Released in 1974 on Atlantic Records Format: LP
Another interesting one from Fahey, side A consists of some amazingly intricate guitar duets with Woodrow Mann, including my favorite Fahey song “Jaya Shiva Shankarah”. Side B takes a strange turn though…halfway through the title track a 10-piece dixieland band kicks for a few tracks of New Orleans-style jazz. The album closes in a more familiar place with a contemplative solo piece that most Fahey fans would dig.
Released in 1973 on Atlantic Records Format: LP
Released in 1977 on Sky Records Original German Pressing Format: LP
Released in 1972 on Columbia Records Late 70’s/Early 80’s Reissue Format: LP Recommended Tracks A1 – The Shoes of the … More
Released in 1971 on Impulse Records Recorded November 25, 1970 and January 12, 1971 Format: LP
Released in 1977 on Sky Records Format: LP Original German Pressing
Released in 1974 on ECM Records Format: LP
Releases in 1972 on Warner Bros. Records Format: LP
Released in 1972 by ECM Records Recorded February 21, 1971 Format: LPx2
Released in 1974 on Blue Note Records Recorded September 10th, 1970 at Van Gelder Recording Studio Format: LP
Released in 1970 on Flying Dutchman Records Recorded February 14, 1970 on Prince Street, New York City
Released in 1972 on Blue Note Records Format: LP
Released in 1970 on Atlantic Records South African Pressing Format: LP Recommended Tracks Our House (B2), Helpless (A4), Carry On … More
Released in 1973 on Flying Dutchman Records Format: LP
Released in 1971 on Impulse Records Format: LP
Released in 1970 on Straight Records Format: LP
Released in 1970 on Harvest Records Format: LP
Originally released in 1974 on Brain Records 2015 Grönland Pressing Format: LP, 180g
Released in 1970 on Island Records UK Pressing Format: LP
Released in 1990 on Mantra Recorded live in 1973 2019 RSD Pressing
Released in 1970 on Curtom Records (distributed by Buddha Records) Format: LP
Released in 1970 on Atlantic Records Format: LP
Released in 1971 on Harvest Records Format: LP
Originally released in 1972 on United Artists Unofficial Pressing Format: LP, Translucent green vinyl
Released in 1971 on Elektra Records Format: LPx2
Released in 1971 on United Artists Records Original US Pressing Format: LPx2
On their second LP, Henry Cow weaves together elements of eerie chamber music, free improvisation, and deconstructed prog to create something that seems like the missing link between the Canterbury jazz-rock of Soft Machine and Gong and the dissonant avant-rock of This Heat.
Originally released in 1977 on Clocktower Records Later pressing
Featuring some of Chicago’s finest musicians and founding members of the AACM, (Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Richard Davis, Wadada Leo Smith, and Steve McCall), this 36 minute spontaneous composition doesn’t focus on soloing or instrumental technicality or rambunctious improvisIng, but creating and progressing an initially suspenseful, mysterious mood through focused, cohesive movements, with new sounds, moods, and melodies around every corner. Most of the musicians here play multiple instruments to sustain a versatile color palette.
“Functionally, the duet situation gives the greatest possibilities for establishing an affinity relationship with another musician on a one to one basis. This is especially true if the more open-ended forms where an improvisation is directly affected by both musicians on an equal plane” – Anthony Braxton
Originally released under the title Brown Rice in 1975 1977 pressing on Horizon Records Format: LP
Originally released in 1971 on United Artists Records Unofficial pressing on purple and brown marbled vinyl Format: LPx2
Originally released in 1974 on Spoon 2014 Mute Pressing Format: LP
Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.
Released in 1974 on Virgin Records Format: LP
Released in 1977 on ECM Records Format: LP, white label promo
Originally released in 1972 on Brain Records 2010 Grönland Pressing Format: LP, White Vinyl
Released in 1970 on Harvest Records 2014 Pressing Format: LP
Released in 1973 on A&M Records Format: LP
Released in 1971 on Reprise Records Format: LP White label promo copy
Originally released in 1979 on Piano Records 2016 Modern Classics pressing on Light I’m the Attic Records Format: LP, includes … More
Released in 1970 on Transatlantic Format: LP Original UK pressing
Pulling away from the jazzy psych-pop of their first two albums, Soft Machine gears towards sprawling sidelong compositions of spacey prog infused with thematic jazz fusion improvisations, compositional edits, and heavy doses of experimental post-production (Click for Full Review)
While the music on Zeit feels motionlessly suspended in the empty vastness of space, the music on Phaedra seem to discover a swampy alien planet, Pulsing sequencers, dramatic mellotrons, airy flutes, and sweeping synthesizers are drenched in strange echoes and reverbs to create suspenseful alien soundscapes.
