Styles: Chamber Drone, Electro-Acoustic, Free Improvisation, Post-Rock
Moods: Apocalyptic, Sombre, Cathartic, Nature, Exploratory, Spiritual, Angsty, Anthemic, Aquatic, Brooding, cathartic, Heartfelt, Mournful, Spiritual
Musical Qualities: Improvisation, Droney, Electro-Acoustic, Thematic, Repetitive, Loops, Fuzzy
Style: Chamber Rock, Slowcore, Post-Rock
Vibe: Aquatic, Melancholy, Flowing, Patient, Soothing, Meditative, Longing, Lonely, Dreamy, Mellow, Lethargic
Musical Qualities: Atmospheric, Loose, Soft, Instrumental, Loops, Improvisation
Instrumentation: Violin, Drums, Electric Guitar, Loops, Melodica, Piano, Harmonica
The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.
This impressionistic and contemplative collaboration channels deep American folk roots through free flowing improvisations. The panoramic and sensitive drumming of Jim White (Dirty Three, Cat Power, etc) is a perfect match for Marisa Anderson’s primitivist guitar sensibilities, which feel both immediate and abstract.
