The Byrds – Younger Than Yesterday
Style: Psych Pop, Folk Rock
Vibes: Sunny, Bittersweet, Psychedelic, Playful, Catchy
Musical Qualities: Vocal Harmonies, Melodic, Polished
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1967
Marion Brown – Porto Novo
featuring Han Bennik & Maarten van Regteben Altena
Style: Free-Bop, Free Jazz
Moods: Kinetic, Abstract, Suspenseful, Hectic
Musical Qualities: Collective Improvisation, Polyphonic, Acoustic, Instrumental
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The Charles Lloyd Quartet – Journey Within
Style: Post-Bop, Spiritual Jazz
Moods: Sunny, Warm, Flowing, Bright, Spiritual, Searching
Musical Qualities: Acoustic, Improvisation, Modal, Instrumental, Live
Instrumentation: Flute, Tenor Saxophone, Drums, Piano, Upright Bass
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Cream – Disraeli Gears
Style: Acid Rock, Blues Rock
Moods: Psychedelic, Warm, Surreal, Confident, Playful, Sunny, Colorful
Musical Qualities: Riffs, Bluesy, Melodic, Technical
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Pearls Before Swine – One Nation Underground
Style: Acid Folk, Singer/Songwriter, Chamber-Folk
Moods: Surreal, Philosophical, Pacifist, Eclectic, Medieval, Cryptic, Melancholy, Spring, Morning, Conscious, Moody, Whimsical, Protest, Political, Psychedelic, Acerbic
Instrumentation: Acoustic Guitar, Harpsichord, Organ, Autoharp, Banjo, Mandolin, Vibraphone, Audio Oscillator, Electric Bass, English Horn, Clavioline, Sarangi, Finger Cymbals, Swinehorn
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John Fahey – The Yellow Princess
Style: American Primitive Guitar, Appalachian Folk, Avant-Folk
Moods: Contemplative, Spring, Pastoral, Bluesy, Meditative, Rustic, Mellow, Hypnotic, Rootsy, Nature
Musical Qualities: Acoustic, Fingerstyle, Instrumental, Sparse, Progressive
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John Fahey – Volume 2: Death Chants, Breakdowns, & Military Waltzes
Style: American Primitivism, Acoustic Blues, Folk
Vibe: Meditative, Loner, Morning, Rustic, Spring, Spiritual, Pastoral, Bittersweet, Hypnotic, inspiration, Melancholy, Nature, Raw, Warm
Musical Qualities: Acoustic, Technical, Fingerstyle, Instrumental, Sparse, Progressive
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Miles Davis – Sorcerer
Style: Post-Bop, Modal Jazz
Vibe: Mysterious, Driving, Nocturnal, Complex, Anxious, Intertwined, Sensual, Energetic
Musical Qualities: Improvisation, Modal, Acoustic, Instrumental (except B3)
Personnel:
Miles Davis – Trumpet; Herbie Hancock – Piano; Ron Carter; Upright Bass; Tony Williams – Drums; Wayne Shorter – Saxophone
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Julius Lester – Departures
Style: Folk, Acoustic Blues, Singer/Songwriter
Vibe: Outsider, Rebellious, Melancholy, Storytelling, Intimate, Philosophical, Personal, Political
Musical Qualities: Acoustic, Sparse, Bluesy, Lyrical
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Pink Floyd – The Piper at the Gates of Dawn
Originally released in 1967 on EMI Records 1983 Fame Reissue Format: LP
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Albert Ayler – In Greenwich Village
Released in 1967 on Impulse! Records Format: LP
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The Incredible String Band – The 5000 Spirits or the Layers of the Onion
Released in 1967 on Elektra Records Format: LP
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Lester Bowie – Numbers 1&2
Released in 1968 on Nessa Records Recorded on August 11th & 25th, 1967 Format: LP
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The Beatles – Sgt. Pepper’s Lonely Hearts Club Band
Released in 1967 on Capitol Records Format: LP, includes cut outs
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Robbie Basho – The Falconer’s Arm II
Released in 1967 on Takoma Records Format: LP
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Leonard Cohen – Songs of Leonard Cohen
Style: Singer/Songwriter, Chamber-Folk
Moods: Poetic, Sombre, Introspective, Reflective, Mythic, Bittersweet, Autumnal, Existential, Longing, Lonely, Love
Instrumentation: Acoustic Guitar, Vocals, Mandolin, Violin, Flute, Jaw Harp, Background Vocals
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Miles Davis – Nefertiti
Released in 1968 on Columbia Records Recorded in 1967 Format: LP
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John Fahey – Volume 6: Days Have Gone By
Album Information: Released in 1967 on Takoma Records Includes 15-page book of stories and song notes
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John Fahey – Volume 1: Blind Joe Death
Album Information: Released in 1967 on Takoma Records This album was originally released on 100 copies in 1959, but was re-recorded in 1967 for this issue This album is included in the Library of Congress’ National Recording Registry for being considered culturally significant.
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John Coltrane – Interstellar Space [Review]
A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.
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