Style: Acid Folk, Folk-Rock Influences: Arabic Folk, Blues, Raga
Moods: Mysterious, Confident, Serpentine, Searching, Psychedelic, Desert, Determined, Earthy, Flowing, Impressionistic, Introspective, Meandering, Meditative, Ritualistic
Musical Qualities: Modal, Acoustic, Improvisation, Instrumental, Solo, Bluesy
Instrumentation: Oud, Electric Guitar, Percussion, Electric Bass
Style: American Primitive Guitar, Appalachian Folk, Avant-Folk
Moods: Contemplative, Spring, Pastoral, Bluesy, Meditative, Rustic, Mellow, Hypnotic, Rootsy, Nature
Musical Qualities: Acoustic, Fingerstyle, Instrumental, Sparse, Progressive
Styles: Free-Folk, Jazz-Folk, Classical Guitar, Country Blues
Moods: Searching, Impressionistic, Hypnotic, Meditative, Exploratory, Spiritual
Musical Qualities: Instrumental, Acoustic, Improvisation, Virtuosic
Style: Folk, Acoustic Blues, Singer/Songwriter
Vibe: Outsider, Rebellious, Melancholy, Storytelling, Intimate, Philosophical, Personal, Political
Musical Qualities: Acoustic, Sparse, Bluesy, Lyrical
Style: Jazz Fusion
Vibe: Angular, Complex, Energetic, Triumphant,
Musical Attriubtes: Improvisation, Instrumental, Progressive, Riffs, Technical
Musicians: Larry Corryell, John McLaughlin, Chick Corea, Miroslav Vitous, Billy Cobham
On his debut album, the guitar and banjo virtuoso starts off with a 22-minute droning epic fusing American and Arabic Folk music with Indian Raga on his acoustic guitar (often trying to imitate the feeling of the oud). Here, he is accompanied by the fluid, driving drums of Billy Higgins. Side 2 is made up of 4 shorter solo pieces, mostly for the banjo, including an impressive rendition of “Carmina Burana” by German composer Carl Orff and a folky mountain song.
