, Oboe, Bass
Cecil Taylor – Unit Structures Read More »
Months after introducing us to the hazy bedroom-psych of his debut EP, songwriter/producer Ainsley Scullion returns with a glossy new single under his Glass Tree Season moniker. “Colour” features an upgrade in production and fidelity, without much alteration to his chilled out style of psychedelic dream-pop. The track begins with a slow, melancholy chord progression
Glass Tree Season – Colour [Track Review] Read More »
Innovative guitarist and producer Dave Harrington (Darkside) uses his latest record to explore the outer reaches of improvisation and compositional post-production. Pure Imagination, No Country is jazz-rock fusion stripped of its retro connotations—fusing hard grooves, free flights of collective improvisation, and futuristic ambience to create something that is at turns atmospheric and in your face.
Recommended for fans of Bill Frisell, Terje Rypdal, or Jaga Jazzist
Dave Harrington Group – Pure Imagination, No Country Read More »
The cubist sophisti-pop of Impossible Spaces feels both breezy and proggy in its chilled-out intricacy. Sandro Perri’s evocative songwriting and catchy melodicism are brought into high-definition by warmly futuristic production, atmospheric synthesizers, and lush arrangements for strings, horns, and woodwinds.
Sandro Perri – Impossible Spaces Read More »
There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.
Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.
Ought – Sun Coming Down Read More »
Released in 2015 on Sub Pop Records Format: LPx2 Deluxe edition Overview Josh Tillman is an open book; while his last album (Fear Fun) dove into his story of personal transformation and self discovery, I Love You, Honeybear explores his relationship with his wife and the effect she’s had on his life. In other words, this is
Father John Misty – I Love You, Honeybear Read More »
After missing Julia Holter’s set at the Lodge Room back in March, I was grateful to have a second chance to see her and the band go another round in LA, again in support of her imaginative latest album Aviary (one of my favorite albums of 2018). The whole concert seemed to be an end-of-tour victory
Julia Holter at the Teragram Ballroom – Aug 1, 2019 Read More »
While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.
Circle – Paris-Concert Read More »
Following a precise fill from the rhythm section, a shimmering guitar chord kicks “Only Shadow” into a tight, catchy groove, bathing the crisp drums and plunky bass line in a sun-kissed glow. At first impression, Palm Spiral’s debut single sounds like it could be a lost Tame Impala track, suggesting a hypothetical middle path between
Track Review: Palm Spiral – “Only Shadow” Read More »
This hypnotic, noisy, and improvisatory live album from Australian experimenter, collaborator, and improviser Oren Ambarchi features two separate performances of his epic composition “Knots”. (Click for full review)
Oren Ambarchi – Live Knots Read More »
Compared to the immediate songwriting and lush textures of Helplessness Blues, the progressive folk-rock opus Crack Up feels like an impenetrable wilderness on first listen with its dense, tangled arrangements and complex compositions.
Fleet Foxes – Crack Up Read More »
On his latest, producer/composer/multi-instrumentalist Bibio blends serene folk pop, lush instrumentation, pastoral guitar instrumentals, nature field recordings, Walt Whitman-esque lyrics and beat-oriented grooves into the perfectly crafted springtime album. Ribbons feels like daydreaming in a garden or out in the woods under a tree or by a trickling stream.
The Order of Things takes you on a strange journey, starting off with a long ambient song built around field recordings, light acoustic guitar and some weird drones in the background. Highly recommended if you’re a fan of experimental post-rock, drone, or music that doesn’t like to be easily categorized.?
Tarentel – The Order of Things Read More »
Eucalyptus is a beautiful, enveloping excursion of aquatic psych-folk characterized by flowing, hallucinogenic instrumentation, atmospheric production, nature field recordings, and ghostly background vocals from one of my favorite singers, Angel Deradoorian. Avey Tare’s introspective and intimate lyrics mix psychedelic revelations, reminiscing, surreal imagery, and nature/water themes, often leading to profound realizations of a very personal sense of spirituality. The lush orchestrations are arranged by the amazing and unique violist Eyvind Kang, which include woodwinds, horns, strings, and pedal steel slide guitar from Susan Alcorn.
For fans of Animal Collective’s “Campfire Songs” and the slow portions of “Feels”.
Click for full review
Avey Tare – Eucalyptus Read More »
On experimental musician David Grubb’s first dedicated songwriter outing, he synthesizes technical bluegrass banjo and fingerstyle acoustic guitar playing with imaginative arrangements, abrupt stylistic shifts, philosophical questioning lyrics, improvisation, and drones. Featured musicians include drummer John McEntire (Tortoise, The Sea and Cake), bassist Josh Abrams (Natural Information Society), and drone violinist Tony Conrad.
