On experimental musician/author/professor David Grubb’s first album as singer-songwriter, he synthesizes technical bluegrass banjo and fingerstyle acoustic guitar playing with imaginative arrangements, abrupt stylistic shifts, philosophical questioning lyrics, improvisation, drones, and an eclectic cast of musicians, including drummer John McEntire (Tortoise, The Sea and Cake), bassist Josh Abrams (Natural Information Society), and drone violinist Tony Conrad.
Released in 2007 on Eclipse Records Format: LP Includes 12″x24″ insert
Album Information: Released in 1996 on Matador Records
Album Information: Released in 2011 on Partisan Records Produced by Emil Amos Jeff Stuart Saltzman recorded tracks B1, B3, B5 … More
Album Information: Released in 1967 on Takoma Records Includes 15-page book of stories and song notes
Album Information: Released in 1967 on Takoma Records This album was originally released on 100 copies in 1959, but was … More
Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.
Album Information: Released in 1967 on Takoma Records Original album recorded and released in 1964, but was re-recorded in 1967 … More
I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.