Appalachian Folk

Dorothy Carter – Troubadour

LP, Celeste Recording, 1976 Style: Neo-Medieval Folk, Progressive Folk, Traditional [Appalachian, Celtic, European, Hymns] Vibes: Hypnotic, Flowing, Rootsy, Medieval, Passionate, Meditative, Peaceful Musical Qualities: Acoustic, Suite, Pulse Instrumentation: Voice, Hammered Dulcimer, Psalteries, Flute Tamboura, Ch’in

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Pelt – Ayahuasca

Style: Free Folk, Appalachian Dhrupad, Psychedelic Drone, American Primitive

Moods: Ritualistic, Meditative, Spiritual, Rural, Hallucinogenic, Eerie, Mysterious, Rootsy, Woods

Musical Qualities: Droney, Acoustic, Noisy, Dissonant, Improvisation

Instrumentation: Banjo, Hurdy Gurdy, Acoustic Guitar, Esraj, Tanpura, Bowls, Fiddle, Concertina, Chord Organ, Cymbals

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Sarah Louise – Earth Bow

Style: Free Folk, Cosmic Appalachia, Ambient Folk, Healing Music

Vibe: hypnotic, amorphous, confident, cosmic, dreamy, earthy, ethereal, existential, exploratory, forest, warm, spiritual, spontaneous, soothing, psychedelic, passionate, nature, meditative, hallucinogenic

Musical Qualities: Suite, Electro-Acoustic, Studio-as-an-instrument, Loops, Home Recording, Progressive, Field Recordings

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Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel,
Milford Graves, Chris Vatalaro, James Sultan

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