2025

Moor Mother – The Great Bailout

Sonically, this suite continuously transforms by folding different time-spaces on top of each other. Funereal keyboards and ethereal harp echoes give way to haunting trumpet improvisations over stark trap beats; choral spirituals emerge from gritty bass drones; spectral strings are set against glitchy samples. But this is not just music. This is quantum physics; temporal alchemy; ancestral communion; vibrational magic; spirit channeling. These sounds & words are ultimately an act of liberating history from the colonial clutches of a linear timeline, whose violent inertia charges forward to a hegemonic and apocalyptic horizon.

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Los Gigantes Dormidos – En Los Jardines de Mis Abuelos

“he music contains mostly indigenous instruments such as flutes and ceremonial percussion instruments, as well as classical guitar, electric bass, a persian Santoor and one small keyboard. The song texts are improvised prayers in English, Spanish and Nahuatl. Every recording session started with a guided meditation and ultimately turned into a spiritual journey. A psychedelic trip telling of holy lands, the great spirits that inhabit it and a newborn, yet ancient brotherhood.”

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Maurice Louca – Bariy (Fera)

Style: Progressive Shaabi, Chamber Jazz, Arabic Psych, Arabic Folk

Vibes: Dreamy, Aquatic, Flowing, Hypnotic, Elegant, Intertwined, Spiritual, Searching, Passionate, Intricate, Surreal, Uplifting, Transcendent

Instrumentation: Acoustic & Electric Guitars, Drums, Percussion, Upright Bass, Oud, Violin, Theremin

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