Vinyl

Pentangle – Basket of Light

Style: British Folk Rock, Folk Baroque, Blues-Influenced

Vibes: Uplifting, Intertwined, Romantic, Flowing, Sentimental, Rootsy, Intricate, Responsive, Spring, Warm, Energetic,, Groovy, Traditional

Musical Qualities: Melodic, Polyphonic, Lush, Uncommon Time Signatures, Improvisation, Acoustic

Instrumentation: Acoustic Guitar, Vocal Harmonies, Upright Bass, Drums, Glockenspiel, Sitar, Banjo

Pentangle – Basket of Light Read More »

Ibelisse Guardia Ferragutti & Frank Rosaly – Mestizx

Style & Influences: Latin Jazz, Bomba, Cyber-Jazz, Plena, Trip-Hop, No Wave, Cumbia, Experimental

Vibes: Ritualistic, Ancient, Futuristic, Introspective, Brooding, Sensual, Intertwined, Grimy, Psychedelic, Moody, Eclectic, Healing

Themes: Decolonization, History, Ancestors, Alienation, Roots, Tradition

Musical Qualities: Polyrhythmic, Studio-as-an-Instrument, Electro-Acoustic, Percussive, Progressive, Uncommon Time Signatures

Ibelisse Guardia Ferragutti & Frank Rosaly – Mestizx Read More »

White Boy Scream – Bakunawa

Style: Electro-Acoustic Opera, Sound Collage, Neoclassical Darkwave

Vibes: Ritualistic, Mythic, Decolonial, Cathartic, Spiritual, Intense, Chaotic, Powerful, Suspenseful, Personal, Storytelling

Musical Qualities: Operatic Vocals, Noise, Chants, Extended Technique, Vocal Processing, Sampling, Suite

White Boy Scream – Bakunawa Read More »

Meredith Monk – Dolmen Music

featuring Julius Eastman, Collin Walcott, and others

Style: Abstract Choral Music, Sound Poetry, Modern Chamber Music, Post-Minimalism

Vibes: Mysterious, Ritualistic, Mystical, Somatic, Impressionistic, Nocturnal, Spiritual

Instrumentation: Experimental Vocals, Percussion, Cello, Piano, Vocal Harmonies, Violin

Meredith Monk – Dolmen Music Read More »

Ghost – Temple Stone

All tracks recorded live in sacred places (Seiryu Temple, Waseda Salvation Church)

Style: Ritual Folk, Acid Folk

Vibes: Mystical, Ancient, Ritualistic, Spiritual, Forest, Psychedelic, Mysterious, Medieval, Haunting, Dreamy, Eclectic

Instrumentation: Chants, Flutes, 12-String Guitar, Cello, Drums, Organ, Hurdy Gurdy, Harp, Piano, Horn

Ghost – Temple Stone Read More »

Amon Tobin – ISAM

Style: Sound Sculpture, Experimental Electronic, Epic Collage

Vibes: Otherworldly, Futuristic, Eerie, Abstract, Surreal, Visceral, Mechanical, Nature

Musical Qualities: Sampling, Dense, Instrumental, Digital, Studio-as-an-Instrument

Amon Tobin – ISAM Read More »

Led Zeppelin

Style: Hard Rock (Blues & Folk-Influenced)

Vibes: Confident, Rebellious, Passionate, Energetic, Hedonistic, Bombastic, Raw, Complex, Psychedelic, Summer

Musical Qualities: Riffs, Groovy, Melodic, Dynamic, Bluesy, Heavy

Led Zeppelin Read More »

Meril Wubslin – Faire ça

Styles: Slowcore, New Folk, Trip-Hop, Neo-Psychedelia

Vibes: Brooding, Hypnotic, Haunting, Cryptic, Focused, Shadowy, Sombre, Psychedelic

Musical Qualities: Repetitive, Dub, Percussive, Beats, Loops, Rhythmic, Atmospheric

Instrumentation: Vocal Harmonies, Acoustic Guitar, Percussion, Keyboard

Meril Wubslin – Faire ça Read More »

