Anti-Colonial

Moor Mother – The Great Bailout

Sonically, this suite continuously transforms by folding different time-spaces on top of each other. Funereal keyboards and ethereal harp echoes give way to haunting trumpet improvisations over stark trap beats; choral spirituals emerge from gritty bass drones; spectral strings are set against glitchy samples. But this is not just music. This is quantum physics; temporal alchemy; ancestral communion; vibrational magic; spirit channeling. These sounds & words are ultimately an act of liberating history from the colonial clutches of a linear timeline, whose violent inertia charges forward to a hegemonic and apocalyptic horizon.

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FYEAR

Style: Liberation Music, Industrial Jazz, Slam Poetry, Avant-Prog

Vibe: Dystopian, Rebellious, Anxious, Communal, Poetic, Bleak, Apocalyptic, Determined, Powerful, Conscious, Dark, Industrial, Intense, Winter, Climactic

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Ibelisse Guardia Ferragutti & Frank Rosaly – Mestizx

Style & Influences: Latin Jazz, Bomba, Cyber-Jazz, Plena, Trip-Hop, No Wave, Cumbia, Experimental

Vibes: Ritualistic, Ancient, Futuristic, Introspective, Brooding, Sensual, Intertwined, Grimy, Psychedelic, Moody, Eclectic, Healing

Themes: Decolonization, History, Ancestors, Alienation, Roots, Tradition

Musical Qualities: Polyrhythmic, Studio-as-an-Instrument, Electro-Acoustic, Percussive, Progressive, Uncommon Time Signatures

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White Boy Scream – Bakunawa

Style: Electro-Acoustic Opera, Sound Collage, Neoclassical Darkwave

Vibes: Ritualistic, Mythic, Decolonial, Cathartic, Spiritual, Intense, Chaotic, Powerful, Suspenseful, Personal, Storytelling

Musical Qualities: Operatic Vocals, Noise, Chants, Extended Technique, Vocal Processing, Sampling, Suite

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BOOK REVIEW: No Spiritual Surrender: Indigenous Anarchy in Defense of the Sacred (by Klee Benally)

“A reverberating despair echoes through dry canyons and off distant concrete walls filled with ancestral subversions, it is the far crying conspiracy of anti-colonial dissonance. It is the conflict of Settler cognition in discord with itself, resonating against its contours and contradictions. It is the overbearing sound of desperation and failure weaponized into a pedagogy of negation. Our defiances, our subterfuges, our anti-colonial antagonisms all have a natural resonant frequency. This is the indelicate strategy of breaking glass with sound. This is part of how we make sense of this world, again. I offer that it is the responsibility of those who wage anti-colonial struggle to break the static infrastructures of settler colonialism.”

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