This impressionistic and contemplative collaboration channels deep American folk roots through free flowing improvisations. The panoramic and sensitive drumming of Jim White (Dirty Three, Cat Power, etc) is a perfect match for Marisa Anderson’s primitivist guitar sensibilities, which feel both immediate and abstract.
The sludge oozing out of this record is so toxic that all traces of metal have nearly disintegrated, and the fumes cause nightmarish hallucinations to any who inhale.
Style: Free-Sludge, Avant-Metal, Free Improvisation
Vibe: Primal, Murky, Aggressive, Hallucinogenic, Cathartic, Complex
Musical Attributes: Collective Improvisation, Dissonant, Noisy, Progressive
Released in 2013 on Thrill Jockey Format: LP Style: Psych-Folk Vibe: Pastoral, Warm, Cosmic, Nature, Psychedelic Musical Attributes: Instrumental, Droney Instrumentation: Electric … More
Originally released in 1997 on Thrill Jockey Records 2012 Reissue on translucent red vinyl Format: LP
Originally released in 1996 on Thrill Jockey Records 2017 Reissue on clear vinyl Format:: LP
Released in 2005 on Thrill Jockey Records Recorded 2004 Format: LP
Released in 2019 on Thrill Jockey Records Format: LP Limited pink vinyl
Released in 2000 on Thrill Jockey Records Format: LP
Released in 2015 on Thrill Jockey Records Format: LP, gold vinyl
Released in 2018 on Thrill Jockey Records Format: LP
Originally released in 1994 on Thrill Jockey Records 2016 reissue Recorded November 29 thru December 5, 1993
Released in 2016 by Thrill Jockey Records Format: LP
Originally released in 2003 on Thrill Jockey Records 2017 pressing Format: LP
Released in 2001 on Thrill Jockey Records Format: LP
Released in 2016 on Thrill Jockey Records Format: LP
Released in 2009 on Thrill Jockey Records Format: LP
Doug McComb’s first album as Brokeback is imbued with pastoral Impressionism, experimentalism, and a sense of Zen contentment. The record is mostly centered around his Bass VI, a short-scale bass with six strings that is trebly enough to function in both guitar and bass roles. This versatile instrument is usually wet with chorus and reverb that sculpt a fluid, aquatic tone to complement the slow, tranquil melodies. Outside of some solo pieces Doug is joined by a variety of accompaniment including lap steel guitar, synth, upright bass, Rhodes, vocals from Mary Hansen, and light percussion provided by producer/Tortoise bandmate John McEntire. This is a record that can be appreciated from a passive impressionistic standpoint, as well as under the microscopic attention of an engaged ear. (Follow link for full review)
Recommended for fans of Tortoise or Ennio Morricone’s spaghetti Western soundtracks
Released in 2018 on Thrill Jockey Records Format: LPx2, Metallic Silver Vinyl
Originally released in 1996 on Thrill Jockey Records 2012 pressing
I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.