Art Bears are Fred Frith, Chris Cutler, Dagmar Krause
Style: Rock in Opposition, Avant-Prog, Chamber Rock
Vibes: Dystopian, Visceral, Angsty, Eerie, Political, Marxist, Anti-Capitalist, Urban, Complex, Angular, Eccentric, Philosophical, Cathartic, Dark, Dramatic, Disturbing, Rebellious, Liberation
Art Bears – The World as it is Today Read More »
Fred Frith, Chris Cutler, Dagmar Krause
Style: Rock in Opposition, Avant-Prog, Tape Music, Chamber Rock
Vibes: Dystopian, Sombre, Winter, Ominous, Anxious, Cold, Disturbing, Knotty, Suspenseful, Theatric, Eccentric
Musical Qualities: Dissonant, Complex, Uncommon Time Signatures, Extended Technique, Loops, Technical, Progressive, Studio-as-an-Instrument
Art Bears – Winter Songs Read More »
On their second LP, Henry Cow weaves together elements of eerie chamber music, free improvisation, and deconstructed prog to create something that seems like the missing link between the Canterbury jazz-rock of Soft Machine and Gong and the dissonant avant-rock of This Heat.
Henry Cow – Unrest Read More »
Style: Zolo, Experimental Rock, Avant-Prog, Rock in Opposition, European-Folk Influenced
Vibe: Angular, Playful, Eccentric, Surreal, Disorienting
Musical Qualities: Dissonant, Uncommon Time Signatures, Progressive, Rhythmic, Technical
Fred Frith – Gravity Read More »
Style: Canterbury Scene, Jazz-Rock, Progressive Pop
Moods: Surreal, Playful, Warm, Cryptic, Bittersweet, Eccentric, Imaginative, Meandering, Bright
Musical Qualities: Suite, Melodic, Studio-as-an-Instrument, Progressive, Experimental Vocals
Instrumentation: Piano, Trumpet, Vocals, Electric Bass, Saxophone, Bass Clarinet, Drums
Robert Wyatt – Ruth is Stranger Than Richard Read More »
Released in 1984 on Rift Records Format: LP
Skeleton Crew – Learn to Talk Read More »
Released in 1981 on Ralph records Format: LP?
Fred Frith – Speechless Read More »
Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures
Massacre – Killing Time Read More »
