Released in 1971 on Reprise Records Format: LP White label promo copy
Originally released in 1979 on Piano Records 2016 Modern Classics pressing on Light I’m the Attic Records Format: LP, includes … More
Released in 1970 on Transatlantic Format: LP Original UK pressing
Pulling away from the jazzy psych-pop of their first two albums, Soft Machine gears towards sprawling sidelong compositions of spacey prog infused with thematic jazz fusion improvisations, compositional edits, and heavy doses of experimental post-production (for the more psychedelically inclined). Motivic electric-bass grooves, multi-tracked saxophones, loose swinging drums and fuzzy organs reign supreme. The whimsical and diverse musical nature of founding member/drummer Robert Wyatt was relegated to the eclectic C-side, “Moon in June”, which was his last composition for the band due to the other members not being a fan of his vocals and preferring the seriousness of jazz fusion to Wyatt’s child-like playfulness and spontaneity.
Released in 1974 on Virgin Records
No Other is a masterpiece of Cosmic Americana from Gene Clark (Ex-Byrds). Here his amazing songwriting is complemented by lush instrumentation, psychedelic production, and grandiose choir arrangements.
Originally released in 1974 2018 Earth Records Pressing Digitally Remastered Format: LP
Released in 1973 on Blue Thumb Records Format: LP, Quadrophonic Pressing
Released in 1999 on These Records Originally recorded for BBC in 1977
Spacious, Raga-inflected improvisations from Collin Walcott, Don Cherry, and Brazilian percussionist Nana Vasconcelos. Walcott has studied sitar directly under Ravi Shankar, and tabla under Alla Rakha, while trumpeter and flutist Don Cherry, after playing regularly with Ornette Coleman, has proceeded to travel around the world to study various musical traditions. Their wide influences come together organically to create meditative and exploratory music. A melodic and atmospheric fusion of airy flutes, watery sitar, hypnotic hammered dulcimer arpeggiations, driving webs of percussion, and bassy throat singing.
Released in 1974 on Virgin Records Original U.S. Pressing, Promo Copy
Review: Originally recorded in 1976, this psychedelic latin-jazz masterpiece never got a proper release due to both a lack of … More
Released in 1971 on Columbia Records Format: LP
Information: Released in 1974 on Milestone Recorded on July 7, 1973
This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.
I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.
A hypnotic, meditative minimalist classic whose influence can be traced throughout several threads of modern music.
Information: Originally released in 1971 This deluxe pressing was released in 2013 on Klimt Records Format: LPx2 (second LP contains … More
Information: Released in 1978 on PVC Records Format: LP
A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.
“What I’m asking you to do is take some risks. Stop paying war taxes, refuse the armed forces, organize against the air war, support the strikes and boycotts of farmers, workers and poor people, analyze the flag salute, give up the nation state, share your money, refuse to hate, be willing to work…in short, sisters and brothers, arm up with love and come from the shadows”
Five intuitive and melodic duets performed by two longtime musical soulmates. Charlie Haden plays upright bass and Ornette plays tenor saxophone and trumpet on the last track.
British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker
Fuzzy riffs, driving rhythms, and spacey synths tear through the speakers like a blistering comet through the solar system.
For fans of Black Sabbath, Neu!, Jethro Tull
This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.
Album Information: Originally released in 1970 on Atlantic Records 1974 Repress
Album Information: Originally released in 1973 on United Artist Recordings This pressing was released in 2014 on Mute Records
Album Information: Released in 1972 on Reprise Records 2009 reissue, mastered from original analog tapes
Album Information: Released in 1975 on Atlantic Records Produced by Jimmy Page Format: LPx2 Recommended Tracks: A3 – In My … More
Album Information: Originally released in 1971 on Impulse Records This pressing was released in 1997 on Impulse/MCA Records Recorded November … More
Abstract fusion grooves, driving hard bop, and spacious modal jazz with horn overdubs and spacey synthesizers.
Album Information: Released in 1978 on ECM Records Recorded November 1977 at Talent Studio, Oslo Engineered by Jan Erik Kongshaug … More
While living in London I had an apartment with a small garden. During he summer around 4 or 5 o’clock in the morning, just as the day began, Birds would gather here one by one and sing together, each declaring its freedom in song. It is my wish to share the same spirit with other musicians and communicate it to the people. -Dave Holland
Brian Eno and German kosmiche duo Cluster collaborate on a spacey synthesizer album with diverse moods, including peaceful ambient swells, sinister sequencers, industrial drum machine grooves, and suspenseful piano motifs. The release is mostly instrumental but Eno songs sparingly on a couple tracks. The last track features Can’s Holger Czukay playing some pulsing, harmonic bass grooves
Country-tinged love songs that feel like a continuation of Harvest
Description: Czech bassist Miroslav crafts some flashy jazz funk with Herbie Hancock, percussionist Airto Moreira, vocalists Cheryl Grainger & Onike, … More
Album Information: Released on Milestone Records in 1972
Album Information: Released in 1973 on Virgin Records Origin: Hamburg, Germany
Shakti means “Creative Intelligence, Beauty & Power” and trust me, these are all in abundance on these devotional jazz ragas. Featuring John McLaughlin joined by a quartet of Indian master musicians, this album is a blissfully uplifting and meditative release.
In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.
Jazz Fusion-inflected Folk Rock with poetic lyricism, ethereal atmospheres, spacey synths, and a lot of fretless bass.
Album Information: Released in 1971 by Tamla/Motown
A collection of quality songwriting and unpretentious, rootsy arrangements, featuring the beautiful, heavenly, dreamy “Magnolia”.