Released in 2018 on Kranky
Format: LPx2
Track Notes and Observations
A1. This Life (Droney, Climactic, Mournful)
-
Synths slowly dancing around each other in a beautiful sadness,
-
Woozy, pitches bend and release in and out of tune
-
Blooming structure, crescendos into overwhelming climax
-
Disintegrates into a ghostly version of itself with high pitch sounds
A2. In Death Valley (Disorienting, Hypnotic, Percussive)
-
Quiet, throbbing pulse joined by woozy out of time percussion, japanese string instrument, and samples
-
pulses of synths and white noise bloom in bursts with percussive attack and delayed ringing noises, the polyphonic swarm of voices each in their own rhythmic patterns and tempos
-
woozy, disorienting, yet hypnotic pulses locked against each other
-
contains remnants of the past but moves forward, minimalistic but constant change
-
Slowly dies out, one layer at a time
B1. Is a Rose Petal of the Dying Crimson Light (Sparse, Short, Eerie)
-
Slow, hazy piano, ghostly, yet peaceful
-
Eerie, scratchy sounds occasionally intrude
-
Haunting flutes and transient resonances,
B2. Keyed Out (Cathartic, Epic)
-
Continues from last track with ominous bass drones
-
structure is ambiguous
-
dissonant layers of flutes
-
ghostly industrial sounds swell in, becomes extremely dense with many layers, with a beautiful fragmented and glitchy melody bubbling on the surface of the dense wall of sound.
-
fragmented, tribal drums bounce in
-
some of the background noises sound like screwdrivers
C1. In a Mother Earth Phase (Beautiful, Cello, Longing)
-
Bubbly intro, electro-acoustic glitch over deep cello and a clicking pulse
-
Emotional cries of cello doing scratchy semi-harmonics
-
Cellos throughout the song are so beautifully recorded and performed, sound so deep and resonant and create the songs emotional core
-
the bowing gets faster and more urgent
-
the song has an evolving, progressive structure with ever-shifting dynamics