Abstract Groove

Exploding Star Orchestra – Lightning Dreamers

featuring Rob Mazurek, Jeff Parker, Nicole Mitchell, Damon Locks, Gerard Cleaver, Craig Taborn, Angelica Sanchez & Mauricio Takara

Style: Cyber-Jazz, Cosmic Big-Band, Jazz Fission

Vibes: Futuristic, Communal, Triumphant, Cosmic, Surreal, Exploratory, Anthemic, Colorful

Musical Qualities: Dense, Collective Improvisation, Polyphonic, Percussive, Progressive, Rhythmic, Spoken Word, Studio-as-an-Instrument, Suite

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Billy Hart – Enchance

featuring Buster Williams, Dewey Redman, Dave Holland, Oliver Lake, Eddie Henderson, Don Pullen & Thabo Michael Carvin

Style: Jazz-Fission, Spiritual Jazz, Post-Bop

Moods: Exploratory, Forest, Spiritual, Nocturnal, Triumphant, Communal, Energetic, Free, Knotty, Intertwined, Mysterious, Spontaneous

Musical Qualities: Polyphonic, Collective Improvisation, Ostinato, Acoustic, Complex, Dense, Progressive, Technical

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Bird Show Band

Ben Vida (Moog Voyager); Josh Abrams (Upright Bass); John Herndon (Drums); Dan Bitney (Drums); Jim Baker (Arp 2600)

Style: Future Jazz, Progressive Electronic, Electro-Jazz, Post-Rock

Moods: Spacey, Exploratory, Suspenseful, Abstract, Playful, Responsive, Knotty, Mysterious, Futuristic, Spontaneous, Hypnotic

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Sunburned Hand of the Man

Style: Free-Rock, Ritual-Psych, Group Therapy, Abstract Groove

Moods: Spontaneous, Communal, Groovy, Ritualistic, Exploratory, Primordial, Abstract, Meandering, Mysterious, Cathartic, Primal, Kinetic, Spacey, Eccentric, Stream-of-Conscious

Musical Qualities: Collective Improvisation, Propulsive, Rhythmic, Percussive, Spoken Word, Dense, Droney, Lo-Fi, Repetitive

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Miles Davis – On the Corner

featuring Billy Hart, Bennie Maupin, Badal Roy, Mtume, Michael Henderson, Jack DeJohnette, Herbie Hancock, Paul Buckmaster, John McLaughlin, Dave Liebman, Don Alias, Carlos Garnett, Colin Walcott, Khalil Balakrishna, Lonnie Liston Smith, Chick Corea, Harold Williams, David Creamer

Style: Abstract Groove, Jazz Fission, Avant-Funk

Moods: Surreal, Urban, Hypnotic, Communal, Groovy, Colorful, Playful, Circular, Futuristic

Musical Qualities: Rhythmic, Repetitive, Dense, Improvisation, Instrumental, Studio-as-an-instrument

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Arthur Blythe – Illusions

Style: Free Jazz, Abstract Groove, Avant Jazz-Funk

Moods: Funky, Playful, Angular, Driving, Passionate, Intertwined, Eccentric, Triumphant, Uplifting, Knotty, Exploratory, Kinetic, Spiritual, Energetic

Musical Qualities: Thematic, Rhythmic, Uncommon Time Signatures, Progressive, Dense, Collective Improvisation, Technical

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Eddie Henderson – Inside Out

Style: Jazz Fission, Abstract Groove, Cosmic Jazz, Free-Fusion

Moods: Cosmic, Propulsive, Exploratory, Adventurous, Spiritual, abstract groove, communal, cosmic, driving, epic, exploratory, improvisation, instrumental, mysterious, rhythmic, thematic, psychedelic,

Musical Qualities: Collective Improvisation, Rhythmic, Ostinato, Dub Fx, Thematic

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John Abercrombie – Timeless

Personnel: John Abercrombie – Electric & Acoustic Guitars; Jack DeJohnette – Drums; Jan Hammer – Organ, Synthesizer, Piano

Style: Jazz Fusion

Vibe: Epic, Triumphant, Spacey, Bombastic, Pastoral (A2, B2, B3), Energetic

Musical Qualities: Shred, Rhythmic, Instrumental, Groovy, Progressive, Technical, Improvisation, Complex, Dynamic

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Anteloper – Pink Dolphin

Style: Jazz Fission, Psychedelic Jazz, Abstract Groove

Moods: Aquatic, Cosmic, Colorful, Futuristic, Triumphant, Mysterious, Playful, Exploratory, Surreal, Impressionistic

Musical Qualities: Collective Improvisation, Electro-Acoustic, Studio-as-an-Instrument, Complex, Rhythmic

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Anteloper – Kudu

Style: Cyber-Jazz, Abstract Groove, Avant-Garde Jazz

Vibe: Futuristic, Menacing, Exploratory, Kinetic, Ominous, Spacey, Energetic, Colorful, Surreal, Suspenseful, Adventure

Musical Qualities: Duo Improvisation, Thematic, Instrumental, Electro-Acoustic, Percussive, Rhythmic, Atmospheric

