ECM

Meredith Monk – Dolmen Music

featuring Julius Eastman, Collin Walcott, and others

Style: Abstract Choral Music, Sound Poetry, Modern Chamber Music, Post-Minimalism

Vibes: Mysterious, Ritualistic, Mystical, Somatic, Impressionistic, Nocturnal, Spiritual

Instrumentation: Experimental Vocals, Percussion, Cello, Piano, Vocal Harmonies, Violin

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Stephen Micus – Koan

Style: Mystical Folk, New Age, Fourth World

Vibe: Ethereal, Meditative, Introspective, Airy, Searching, Healing, Mysterious, Soothing

Musical Qualities: Soft, Acoustic, Reverb-Heavy, Minimalistic, Instrumental

Instrumentation: Shakuhachi, Zither, Gender, Sarangi, Rabab, Bodhran, Angklung, Kyeezee, Bells, Acoustic Guitar

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Steve Tibbetts – Yr

Style: Progressive Folk, Jazz Fusion, ECM Jazz

Vibes: Mystical, Pastoral, Ethereal, Ancient, Pagan, Earthy, Exploratory, Smooth, Spiritual

Musical Qualities: Acoustic, Atmospheric, Complex, Instrumental, Uncommon Time Signatures, Percussive, Polyrhythmic, Progressive, Shred, Technical

Instrumentation: Acoustic & Electric Guitars, Congas, Drums, Kalimba, Synthesizer, Tabla, Electric Bass, Bongos

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Eberhard Weber – Yellow Fields

Style: ECM Jazz, Atmospheric Jazz Fusion

Vibe: Ethereal, Adventurous, Autumnal, Pastoral, Misty, Impressionistic, Complex, Intricate

Musical Qualities: Thematic Improvisation, Reverbed Production, Chorus FX, Melodic, Uncommon Time Signatures

Instrumentation: Upright Bass (w/ heavy chorus), Soprano Saxophone, Keyboards, Drums

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John Abercrombie – Timeless

Personnel: John Abercrombie – Electric & Acoustic Guitars; Jack DeJohnette – Drums; Jan Hammer – Organ, Synthesizer, Piano

Style: Jazz Fusion

Vibe: Epic, Triumphant, Spacey, Bombastic, Pastoral (A2, B2, B3), Energetic

Musical Qualities: Shred, Rhythmic, Instrumental, Groovy, Progressive, Technical, Improvisation, Complex, Dynamic

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John Surman – Upon Reflection

Style: Post-Minimalism, Ambient Jazz, Folk-Jazz, ECM Style

Moods: Meditative, Pastoral, Futuristic, Mysterious, Impressionistic, Hypnotic, Soothing, Searching

Musical Qualities: Electro-Acoustic, Minimalist, Instrumental, Pulse, Solo

Instrumentation: soprano saxophone, baritone saxophone, bass clarinet, synthesizer

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Marion Brown – Afternoon of a Georgia Faun

featuring Chick Corea, Anthony Braxton, Bennie Maupin, Andrew Cyrille, etc…

Style: Modern Creative, Avant-Garde Jazz

Vibe: Mysterious, Suspenseful, Nature, Abstract, Surreal, Kinetic, Visceral, Earthy, Swirling, Pastoral (Side A)

Musical Qualities: Collective Improvisation, Dynamic, Sparse, Acoustic, Atonal, Experimental Vocals, Extended Techniques, Dissonant, Percussive, Homemade Instrument

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Circle – Paris-Concert

While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.

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Collin Walcott/Don Cherry/Nana Vasconcelos – Codona

Spacious, Raga-inflected improvisations from Collin Walcott, Don Cherry, and Brazilian percussionist Nana Vasconcelos. Walcott has studied sitar directly under Ravi Shankar, and tabla under Alla Rakha, while trumpeter and flutist Don Cherry, after playing regularly with Ornette Coleman, has proceeded to travel around the world to study various musical traditions. Their wide influences come together organically to create meditative and exploratory music. A melodic and atmospheric fusion of airy flutes, watery sitar, hypnotic hammered dulcimer arpeggiations, driving webs of percussion, and bassy throat singing.

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Julian Priester Pepo Mtoto – Love, Love

I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.

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Jack DeJohnette – In Movement

The past, present, and future of jazz converge on this progressive new release from the legendary drummer Jack DeJohnette, who’s played on everything from Miles Davis’ Bitches Brew to albums with Keith Jarrett, Alice Coltrane, Freddie Hubbard, and numerous other masters since the late 60?s. Joining him are two descendants of the classic John Coltrane Quartet, Ravi Coltrane on tenor and soprano sax and Matthew Garrison (son of Jimmy Garrison) on electric bass and electronics. Rather than dwell in the shadows of their fathers, these two have already developed their own powerful and unique voices which are welcome additions to the jazz lineage.

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