Eli Keszler – Stadium

Style: EAI (electroacoustic improvisation), Future Jazz

Vibe: Futuristic, Kinetic, Urban, Abstract, Impressionistic, Meditative, Suspenseful, Mysterious, Complex

Musical Qualities: Percussive, Electroacoustic, Polyrhythmic, Field Recordings, Instrumental, Improvisation (Solo), Odd Time Signatures, Studio-as-an-Instrument

Loren Connors – Blues: The “Dark Paintings” of Mark Rothko

Style: Ambient Blues, Solo Electric Guitar

Vibe: Longing, Soothing, Nocturnal, Impressionistic, Lonely, Meditative, Melancholy, Suspenseful,

Musical Qualities: Sparse, Improvisation (solo), Atmospheric, Instrumental, Lo-fi

Terry Riley – Shri Camel

Style: Ecstatic Minimalism, New Age, Drone

Vibe: Spiritual, Meditative, Heavenly, Cosmic, Hypnotic, Mystical, Longing, Intertwined

Musial Attributes: Just Intonation, Instrumental, Minimalistic, Repetitive, Suite, Improvisation, Drone

Instrumentation: Yamaha YC-45D Organ with multiple digital delay channels for live layering & interactions

Bill Orcutt – Odds Against Tomorrow

Style: American Primitvism, Ambient Blues, Solo Electric Guitar

Vibe: Meditative, Longing, Spiritual, Pastoral, Loose, Kinetic

Musical Qualities: Improvisation, Dissonance, Instrumental, Sparse

Loren Connors – Beautiful Dreamer (for Steve Dalachinksy)

Style: Dark Ambient, Free Improvisation, Ambient Blues

Vibe: Murky, Meditative, Washy, Haunting, Suspenseful, Mysterious, Ethereal

Musical Attributes: Solo Electric Guitar Improvisation, Sparse, Atmospheric, Slow, Lo-fi