Canterbury Scene

Robert Wyatt – The Animals Film

Style: Progressive Electronic, Film Score, Experimental

Vibes: Dystopian, Hallucinatory, Mysterious, Suspenseful, Gloomy, Hypnotic, Futuristic, Exploratory, Ominous, Cinematic, Haunting, Imaginative

Musical Qualities: Suite, Vignettes, Atmospheric, Studio-as-an-Instrument, Progressive

Instrumentation: Synthesizers, Piano, Experimental Vocals, Drums

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Henry Cow – Unrest

On their second LP, Henry Cow weaves together elements of eerie chamber music, free improvisation, and deconstructed prog to create something that seems like the missing link between the Canterbury jazz-rock of Soft Machine and Gong and the dissonant avant-rock of This Heat.

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Gilli Smyth – Mother

Style: Cosmic Folk, Psychedelic Rock, Jazz Poetry

Moods: Cosmic, Feminist, Conscious, Poetic, Eccentric, Witchy, Flowing, Eclectic, Mystical, Psychedelic, Storytelling, Messy

Musical Qualities: Spoken Word, Collage, Improvisation

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The Soft Machine

Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced

Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting

Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose

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COS – Cosmix

Style: Prog, Jazz Rock, Canterbury Scene, Cosmic Disco

Vibe: Triumphant, Complex, Anthemic, Groovy, Spacey, Exploratory, Energetic, Warm, Eccentric, Surreal, Playful, Adventure, Epic

Musical Qualities: Progressive, Thematic, Lush, Group Vocals, Technical, Rhythmic, Odd Time Signatures, Improvisation, Polyphonic

Instrumentation: Flute, Electric Bass, Electric Guitar, Horns, Synthesizer

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Robert Wyatt – Shleep

Style: Surreal Pop, Imaginative Singer/Songwriter, Prog-Pop, Canterbury Scene

Vibe: Dreamy, Ethereal, Airy, Floating, Surreal, Eclectic, Introspective, Complex, Mellow, Imaginative, Atmospheric

Musical Attributes: Progressive, Melodic, Studio-as-an-Instrument, Active listening, Jazz-Influenced

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Robert Wyatt – Old Rottenhat

Style: Experimental Singer-Songwriter, Art Pop, Canterbury Scene, Jazz-Rock

Vibe: Political (Anti-Capitalist, Anti-Imperialist), Satirical, Conscious, Melancholy, Hypnotic

Musical Attributes/Instrumentation: Sparse, Studio-as-an-Instrument, Layered Vocals, Digital Keyboards, Drum Machines, Percussion, Synthesizers, Piano

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Gong – Angel’s Egg (Radio Gnome Invisible Part 2)

The second Radio Gnome transmission finds Zero the Hero astral projecting to PlanetGong where he meets with Selene the Moon Goddess and the Octave Doctors to learn the infinite powers of their lovewisdom vibrations. This psychedelic journey brings together fantastical imagery of pothead pixies and flying teapots (and a dose of hippy hedonism) with heady spiritual concepts delivered in a quite fun and silly way, but even before digging into the concept I was immediately grabbed by their unique style spacey jazz-rock with its propulsive bass lines, immersive synthesizer atmospheres and serpentine soprano sax soloing.

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Soft Machine – Third

Pulling away from the jazzy psych-pop of their first two albums, Soft Machine gears towards sprawling sidelong compositions of spacey prog infused with thematic jazz fusion improvisations, compositional edits, and heavy doses of experimental post-production (Click for Full Review)

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