David Grubbs – The Thicket Read More »
Doug McComb’s first album as Brokeback is imbued with pastoral Impressionism, experimentalism, and a sense of Zen contentment. The record is mostly centered around his Bass VI, a short-scale bass with six strings that is trebly enough to function in both guitar and bass roles. This versatile instrument is usually wet with chorus and reverb that sculpt a fluid, aquatic tone to complement the slow, tranquil melodies. Outside of some solo pieces Doug is joined by a variety of accompaniment including lap steel guitar, synth, upright bass, Rhodes, vocals from Mary Hansen, and light percussion provided by producer/Tortoise bandmate John McEntire. This is a record that can be appreciated from a passive impressionistic standpoint, as well as under the microscopic attention of an engaged ear. (Follow link for full review)
Recommended for fans of Tortoise or Ennio Morricone’s spaghetti Western soundtracks
Brokeback – Field Recordings from the Cook County Water Table Read More »
A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.
Bonnie ‘Prince’ Billy & Bitchin Bajas – Epic Jammers and Fortunate Little Ditties Read More »
Pulling away from the jazzy psych-pop of their first two albums, Soft Machine gears towards sprawling sidelong compositions of spacey prog infused with thematic jazz fusion improvisations, compositional edits, and heavy doses of experimental post-production (Click for Full Review)
Soft Machine – Third Read More »
While the music on Zeit feels motionlessly suspended in the empty vastness of space, the music on Phaedra seem to discover a swampy alien planet, Pulsing sequencers, dramatic mellotrons, airy flutes, and sweeping synthesizers are drenched in strange echoes and reverbs to create suspenseful alien soundscapes.
Tangerine Dream – Phaedra Read More »
After 20+ years of using his introspective songwriting as a playground for psychedelic lo-fi experimentation, underdog hero Emil Amos hands the production reins to John Angello (Sonic Youth, Dinosaur Jr.) for his most polished album yet, capturing the best aspects of 70’s rock classics without ever feeling cliché. The hi-fi analogue production brings a newfound clarity and depth that allows Amos’ songwriting and instrumental performances to bloom; the choruses are anthemic, the atmospheres are darkly psychedelic, and his lyrics are just as philosophical and contemplative as ever.
Holy Sons – In the Garden Read More »
Halvorson has been developing her own idiosyncratic and multi-dimensional language on guitar for almost two decades now (perhaps most clearly heard on her 2015 solo album, Meltframe). On Code Girl, this language is augmented by a dramatic and powerful quintet, featuring the symbiotic rhythm section of her usual trio Thumbscrew, as well as Ambrose Akinmusire’s expressive trumpet playing and Amirtha Kidambi’s intensely operatic vocals, singing cryptic lyrics penned by Halvorson. Together the band uses complex five-part counterpoint to weave intricate webs of melody, rhythm, and texture through progressive and dynamic structures.
Side note: It’s interesting how the number 5 is so prominent in all the album images (pentagons, fingers, toes, stars, etc)
Mary Halvorson – Code Girl Read More »
An ethereal and somewhat haunting dream-folk collaboration between guitarist/singer Meg Baird (Espers, Heron Oblivion), and harpist Mary Lattimore, who’s recorded with Fursaxa, Steve Gunn, and others in addition to her hypnotic solo work.
Highly Recommended for fans of Natural Snow Buildings, Cocteau Twins “Victorialand”, Laraaji, and 60’s British & Scottish Folk music
Meg Baird & Mary Lattimore – Ghost Forests Read More »
Discpline marks the first in a trilogy of complex prog-meets-new-wave masterpieces that have been relished by anxious overthinkers for decades…featuring polyrhythmic riffs, innovative guitar textures, overwrought sing-talking, and a strong inter-band chemistry.
King Crimson – Discipline Read More »
The new album from guitarist Yonatan Gat finds cohesiveness in its sprawling diversity. Stylistically it combines the rawness of garage rock, the thematic improvisation of Free jazz, and the experimental editing of musique concréte with psychedelic production, Arabic and Klezmer scales and surfy tremelo guitars.
Yonatan Gat – Universalists Read More »
Recommended for those who know that “psychedelic” is not a sound, but a spirit of creativity and exploration within the mind. Those who know Deradoorian for her work with Dirty Projectors will appreciate the complex arrangements and production, albeit in a much more mysterious context. Fans of Bjork, Black Moth Super Rainbow, Flaming Lips, Portishead, or Can will also find a lot to love.
Deradoorian – The Expanding Flower Planet Read More »
Eric Chenaux’s gentle falsetto is the most constant, tangible element on an album characterized by a permanent state of flux. The guitars are warbly and unsteady with their fluctuating tones, volume, and pitch. Yet, despite their experimental nature, they never sound abrasive and, together with some mellow Wurlitzer, create a soft, pillowy environment for Chenaux’s romantic crooning about the nature of love, the moon, and warm nights.
