Outsider

Fountainsun – Sweep the Temple

Style: Spiritual Folk, Outsider Folk

Vibe: Mystical, Pantheistic, Contemplative, Uplifting, Enchanting, Intimate, Heartfelt, Forest, Ritualistic, Meditative, Morning, Warm, Storytelling

Musical Qualities: Acoustic, Suite, Spoken Word, Melodic, Lyrical

Instrumentation: 12-String Banjo, Acoustic Guitar, Marimba, Vibraphone, Vocal Harmonies, Gong, Percussion, Shakuhachi,

John Fahey – Volume 2: Death Chants, Breakdowns, & Military Waltzes

Style: American Primitivism, Acoustic Blues, Folk

Vibe: Meditative, Loner, Morning, Rustic, Spring, Spiritual, Pastoral, Bittersweet, Hypnotic, inspiration, Melancholy, Nature, Raw, Warm 

Musical Qualities: Acoustic, Technical, Fingerstyle, Instrumental, Sparse, Progressive

Julius Lester – Departures

Style: Folk, Acoustic Blues, Singer/Songwriter

Vibe: Outsider, Rebellious, Melancholy, Storytelling, Intimate, Philosophical, Personal, Political

Musical Qualities: Acoustic, Sparse, Bluesy, Lyrical

Bobby Brown – The Enlightening Beam of Axonda

Style: Experimental Songwriter, Spiritual Folk, Avant-Folk, Outsider Folk

Vibe: Spiritual, Adventure, Alienation, Cathartic, Cryptic, Eccentric, Existential, Loner, Poetic, Psychedelic, Storytelling, Tribal, Tropical, Warm

Musical Qualities: Homemade Instruments, Acoustic, One Man Band, Percussive, Spoken Word, Progressive

David Grubbs – The Thicket

On experimental musician David Grubb’s first dedicated songwriter outing, he synthesizes technical bluegrass banjo and fingerstyle acoustic guitar playing with imaginative arrangements, abrupt stylistic shifts, philosophical questioning lyrics, improvisation, and drones. Featured musicians include drummer John McEntire (Tortoise, The Sea and Cake), bassist Josh Abrams (Natural Information Society), and drone violinist Tony Conrad.

Holy Sons – Survivalist Tales

Album Information: Released in 2011 on Partisan Records Produced by Emil Amos Jeff Stuart Saltzman recorded tracks B1, B3, B5 and mixed track A2. Ash Black Buffalo – Synths on A1, B1, B4 and B5 All other instruments by Emil Amos A3 written by The Troggs Recommended Tracks: Slow Days, Look of Pain!, Reckless Liberation

John Fahey – Volume 1: Blind Joe Death

Album Information: Released in 1967 on Takoma Records This album was originally released on 100 copies in 1959, but was re-recorded in 1967 for this issue This album is included in the Library of Congress’ National Recording Registry for being considered culturally significant.

Tim Buckley – Blue Afternoon

Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.

Holy Sons – The Fact Facer [Review]

I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.