Richard Thompson – (guitar, vocal): A Collection of Unreleased and Rare Material 1967-1976

This eclectic compilation features Richard’s work with Fairport Convention, Linda Thompson, and solo. The first LP has a few great tracks (“A Heart Needs a Home”, “Poor Will and Jolly Hangman”, “The Ballad of Easy Rider”), but also a lot of unoriginal and dated filler that were “unreleased” with Fairport Convention for a reason (especially the Chuck Berry cover). The real magic happens on the second LP, where each side comprises a short solo instrumental paired with extended live renditions of passionate classics with Linda (Calvary Cross, Night Comes In).

Richard Thompson – (guitar, vocal): A Collection of Unreleased and Rare Material 1967-1976 Read More »

Sunn Trio / Sam Shalabi – Trippin’ on Coleman

Each artist fills an entire LP side with their own improvised interpretation of Ornette Coleman’s “Lonely Woman” . Shalabi channels the tune through a solo oud meditation, shaped by his characteristically searching and sensitive improvisations. On the other side, Sunn Trio performs an undulating percussive ritual, overdubbed with a wide pallet of tangled acoustic instruments, dub psychedelia, and hypnotizing drones.

Sunn Trio / Sam Shalabi – Trippin’ on Coleman Read More »

Batsumi – Batsumi

Style: Cape Jazz, Afro-Jazz, Spiritual Jazz

Vibes: Warm, Communal, Groovy, Spiritual, Sunny, Warm, Uplifting

Instrumentation: Group Vocals, Tenor Saxophone, Percussion, Flute, Multiple Drummers, Jaw Harp, Upright Bass, Organ, Bongos, Guitar

Batsumi – Batsumi Read More »

Keiji Haino / Jim O’Rourke / Oren Ambarchi – With Pats on the Head, Just One Too Few Is Evil One Too Many Is Good That’s All It Is

On their twelfth live recording, the electrifying power trio continues to expand the vocabulary of their improvised sonic sorcery. One LP of mysterious duo invocations, followed by two LPs of primordial free rock. Through concentrated force and harnessed chaos, the trio patiently pushes primordial riffs to their noisiest, most visceral limits, striving to become the sound itself.

Keiji Haino / Jim O’Rourke / Oren Ambarchi – With Pats on the Head, Just One Too Few Is Evil One Too Many Is Good That’s All It Is Read More »

Beak> – >>>>

Style: Space Rock, Krautrock-Influenced, Neo-Psychedelia, Minimal Wave

Vibes: Motorik, Sci-Fi, Retro-Futuristic, Cryptic, Hypnotic, Menacing, Dystopian, Brooding, Psychedelic, Playful, Restrained, Gloomy, Focused, Eerie

Musical Qualities: Analogue Recording, Repetitive, Rhythmic, Riffs, Droney, Bass Lines

Beak> – >>>> Read More »

Rex – C

Style: Country-Slowcore, Grunge-Influenced

Vibes: Autumnal, Moody, Intertwined, Reflective, Passionate, Twangy, Contemplative, Rural, Drifter

Musical Qualities: Riffs, Dynamic, Lush, Slow, Vocal Harmonies, Climactic

Rex – C Read More »

Gary Higgins – Red Hash

Style: Loner Folk, Singer/Songwriter, Acid Folk

Vibes: Autumnal, Alienation, Reflective, Warm, Melancholy, Stoned, Rural, Lonely, Mellow, Psychedelic, Loner

Instrumentation: Vocals, Acoustic & Electric Guitars, Cello, Flute, Mandolin, Organ, Piano, Electric Bass

Gary Higgins – Red Hash Read More »

Bröselmaschine

Style: Acid Folk, Kosmische Folk, Progressive Folk

Vibes: Pastoral, Flowing, Surreal, Dreamy, Warm, Psychedelic, Sunny, Fantasy, Mellow

Musical Qualities: Acoustic, Progressive, Vocal Harmonies, Lush, Raga-Influenced

Bröselmaschine Read More »

