Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk
Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual
Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling
Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone
Style: Minimalism, Tape Music, Chamber Music
Vibe/Themes: Pulsing, Hypnotic, History, Meditative
Musical Attributes: Repetitive, Sampling, Electro-Acoustic, Spoken Word
Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz
Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic
Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic
Released on Ideological Organ in 2017 Format: LPx2
Originally released in 2013 on Erased Tapes 2015 VinylMePlease Pressing Format: LPx2
Released in 2019 on Eremite Records Recorded in 2017 Format: LPx2, Screen-printed jacket
An acoustic trio of piano, upright bass, and drums utilize creative extended techniques to play evolving minimalist compositions of mutating grooves, polyrhythms, and textures.
Saxophonist Colin Stetson and violinist Sarah Neufeld employ innovative performance techniques, mutating ostinatos and an atmospheric sense of texture to compose minimalist compositions that are as brooding and haunting they are hypnotically beautiful.
Meditative jazz explorations of space, rhythm and textures inspired by Miles Davis’ ambient jazz pieces, Gnawa ceremonial music of North Africa, the spiritual jazz of Pharoah Sanders and Don Cherry, and the mutating minimalism of Steve Reich.
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