Cerebral

Mary Halvorson – Amaryllis & Belladonna

Style: Avant-Garde Jazz, Post-Bop, Chamber Jazz, Prog

Moods: Adventurous, Enigmatic, Triumphant, Knotty, Ambitious, Intertwined, Cerebral, Angular, Surreal, Off-Kilter

Musical Qualities: Polyphonic, Thematic Improvisation, Progressive Structures, Uncommon Time Signature, Instrumental, Intertwined, Lush. Technical

Anthony Braxton – New York, Fall 1974

Featuring Jerome Cooper, Julius Hemphill, Dave Holland, Leroy Jenkins, Kenny Wheeler…

Style: Avant-Garde Jazz, Modern Creative, Post-Bop
Vibe: Knotty, Angular, Complex, Cerebral, Exploratory, Serious, Bustling (Side A), Mysterious (Side B)
Musical Qualities: Polyphonic, Extended Technique, Improvisation, Thematic, Instrumental

Outkast – ATLiens

Style: Southern Rap, Psychedelic Hip-Hop, Neo-Soul

Vibe: Futuristic, Spacey, Philosophical, Surreal, Urban, Cerebral, Confident, Conscious, Storytelling, Determined, Conceptual

Musical Qualities: Technical, Progressive, Lyrical, Sampling, Group Vocals, Rhythmic

Moor Mother – Circuit City

Style: Future Jazz, Free Jazz Theater, Jazz Poetry

Vibe: cathartic, cerebral, dystopian, energetic, futuristic, bombastic, intense, noisy, passionate, poetic, political, powerful, rebellious, urban, heavy, AfroFuturist

Musical Attributes: Complex, Conceptual, Dense, Dissonant, Spoken Word, Theatric, Progressive, Polyphonic, Improvisation

King Crimson – Lark’s Tongue in Aspic [Steven Wilson Mix]

Style: Prog, Chamber Rock

Vibe: Mercurial, Menacing, Bombastic, Cryptic, Muscular, Cerebral, Epic, Medieval, Aggressive, Bipolar, Heavy, Headphone Album

Musical Qualities: Dynamic, Complex, Progressive Structures, Uncommon Time Signatures, Percussive, Riffs,

Instrumentation: Electric Guitar, Violin, Mellotron, Electric Bass, Electric Keyboards, Percussion, Drums, Vocals

Irreversible Entanglements – Open the Gates

Style: Free Jazz, Future Jazz, Jazz Poetry, Liberation Music

Vibe: Ritualistic, Triumphant, Aquatic, Communal, Futuristic, Philosophical, Poetic, Anthemic, Cerebral, Confident, Conscious, Determined, Epic, Existential, Groovy, Healing, Heavy, Liberation, Political, Powerful, Rebellious, Evocative, Mystical, Intertwined

Musical Qualities: Thematic, Collective Improvisation, Acoustic Instrumentation, Spoken Word, Progressive Structures, Rhythmic, Polyphonic, Dynamic, Complex, Dub Fx

Björk – Medulla

Style: Art Pop, Experimental Electronic, Trip-Hop

Vibe: Somatic, Primal, Sensual, Passionate, Winter, Ancestral, Complex, Imaginative, Surreal, Heartfelt

Musical Qualities: A’Cappella, Choral Vocals, Experimental Vocals (Throat Singing, Beat Boxing, Manipulated Vocal Production), Studio-as-an-Instrument

King Crimson – Beat

Style: Art Rock, Progressive Pop

Vibe: Anxious, Eccentric, Romantic, Cerebral, Complex, Catchy, Bombastic, Dramatic, Surreal, Slick, Intertwined

Musical Qualities: Polyphonic, Uncommon Time Signatures, Polished, Progressive, Technical, Rhythmic

King Crimson – Three of a Perfect Pair

Style: Art Rock, Prog, Experimental Rock, Progressive Pop

Vibe: Anxious, Angular, Cerebral, Mechanical, Catchy, Ominous, Philosophical, Suspenseful, Dystopian, Urban, Confident

Musical Attributes: Complex, Uncommon Time Signatures, Polyrhythmic, Polished, Progressive, Technical

Armand Hammer & The Alchemist – Haram

Style: Hardcore Boom-Bap, Experimental Hip-Hop

Vibe: Gritty, Cerebral, Ominous, Futuristic, Restrained, Cryptic, Spiritual, Storytelling, Urban, Powerful

Musical Qualities: Beats, Sampling, Rhythmic

The Underflow – Instant Opaque Evening

Personnel:
David Grubbs (Electric Guitar, Vocals)
Rob Mazurek (Piccolo Trumpet, Electronics, Wooden Flute, Percussion, Voice)
Mats Gustafsson (Flute, Fluteophone, Baritone Saxophone, Live Electronics)