Instrumentation: Trumpet, Drums, Synthesizers, Electronics

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Miles Davis – Live in Tokyo 1973

Personnel: Miles Davis – Trumpet, Organ; Pete Cosey – Electric Guitar; Reggie Lucas – Electric Guitar; Al Foster – Drums; Mtume – Percussion, Michael Henderson – Electric Bass; Dave Liebman – Soprano Saxophone, Tenor Saxophone, Flute

Style: Abstract Groove, Psychedelic Jazz Fusion

Vibe: Exploratory, Powerful, Menacing, Mysterious, Serpentine, Complex, Aggressive, Bluesy, Energetic, Groovy, Psychedelic

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Material – Temporary Music

Style: Industrial Jazz-Funk, Abstract Fusion, No Wave

Vibe: Futuristic, Menacing, Cold, Groovy, Mechanical, Hypnotic, Industrial, Dystopian

Musical Qualities: Rhythmic, Repetitive, Dub Production, Instrumental, Percussive, Sampling

Instrumentation: Saxophone, Electric Bass, Drums, Percussion, Electric Guitar, Rhythm Box, Prepared Piano, Clarinet

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Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

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Miles Davis – Live Evil

Style: Social Music, Abstract Groove, Psych-Jazz, Free Fusion

Vibe: Adventure, Driving, Groovy, Menacing, Confident, Energetic, Complex, Climactic, Exploratory

Musical Qualities: Collective Improvisation, Dense, Percussive, Polyrhythmic, Thematic, Instrumental, Polyphonic

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São Paulo Underground – Beija Flors Velho E Sujo

Style: Future Jazz, Abstract Groove, Psychedelic Fusion

Vibe: Adventure, Futuristic, Triumphant, Spacey, Psychedelic, Energetic, Bombastic, Complex

Musical Qualities: Collective Improvisation, Thematic, Progressive, Percussive, Uncommon Time Signatures

Personnel:
Mauricio Takara – Percussion, Cavaquinho, Electronics
Guilherme Granado – Keyboards, Synths, Sampler, Voice
Rob Mazurek – Cornet, Evolver, Ring Modulator, Analog Delay, Harmonium

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Embryo – We Keep On

Style: Jazz-Rock, Prog, Kosmische, Psychedelic Jazz, Space Rock

Vibe: Exploratory, Triumphant, Adventurous, Cosmic, Epic, Groovy, Spacey, Playful, Psychedelic

Musical Qualities: Polyphonic, Complex, Improvisation, Percussive, Polyrhythmic, Progressive, Raga, Technical

Instrumentation: Saxophones (Soprano & Alto), Flutes, Nadaswaram, Mallet Percussion (Vibraphone, Marimba, Hammered Dulcimer), Electric Guitar, Electric Bass, Drums, Percussion, Saz, Keyboards (Piano, Fender Rhodes, Clavinet)

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Joe McPhee – Nation Time

Originally released in 1971 on CjR Recorded December, 1970 Superior Viaduct Reissue (2019) Style: Free Funk, Free Jazz, Abstract Groove Vibe: Energetic, Triumphant, Groovy, Confident, Rebellious, Black Pride Musical Attributes: Collective Improvisation, Live, Loose, Raw

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Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

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Eddie Henderson – Realization

Style: Abstract Funk, Jazz Fusion, Spiritual Jazz

Lineup: Eddie Henderson, Herbie Hancock, Bennie Maupin, Lenny White, Billy Hart, Buster Williams, Pat Gleeson

Vibe: Cosmic, Exploratory, Groovy, Atmospheric, Spacey, Spiritual

Musical Attributes: Collective Improvisation, Polyrhythmic, Odd Time Signatures, Studio-as-an-Instrument

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Fontanelle – Vitamin F

Fontanelle’s Vitamin F feels heavily indebted to the dense, psychedelic grooves of Bitches Brew and the Mwandishi albums, and while it doesn’t quite reach the majestic heights of those legendary records, it’s definitely a worthwhile slab of wax for fans of polyrhythmic funk, winding improvisations, and spacey keyboard atmospheres.

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Dave Harrington Group – Pure Imagination, No Country

Innovative guitarist and producer Dave Harrington (Darkside) uses his latest record to explore the outer reaches of improvisation and compositional post-production. Pure Imagination, No Country is jazz-rock fusion stripped of its retro connotations—fusing hard grooves, free flights of collective improvisation, and futuristic ambience to create something that is at turns atmospheric and in your face.

Recommended for fans of Bill Frisell, Terje Rypdal, or Jaga Jazzist

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Joshua Abrams & Natural Information Society – Simultonality

Over the past decade, Josh Abrams has been using his guimbri to create music inspired by the ceremonial music of the Gnawa in North Africa, infusing it with a wide variety of influences from kosmische to minimalism to the avant-garde jazz of his local scene in Chicago. On this album, the focus is on “pure motion” driven by double drummers hypnotically interlocking with guimbri, guitar, keys and harmonium. Each individual plays unique rhythmic figures that push and pull against each other like polyrhythmic tectonic plates, creating constantly changing, yet circular grooves.

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Julian Priester Pepo Mtoto – Love, Love

I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.

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