This lost slab of mythical prog doesn’t shy away from indulging in the retro pleasures of instrumental psych-jammage and triumphant jazz-rock. The atmospheric guitar, spacey Moog, and Hammond organ playing are both epic and economical, nary a note wasted. Philip Grondahl’s violin playing on the opening track is especially heroic, recalling the flights of Jean-Luc Ponty or Mahavishnu’s Jerry Goodman. Despite their collective starward gaze, Klyfta remains firmly grounded by the tightness of the rhythm section. Aside from the explosive entropy of the first track (beginning with Anders Strand’s expansive upright bass solo), the grooves focus on repetitive momentum with unwavering determination.
“Side one features a collection of songs performed by a pliant and almost pristine quartet playing songs by Ornette Coleman, Paul Motian, Chris Schlarb, and Shadduck himself, while side two finds Anthony leading a loose, rocking and roiling double quartet performing more obliquely structures pieces and employing a healthy dose of spontaneous improvisation. Both ensembles strike my ear as CLASSIC, spanning the areas of jazz impressionism and edgy-yet-controlled “free jazz” with dedication and distinction.”
[From the liner notes, written by Nels Cline]