Robert Wyatt – Cuckooland

LPx2, Domino Recordings, 2003 / 2008 repress featuring Karen Mantler, Annie Whitehead, Gilad Atzman, David Gilmour, Brian Eno, Paul Weller ON THE SURFACE Style: Progressive Pop, Jazz-Rock, Canterbury Scene Vibes: Surreal, Sombre, Conscious, Dystopian, Ethereal, Ominous, Absurd, Colorful, Gloomy, Mournful, Plaintive, Restrained Themes: Liberation, History, War, Political (Anti-imperialist Critique, Socialism), Existential, Philosophical Instrumentation: Vocals, Keyboards,

Robert Wyatt – Cuckooland Read More »

The Pentangle

Style: Folk Baroque, British Folk, Acoustic Blues

Vibes: Intertwined, Rootsy, Pastoral, Breezy, Playful, Bluesy, Intricate, Uplifting

Instrumentation: Upright Bass, Vocal Harmonies, Drums, Acoustic Guitars

The Pentangle Read More »

Esmerine – Dalmak

Whilst in Istanbul for an artist residency, the adventurous Montreal chamber rock group recorded Dalmak with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, and drums with the saz, darbuka, bendir and several other instruments used in Turkish and Arabic folk music. Epic, modal themes emerge from watery beds of minimalistic polyrhythms and suspenseful string arrangments. While often sombre, mournful or foreboding, the musi seems driven by a collective sense of spiritual determination and hope.

Esmerine – Dalmak Read More »

Autechre – Confield

Style: IDM, Glitch, Experimental Electronic, Generative

Vibes: Metallic, Wet, Mechanical, Cold, Woozy, Disorienting, Surreal, Abstract, Spectral, Complex, Futuristic, Hypnotic, Mysterious, Suspenseful, Monochromatic, Detached

Musical Qualities: Polyrhythmic, Glitchy, Digital, Percussive, Dissonant, Dense, Instrumental

Autechre – Confield Read More »

Off World – 2

featuring Sandro Perri, Eric Chenaux, Drew Brown, etc

Style: Alien Electronics, Tribal Ambient, Kosmische

Vibes: Spacey, Surreal, Imaginative, Exploratory, Impressionistic, Abstract, Cinematic, Meandering, Messy, Mysterious, Warm

Off World – 2 Read More »

Ut – In gut’s House

Style: No Wave, Post-Punk, Experimental Rock, Noise Rock

Vibes: Angsty, Visceral, Hypnotic, Urban, Intertwined, Aggressive, Dystopian, Brooding, Cathartic, Cryptic, Dark, Moody, Ominous, Passionate, Raw

Musical Qualities: Noisy, Dissonant, Vocal Harmonies, Heavy, Lo-Fi

Ut – In gut’s House Read More »

Embryo’s Reise

Recorded September 1978 – May 1979 in Pakistan, India, Afghanistan, & Germany

Style: Free-Psych, Krautrock, Prog, Jazz-Rock, Raga Rock, Arabic Folk

Vibes: Adventure, Communal, Triumphant, Exploratory, Warm, Psychedelic, Bluesy, Playful, Energetic, Spiritual

Embryo’s Reise Read More »

Third Ear Band

Style: Psychedelic Chamber Music, Free Folk, Neo-Medieval Folk, Dhrupad

Vibes: Mystical, Medieval, Nature, Alchemical, Flowing, Meditative, Ritualistic, Mysterious, Earthy, Occult

Instrumentation: Cello, Oboe, Percussion, Violin/Viola

Third Ear Band Read More »

Dorothy Carter – Troubadour

LP, Celeste Recording, 1976 Style: Neo-Medieval Folk, Progressive Folk, Traditional [Appalachian, Celtic, European, Hymns] Vibes: Hypnotic, Flowing, Rootsy, Medieval, Passionate, Meditative, Peaceful Musical Qualities: Acoustic, Suite, Pulse Instrumentation: Voice, Hammered Dulcimer, Psalteries, Flute Tamboura, Ch’in

Dorothy Carter – Troubadour Read More »