The German upright bassist and composer is joined by a jazz quartet, cello ensemble, and choir for a colorfully complex album of atmospheric improvisation, progressive structures, and sweeping orchestral arrangements, with occasional segments of groovy fusion or synthesizer spaciness, all draped in the warm, reverbed production ECM albums are known for.
No Other is a masterpiece of Cosmic Americana from Gene Clark (Ex-Byrds). Here his amazing songwriting is complemented by lush instrumentation, psychedelic production, and grandiose choir arrangements.
Originally released in 1974 2018 Earth Records Pressing Digitally Remastered Format: LP
Released in 1973 on Blue Thumb Records Format: LP, Quadrophonic Pressing
Released in 1999 on These Records Originally recorded for BBC in 1977
Spacious, Raga-inflected improvisations from Collin Walcott, Don Cherry, and Brazilian percussionist Nana Vasconcelos. Walcott has studied sitar directly under Ravi Shankar, and tabla under Alla Rakha, while trumpeter and flutist Don Cherry, after playing regularly with Ornette Coleman, has proceeded to travel around the world to study various musical traditions. Their wide influences come together organically to create meditative and exploratory music. A melodic and atmospheric fusion of airy flutes, watery sitar, hypnotic hammered dulcimer arpeggiations, driving webs of percussion, and bassy throat singing.
Released in 1974 on Virgin Records Original U.S. Pressing, Promo Copy
Review: Originally recorded in 1976, this psychedelic latin-jazz masterpiece never got a proper release due to both a lack of … More
Released in 1971 on Columbia Records Format: LP
Information: Released in 1974 on Milestone Recorded on July 7, 1973
This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.
I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.
A hypnotic, meditative minimalist classic whose influence can be traced throughout several threads of modern music.
Information: Originally released in 1971 This deluxe pressing was released in 2013 on Klimt Records Format: LPx2 (second LP contains … More
Information: Released in 1978 on PVC Records Format: LP
A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.
“What I’m asking you to do is take some risks. Stop paying war taxes, refuse the armed forces, organize against the air war, support the strikes and boycotts of farmers, workers and poor people, analyze the flag salute, give up the nation state, share your money, refuse to hate, be willing to work…in short, sisters and brothers, arm up with love and come from the shadows”
Five intuitive and melodic duets performed by two longtime musical soulmates. Charlie Haden plays upright bass and Ornette plays tenor saxophone and trumpet on the last track.
British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker
Fuzzy riffs, driving rhythms, and spacey synths tear through the speakers like a blistering comet through the solar system.
For fans of Black Sabbath, Neu!, Jethro Tull
This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.
Album Information: Originally released in 1970 on Atlantic Records 1974 Repress
Album Information: Originally released in 1973 on United Artist Recordings This pressing was released in 2014 on Mute Records
Album Information: Released in 1972 on Reprise Records 2009 reissue, mastered from original analog tapes
Album Information: Released in 1975 on Atlantic Records Produced by Jimmy Page Format: LPx2 Recommended Tracks: A3 – In My … More
Album Information: Originally released in 1971 on Impulse Records This pressing was released in 1997 on Impulse/MCA Records Recorded November … More
Abstract fusion grooves, driving hard bop, and spacious modal jazz with horn overdubs and spacey synthesizers.
Album Information: Released in 1978 on ECM Records Recorded November 1977 at Talent Studio, Oslo Engineered by Jan Erik Kongshaug … More
While living in London I had an apartment with a small garden. During he summer around 4 or 5 o’clock in the morning, just as the day began, Birds would gather here one by one and sing together, each declaring its freedom in song. It is my wish to share the same spirit with other musicians and communicate it to the people. -Dave Holland
Brian Eno and German kosmiche duo Cluster collaborate on a spacey synthesizer album with diverse moods, including peaceful ambient swells, sinister sequencers, industrial drum machine grooves, and suspenseful piano motifs. The release is mostly instrumental but Eno songs sparingly on a couple tracks. The last track features Can’s Holger Czukay playing some pulsing, harmonic bass grooves
Country-tinged love songs that feel like a continuation of Harvest
Description: Czech bassist Miroslav crafts some flashy jazz funk with Herbie Hancock, percussionist Airto Moreira, vocalists Cheryl Grainger & Onike, … More
Album Information: Released on Milestone Records in 1972
Album Information: Released in 1973 on Virgin Records Origin: Hamburg, Germany
Shakti means “Creative Intelligence, Beauty & Power” and trust me, these are all in abundance on these devotional jazz ragas. Featuring John McLaughlin joined by a quartet of Indian master musicians, this album is a blissfully uplifting and meditative release.
In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.
Jazz Fusion-inflected Folk Rock with poetic lyricism, ethereal atmospheres, spacey synths, and a lot of fretless bass.
Album Information: Released in 1971 by Tamla/Motown