thematic improvisation

Andrew Hill – Point of Departure

featuring Eric Dolphy, Joe Henderson, Tony Williams, Richard Davis, Kenny Dorham

Style: Avante-Garde Jazz, Post-Bop

Vibes: acoustic, Knotty, Searching, Complex, Woozy, Serpentine, Exploratory, Elegant improvisation, innovative, knotty, nocturnal, passionate, playful, polyphonic, progressive, reflective, rhythmic, thematic, woozy,

Musical Qualities: Polyphonic, Acoustic, Thematic Improvisation, Progressive

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Eddie Henderson – Inside Out

Style: Jazz Fission, Abstract Groove, Cosmic Jazz, Free-Fusion

Moods: Cosmic, Propulsive, Exploratory, Adventurous, Spiritual, abstract groove, communal, cosmic, driving, epic, exploratory, improvisation, instrumental, mysterious, rhythmic, thematic, psychedelic,

Musical Qualities: Collective Improvisation, Rhythmic, Ostinato, Dub Fx, Thematic

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Eberhard Weber – Yellow Fields

Style: ECM Jazz, Atmospheric Jazz Fusion

Vibe: Ethereal, Adventurous, Autumnal, Pastoral, Misty, Impressionistic, Complex, Intricate

Musical Qualities: Thematic Improvisation, Reverbed Production, Chorus FX, Melodic, Uncommon Time Signatures

Instrumentation: Upright Bass (w/ heavy chorus), Soprano Saxophone, Keyboards, Drums

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Miles Davis – Live in Tokyo 1973

Personnel: Miles Davis – Trumpet, Organ; Pete Cosey – Electric Guitar; Reggie Lucas – Electric Guitar; Al Foster – Drums; Mtume – Percussion, Michael Henderson – Electric Bass; Dave Liebman – Soprano Saxophone, Tenor Saxophone, Flute

Style: Abstract Groove, Psychedelic Jazz Fusion

Vibe: Exploratory, Powerful, Menacing, Mysterious, Serpentine, Complex, Aggressive, Bluesy, Energetic, Groovy, Psychedelic

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Albert Ayler – Love Cry

Albert Ayler – Tenor & Alto Saxophones, Vocals
Alan Silva – Upright Bass
Milford Graves – Drums & Percussion
Call Cobbs Jr. – Harpsichord
Donald Ayler – Trumpet

Vibe: Ecstatic, Passionate, Anthemic, Energetic, Spiritual, Joyful, Deconstructed, Uplifting

Musical Qualities: Thematic, Collective Improvisation, Acoustic, Loose, Melodic

Style: Spiritual Jazz, Free Jazz

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Julius Hemphill – Dogon A.D.

Style: Free Jazz

Vibe: Hypnotic, Ritualistic, Driving, Intertwined, Fire, Mystical, Powerful, Complex

Musical Qualities: Ostinato, Collective Improvisation, Thematic, Uncommon Time Signatures, Acoustic, Repetitive, Polyphonic, Rhythmic

Instrumentation: Alto Saxophone, Cello, Trumpet, Drums, Flute

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Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

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Brigitte Fontaine / Areski / Art Ensemble of Chicago – Comme á la Radio

Style: Chanson, Chamber Jazz, Avant-Folk

Vibe: Serpentine, Nocturnal, Mysterious, Ominous, Storytelling, Suspenseful, Open, Beguiling

Musical Qualities: Spoken Word, Collective Improvisation, Thematic, Percussive

Instrumentation: Duet Vocals, Muted Trumpet, Acoustic Guitar, Bouzouki, Shenai, Oboe, Flute, Percussion, Drums, Upright Bass, Lute

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Spencer Zahn – Sunday Painter

Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.

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Joe McPhee – Nation Time

Originally released in 1971 on CjR Recorded December, 1970 Superior Viaduct Reissue (2019) Style: Free Funk, Free Jazz, Abstract Groove Vibe: Energetic, Triumphant, Groovy, Confident, Rebellious, Black Pride Musical Attributes: Collective Improvisation, Live, Loose, Raw

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