Maleem Mahmoud Ghania – Colours of the Night
Style: Gnawa
Moods: Ceremonial, Spiritual, Communal, Hypnotic, Ritualistic, Nocturnal
Musical Qualities: Pulse, Acoustic, Chants, Percussive, Meditative, Repetitive
Style: Gnawa
Moods: Ceremonial, Spiritual, Communal, Hypnotic, Ritualistic, Nocturnal
Musical Qualities: Pulse, Acoustic, Chants, Percussive, Meditative, Repetitive
Styles: Art Pop, Progressive Songwriter, Ambient Pop, Chamber-Jazz (Influenced)
Moods: Nocturnal, Surreal, Elegant, Ethereal, Observational, Flowing, Alienation, Cryptic, Disaffected, Lonely, Longing, Melancholy, Mysterious, Poetic, Romantic, Winter
Musical Qualities: Lush, Orchestral, Progressive, Vocal Harmonies, Lyrical, Dynamic, Complex, Studio-as-an-Instrument
Instrumentation: Keyboards, Piano, Upright Bass, Violin, Cello, Drums, Saxophone, Trombone, Percussion, Group Vocals
Style: Avant-Rock, Experimental Songwriter
Moods: Cryptic, Knotty, Philosophical, Deconstructed, Angular, Enigmatic, Mysterious, Moody, Contemplative, Suspenseful, Surreal, Reflective
Musical Qualities: Dynamic, Complex, Progressive, Improvisation, Resonant
Style: Chamber Pop, Prog-Pop, Jazz Pop, Singer-Songwriter
Vibe: Lush, Warm, Sunny, Sci-Fi, Playful, Philosophical, Surreal, Energetic, Imaginative
Musical Qualities: Progressive, Dense, Catchy, Complex, Melodic, Dense, Technical, Rhythmic
Instrumentation: Piano, Vibraphone, Drums, Flute, Rhodes, Electric & Acoustic Bass, Saxophone, Clarinet, Violin, Cello , Synthesizers, Steel Drum, French Horn
Style: Solo Guitar Improvisations, American Primitive Guitar
Vibe: Pastoral, Peaceful, Contemplative, Soothing, Open
Musical Qualities: Sparse, Improvisation, Solo, Atmospheric
Style: Progressive Electronic, IDM, Microhouse
Vibe: Ancient, Tribal, Ritualistic, Pagan, Brooding, Mythic, Cold, Visceral, Mechanical, Hypnotic, Driving, Epic, Focused, Mysterious, Mystical, Patient, Powerful, Suspenseful, Earthy
Musical Qualities: Repetitive, Distorted, Heavy, Rhythmic, Percussive, Loops, Dissonant, Dense, Instrumental, Pulse, Noisy, Progressive, Field Recordings, Sampling
Instrumentation: Bodhrán (Irish Frame Drum), Synthesizers, Drum Machine, Saxophone, Organ, Chanting, Melodeon (Pump Organ), Electric Guitar, Electric Bass, Xylophone, Live Electronics
Style: Experimental Electronic, Post-Industrial
Vibe/Mood: Ominous, Disorienting, Mechanical, Brooding, Chaotic, Colorful, Anti-Capitalist, Feminist, Complex, Cryptic, Dance, Futuristic, Surreal, Messy
Musical Qualities: Manipulated Vocals, Dissonant, Polyrhythmic, Dense, Percussive, Polyphonic, Noisy, Repetitive
Style: Future Jazz, Abstract Groove, Psychedelic Fusion
Vibe: Adventure, Futuristic, Triumphant, Spacey, Psychedelic, Energetic, Bombastic, Complex
Musical Qualities: Collective Improvisation, Thematic, Progressive, Percussive, Uncommon Time Signatures
Personnel:
Mauricio Takara – Percussion, Cavaquinho, Electronics
Guilherme Granado – Keyboards, Synths, Sampler, Voice
Rob Mazurek – Cornet, Evolver, Ring Modulator, Analog Delay, Harmonium
Style: Neo-Psychedelia, Art Rock??Vibe: Restless, Eclectic, Energetic, Anthemic, Introspective, Spiritual??Musical Attributes: Riffs, Melodic, Dense, Percussive
Style: Country-Soul, Americana, Singer/Songwriter
Vibe: Passionate, Rootsy, Rural, Spiritual, Triumphant, Uplifting, Warm, Contemplative, Introspective
Style: Post-Rock, Art Rock, Industrial-influenced
Vibe: Atmospheric, Cold, Dark, Epic, Ethereal, Ominous, Winter
Style: Glitch-Pop, IDM, Electronic Rock
Vibe: Moody, Groovy, Glitchy, Mechanical, Dance, Futuristic
Musical Attributes: Loops, Percussive, Polyrhythmic, Polished, Live Instrumentation, Digital Post-Production
Released in 2013 on Thrill Jockey Format: LP Style: Psych-Folk Vibe: Pastoral, Warm, Cosmic, Nature, Psychedelic Musical Attributes: Instrumental, Droney Instrumentation: Electric & Acoustic Guitars, Slide Guitar, Keys
Style: Drone-Rock, Dark Ambient. Experimental
Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,
Musical Attributes: Dissonant, Repetitive, Sparse, Instrumental, Noisy
Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara
Released in 2013 on Matador Records Format: LP + 7″ The bonus 7″ features covers of Todd Rundgren’s “I Saw the Light” and Times New Viking’s “Move to California”
Released in 2013 on Bella Union UK Pressing Format: LPx2, Bonus 7″, Holographic Cover Studio album takes up sides A, B, & C. Side D contains “We Don’t Control the Controlled (mashed-the-fuck-up-remix, Dan Deacon and the Electric Worms’ Insight Violence)” 7″ includes “Sun Blows Up Today” b/w “All You Need Is Love (featuring Alex and …
Originally released in 2013 on Erased Tapes 2015 VinylMePlease Pressing Format: LPx2
Released in 2013 on Corpse Flower Records Format: LP, Orange Vinyl Limited to 300 copies, 215/300
This hypnotic, noisy, and improvisatory live album from Australian experimenter, collaborator, and improviser Oren Ambarchi features two separate performances of his epic composition “Knots”. (Click for full review)
Whilst in Istanbul for an artist residency, the adventurous Canadian chamber rock group (featuring past members of Silver Mt. Zion and GY!BE) recorded with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, drums, and tenor banjo with the saz and several other instruments used in Turkish and Arabic folk music.
An acoustic trio of piano, upright bass, and drums utilize creative extended techniques to play evolving minimalist compositions of mutating grooves, polyrhythms, and textures.
Released in 2013 on Drag City Records Format: LP Overview In an interview around the release of Dream River, Bill Callahan said he wanted it to be “the last record you could listen to at the end of the day, before you go to bed, around midnight.” So for my first listen of the album I …
Album Information: Released in 2013 on Mexican Summer Hand numbered: 777/1000 Format: LP
Meditative jazz explorations of space, rhythm and textures inspired by Miles Davis’ ambient jazz pieces, Gnawa ceremonial music of North Africa, the spiritual jazz of Pharoah Sanders and Don Cherry, and the mutating minimalism of Steve Reich.
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Charming 70’s AM Pop vibes with elaborate string and horn arrangements and a jazzy rhythm section, including the legendary Brian Blade on drums. Great songwriting from Sam Beam, as usual.