Sam Prekop – Sam Prekop

Featuring Jim O’Rourke, Josh Abrams, Rob Mazurek, Chad Taylor, John McEntire, Julie Pomerleau, & Archer Prewitt

Style: Chamber Pop, Jazz Pop, Lounge Music

Influences: Bossa Nova, Math Rock, Post-Rock

Vibe: Gentle, Breezy, Intricate, Summer, Intertwined, Mellow, Bright, Smooth

Musical Qualities: Lush, Soft, Polished, Melodic

The Body & Big | Brave – Leaving None but Small Birds

Style: Psychedelic Folk, Drone Rock

Vibe: Passionate, Hypnotic, Weary, Cathartic, Rootsy, Sorrowful

Musical Qualities: Repetitive, Driving, Droney, Dynamic

Tortoise – The Taut and the Tame (The Luke Vibert Mix) / Find the One (Wait, Abstraction No. 3)

Style: Ambient Dub, Post-Rock, Experimental Electronic

Vibe: Hypnotic, Spacey, Mellow, Abstract, Nocturnal

Musical Qualities: Remix, Atmospheric, Rhythmic, Instrumental, Sampling, Loops

Califone – Heron King Blues [Deluxe]

Style: New Weird Americana, Warped Folk Rock, Psych Folk

Vibe: Twangy, Cryptic, Mythic, Surreal, Mysterious, Rustic, Mellow, Warm, Rootsy

Musical Qualities: Percussive, Loops, Electro-Acoustic, Rhythmic, Studio-as-an-Instrument, Improvisation

Instrumentation: Acoustic Guitar, Banjo, Percussion, Organ, Piano, Vocals, Electronics, Cello, Electric Guitar, Pump Organ, Bass

Holy Sons – Raw & Disfigured

Style: Loner Folk, Psych Rock, Singer/Songwriter

Vibe: Introspective, Loner, Dark, Nocturnal, Psychedelic

Lyrical Themes: Philosophical, Existential, Death, Personal

Musical Attributes: Lush, Melodic, Lyrical

Golden Retriever & Chuck Johnson – Rain Shadow

Overview
Bass clarinet, pedal steel guitar, and synthesizer swirling together into a highly immersive and emotive combination of voices. Truly beautiful soundscapes that melt the worry away, with moments of quiet catharsis that I don’t experience very often in ambient music.

Jim White and Marisa Anderson – The Quickening

This impressionistic and contemplative collaboration channels deep American folk roots through free flowing improvisations. The panoramic and sensitive drumming of Jim White (Dirty Three, Cat Power, etc) is a perfect match for Marisa Anderson’s primitivist guitar sensibilities, which feel both immediate and abstract.

Brokeback – Field Recordings from the Cook County Water Table

Doug McComb’s first album as Brokeback is imbued with pastoral Impressionism, experimentalism, and a sense of Zen contentment. The record is mostly centered around his Bass VI, a short-scale bass with six strings that is trebly enough to function in both guitar and bass roles. This versatile instrument is usually wet with chorus and reverb that sculpt a fluid, aquatic tone to complement the slow, tranquil melodies. Outside of some solo pieces Doug is joined by a variety of accompaniment including lap steel guitar, synth, upright bass, Rhodes, vocals from Mary Hansen, and light percussion provided by producer/Tortoise bandmate John McEntire. This is a record that can be appreciated from a passive impressionistic standpoint, as well as under the microscopic attention of an engaged ear. (Follow link for full review)

Recommended for fans of Tortoise or Ennio Morricone’s spaghetti Western soundtracks

Holy Sons – The Fact Facer [Review]

I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.