Tomeka Reid – 3+3
Style: Avant-Garde Jazz, Chamber Jazz
Vibes: Playful, Intertwined, Angular, Colorful, Abstract, Complex, Exploratory, Knotted, Triumphant
Style: Avant-Garde Jazz, Chamber Jazz
Vibes: Playful, Intertwined, Angular, Colorful, Abstract, Complex, Exploratory, Knotted, Triumphant
Style: Avant-Garde Jazz, Post-Bop, Chamber Jazz, Prog
Moods: Adventurous, Enigmatic, Triumphant, Knotty, Ambitious, Intertwined, Cerebral, Angular, Surreal, Off-Kilter
Musical Qualities: Polyphonic, Thematic Improvisation, Progressive Structures, Uncommon Time Signature, Instrumental, Intertwined, Lush. Technical
Mary Halvorson – Amaryllis & Belladonna Read More »
Style: Avant-Chamber Jazz, Poly-Free Improvisation
Vibe: Abstract, Open, Suspenseful
Musical Attributes: Thematic Collective Improvisation, Instrumental
Instrumentation: Slide Guitar, Violin, Electric Guitar, Drums, Upright Bass
Susan Alcorn Quintet – Pedernal Read More »
Halvorson has been developing her own idiosyncratic and multi-dimensional language on guitar for almost two decades now (perhaps most clearly heard on her 2015 solo album, Meltframe). On Code Girl, this language is augmented by a dramatic and powerful quintet, featuring the symbiotic rhythm section of her usual trio Thumbscrew, as well as Ambrose Akinmusire’s expressive trumpet playing and Amirtha Kidambi’s intensely operatic vocals, singing cryptic lyrics penned by Halvorson. Together the band uses complex five-part counterpoint to weave intricate webs of melody, rhythm, and texture through progressive and dynamic structures.
Side note: It’s interesting how the number 5 is so prominent in all the album images (pentagons, fingers, toes, stars, etc)
Mary Halvorson – Code Girl Read More »