Style: Electroacoustic Improvisation, Future Jazz, Experimental Songwriter (B1,

Vibe: Suspenseful, Futuristic, Abstract, Spacious, Cerebral, Eclectic, Exploratory, Open, Patient, Cathartic, Ritualistic

Musical Qualities: Collective Improvisation, Electro-Acoustic, Percussive, Noise, Atonality, Dissonance, Dynamic, Live, Atmospheric

Wendy Eisenberg – Auto

Style: Progressive-Pop, Avant-Songwriter, Jazz-Rock, Math-Pop

Vibe: Whispery, Angular, Intimate, Heartfelt, Cerebral, Reflective, Love / Breakup, Restrained, Introspective, Contemplative, Anxious, Loner

Musical Qualities: Odd Time Signatures, Jazz-Influenced, Technical, Dynamic, Lyrical

Gastr Del Sol – 20 Songs Less

Style: Avant-Folk, Experimental, Math-Rock

Vibe: Sporadic, Chaotic, Abstract, Agular, Cerebral

Musical Attributes: Noisy, Glitchy, Collage, Complex, Electro-acoustic, Instrumental, Studio-as-an-instrument

The Books – Lost and Safe

Style: Collage-Pop, Glitch-Folk, Plunderphonics

Vibe: Surreal, Psychedelic, Peaceful, Cerebral, Meditative,  Philosophical, Spiritual, Uplifting, Warm, Playful, Hallucinogenic

Musical Attributes: Sampling, Electro-Acoustic, Melodic, Sound Collage, Vocal Manipulation

The Mars Volta – The Bedlam in Goliath

Style: Progressive Rock, Psych, Experimental Rock
Vibe: Bombastic, Mystical, Cerebral, Chaotic, Cryptic, Desert, Energetic, Epic, Hallucinogenic, intense, manic, Psychedelic, Complex
Musical Attributes: Dense, Odd Time Signatures, Progressive Structures, Polyrhythmic, Riffs, Technical

The Mars Volta – Amputechture

Style: Progressive Rock, Experimental Rock

Vibe: Epic, Psychedelic, Chaotic, Bombastic, Cerebral, Complex, Cryptic, Energetic, Ominous, Intense

Musical Attributes: Dense, Polyphonic, Technical, Odd Time Signatures, Headphone Album, Studio-as-an-Instrument, Progressive

Anthony Braxton – Creative Orchestra Music 1976

Style: Avant-Garde Big Band, Free Jazz

Vibe: Cerebral, Bombastic, Energetic, Complex, Abstract

Musical Attributes: Dense, Poly-Free Improvisation, Polyphonic, Dynamic, Instrumental, Technical, Innovative

Anthony Braxton – Five Pieces 1975

Released in 1975 on Arista Records Format: LP Syle:  Avant-Garde Jazz Vibe: Cerebral, Complex, Exploratory, Impressionistic Musical Attributes: Improvisation, Innovative, Melodic, Technical Personell: Anthony Braxton (Saxophone, Clarinet, Bass Clarinet, Flute), Kenny Wheeler (Trumpet, Flugelhorn), Dave Holland (Upright Bass), Barry Altschul (Drums)

Cecil Taylor – Conquistador

Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free

Anthony Davis – Epist?m?

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

Cannibal Ox – The Cold Vein

Originally released in 2001 on Definitive Jux 2013 deluxe edition on iHipHop Distribution Format: LPx4, including instrumentals, white vinyl

The Books – The Way Out

The Books’ music is simultaneously funny, innovative, catchy and enlightening. They use found sound and spoken word mixed with innovative recording techniques and acoustic instruments to create beautiful sound-collages that somehow create unity between all these disparate sources, as if they were all meant to be together. Everything these guys do, solo or together, is absolute genius.

King Crimson – In the Court of the Crimson King

Released in 1969 on Atlantic Format: LP Pressing quality: While this album is a masterpiece, these early pressings/masters sound a little tinny and lacking in low end. The recent reissues I’ve heard seem to be improved quality.

David Grubbs – The Thicket

On experimental musician David Grubb’s first dedicated songwriter outing, he synthesizes technical bluegrass banjo and fingerstyle acoustic guitar playing with imaginative arrangements, abrupt stylistic shifts, philosophical questioning lyrics, improvisation, and drones. Featured musicians include drummer John McEntire (Tortoise, The Sea and Cake), bassist Josh Abrams (Natural Information Society), and drone violinist Tony Conrad.