1978

Bobby Brown: Live

Style: Mystical Folk, Outsider Songwriter, New Age

Moods: Spiritual, Uplifting, Warm, Beach, Mystical, Nature, Summer

Musical Qualities: Homemade Instruments, Acoustic, Lo-Fi, Live Recording

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Gilli Smyth – Mother

Style: Cosmic Folk, Psychedelic Rock, Jazz Poetry

Moods: Cosmic, Feminist, Conscious, Poetic, Eccentric, Witchy, Flowing, Eclectic, Mystical, Psychedelic, Storytelling, Messy

Musical Qualities: Spoken Word, Collage, Improvisation

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Mandingo Griot Society

Styles: Griot Music, Mande Music, Afro-Jazz

Moods: Uplifting, Earthy, Sunny, Communal, Dance, Joyful, Passionate, Peaceful, Playful, Ritualistic, Spiritual, Warm, Tribal, Utopian

Musical Qualities: Percussive, Polyrhythmic, Acoustic, Melodic, Technical

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The Cecil Taylor Unit

featuring Jimmy Lyons, Sirone, Ronald Shannon Jackson, Ramsey Ameen & Raphé Malik

Style: Free Jazz, Modern Creative

Moods: Ecstatic, Abstract, Cathartic, Kinetic, Energetic, Joyful, Intense, Powerful, Bombastic, Chaotic, Free

Musical Qualities: Dense, Complex, Collective Improvisation, Atonal, Dynamic, Acoustic, Thematic, Instrumental

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Sun Ra – Lanquidity [Definitive Edition]


Style: Cosmic Jazz Fusion, Avant-Garde Big Band

Vibe: Mysterious, Elegant, Hypnotic, Nocturnal, Cosmic, Futuristic, Spacey, Ethereal, Groovy, Mellow, Flowing

Musical Qualities: Rhythmic, Atmospheric, Collective Improvisation, Thematic, Polyphonic, Odd Time Signatures, Melodic, Progressive

Instrumentation: Fender Rhodes, Synthesizers (Arp, Minimoog, Crumar Electronic Keyboard), Organ, Piano, Bells, electric Guitar, Drums, Percussion, Group Vocals, Trumpet, Saxophone, Flute, Oboe, Bassoon, Congo, Baritone Sax, Bass Clarinet, Upright Bass

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Ornette Coleman – Body Meta

Style: Free-Funk, Avant-Garde Jazz, Jazz Fusion

Vibe: Angular, Anthemic, Manic, Kinetic, Driving, Intertwined, Chaotic, Funky, Triumphant

Musical Qualities: Polyphonic, Collective Improvisation, Rhythmic, Instrumental, Dissonant

Personnel:
Ornette Coleman – alto saxophone, producer; Bern Nix – Electric Guitar; Charlie Ellerbee – Electric Guitar; Jamaaladeen Tacuma – Electric Bass; Ronald Shannon Jackson – Drums

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Revolutionary Ensemble

Style: Free Jazz, Creative Music

Vibe: Ritualistic, Loose, Cathartic, Complex

Musical Attributes: Collective Improvisation, Acoustic, Polyphonic, Active Listening, Instrumental, Dynamic, Live

Instrumentation: Violin, Upright Bass, Drums

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Bert Jansch – Avocet

Style: Folk Baroque, Jazz-Folk, Chamber Folk, Progressive Folk

Vibes: Pastoral, Intertwined, Reflective, Nature, Mellow, Soothing, Exploratory, Morning, Rural, Peaceful

Instrumentation: Acoustic Guitar, Upright Bass, Violin, Flute, Mandocello, Piano

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Eno, Roedelius, Moebius – After the Heat

Brian Eno and German kosmiche duo Cluster collaborate on a spacey synthesizer album with diverse moods, including peaceful ambient swells, sinister sequencers, industrial drum machine grooves, and suspenseful piano motifs. The release is mostly instrumental but Eno songs sparingly on a couple tracks. The last track features Can’s Holger Czukay playing some pulsing, harmonic bass grooves

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