Eric Chenaux – Slowly Paradise Read More »
On Automaginary, the Gnawa-inspired cosmic jazz of Natural Information Society is augmented by the flowing textures of Chicago new age trio Bitchin Bajas to create an album of enveloping drones and trance-inducing rhythms. (Follow link for full Review)
Natural Information Society & Bitchin Bajas – Automaginary Read More »
Over the past decade, Josh Abrams has been using his guimbri to create music inspired by the ceremonial music of the Gnawa in North Africa, infusing it with a wide variety of influences from kosmische to minimalism to the avant-garde jazz of his local scene in Chicago. On this album, the focus is on “pure motion” driven by double drummers hypnotically interlocking with guimbri, guitar, keys and harmonium. Each individual plays unique rhythmic figures that push and pull against each other like polyrhythmic tectonic plates, creating constantly changing, yet circular grooves.
Joshua Abrams & Natural Information Society – Simultonality Read More »
Categorization and comparison are the least of lojii’s worries, instead prioritizing creative expression and finding spiritual truth and power in this dimly lit dystopia. He delivers his prophetic words with a focused, unwavering determination, while the beats are gritty and nocturnal with their open percussion, eerie synths, and negative space. Don’t miss out on this one.
Groovy soul instrumentals decorated with sweeping orchestral arrangements, jazz soloing, and psychedelic guitars, all inspired by William Blake’s writings.
David Axelrod – Songs of Innocence Read More »
A unique blend of post-rock, stoner rock, and shoegaze crafted into a cohesive, perfectly fluid 25 minutes. Hallucinogenic atmospheres, shadowy guitar effects, and mysterious pitch-shifted vocals envelope driving, stoner-fuzz bass lines that often liquify into the watery chorus-bass you might find on the Cure’s Disintegration or an Isis album.
Marriages – Kitsune Read More »
“Four relentless bouts of inspired fire music forged from the true spirit of free jazz, driven by searing poetic narrations of Black trauma, survival and power” (from press release)
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Irreversible Entanglements – Irreversible Entanglements Read More »
Released in 2012 by Numero Group Recorded in 1976 Format: LP Overview Originally recorded in 1976, this psychedelic latin-jazz masterpiece never got a proper release due to both a lack of interest from record labels and Lovo’s family having to flee from Nicaragua in fear of the mass executions committed by the Sandinista government. Thanks
Alfonso Lovo – La Gigantona Read More »
This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.
Miles Davis – Get Up With It Read More »
I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.
Julian Priester Pepo Mtoto – Love, Love Read More »
The brooding, atmospheric synth-pop of Poliça’s third LP finds Channy Leaneagh’s passionate vocals once again supported by prominent bass grooves, driving dual drummers, and occasional string and horn arrangements, all mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and as well as more political topics such as police violence.
For fans of Portishead, The Knife
Poliça – United Crushers Read More »
On their debut long-player, the Houston quartet explores apathy, disconnectedness and the loss of relationships through their sludgy post-hardcore.
For fans of These Arms Are Snakes, Drive Like Jehu, Unwound
Ruiners – Typecast Read More »
On his debut album, the guitar and banjo virtuoso starts off with a 22-minute droning epic fusing American and Arabic Folk music with Indian Raga on his acoustic guitar (often trying to imitate the feeling of the oud). Here, he is accompanied by the fluid, driving drums of Billy Higgins. Side 2 is made up of 4 shorter solo pieces, mostly for the banjo, including an impressive rendition of “Carmina Burana” by German composer Carl Orff and a folky mountain song.
Sandy Bull – Fantasias for Guitar and Banjo Read More »
British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker
John Martyn – Solid Air Read More »
Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.
Kendrick Lamar – To Pimp a Butterfly Read More »
Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.?
Julie Byrne – Not Even Happiness Read More »
At the core of these electrouacoustic Arabic folk songs lies expressive vocals and the buzuk, a fretted lute which Radwan Ghazi Moumneh plays with a near religious determination. While these instruments are played nakedly and organically, it is the production and recording that really exhibits the experimental and atmospheric nature of the music. Acoustic instruments are re-sampled and processed to create granular and rhythmic accompaniment, while waves of white noise, synths and field recordings are used to adorn and enhance the emotional twists and turns of the raw acoustic performances.
Jerusalem in My Heart – If He Dies, If If If If If If Read More »
LP, Drag City, 2013 Overview In an interview around the release of Dream River, Bill Callahan said he wanted it to be “the last record you could listen to at the end of the day, before you go to bed, around midnight.” So for my first listen of the album I crawled into bed with my
Bill Callahan – Dream River Read More »
Saxophonist Colin Stetson and violinist Sarah Neufeld employ innovative performance techniques, mutating ostinatos and an atmospheric sense of texture to compose minimalist compositions that are as brooding and haunting they are hypnotically beautiful.
Colin Stetson and Sarah Neufeld – Never Were the Way She Was Read More »
Kamasi Washington and his band The Next Step, pick up where their forefathers and mothers left off by making spiritual jazz that respects the jazz canon without getting stuck in the past. This album ranges from free to groovy to melodic without losing sight of its mission. The inclusion of such a large band, an orchestra, a choir, and even a turntablist allows an infinite, colorful array of tonal and dynamic possibilities.
Kamasi Washington – The Epic Read More »
