Tag: 2017

Avec le Soleil sortant de sa bouche – Pas pire pop [I ? You So Much]??

Style: Art Rock, Progressive Pop, Post-Punk

Influences: Krautrock, No Wave, Afrobeat, Funk

Vibe: Driving, Muscular, Motorik, Mechanical, Hypnotic, Cathartic, Primal, Epic, Messy

Musical Qualities: Rhythmic, Repetitive, Noisy, Progressive

Curanderos – Curanderos

Style: Free-Psych, Spiritual Stoner Rock, Drone-Rock

Influences: Shoegaze, Spiritual Jazz, Kosmische, Prog, Drone

Vibe: Mysterious, Nocturnal, Spiritual, Exploratory, Brooding, Amorphous, Witchy, Murky, Psychedelic, Ritualistic, Washy, Hypnotic, Stoned

Musical Qualities: Collective Improvisation, Repetitive, Atmospheric, Loose, Noisy, Instrumental

Pelt – Reticence / Resistance

Style: Psychedelic Drone, Free Folk

Vibe: Ritualistic, Hypnotic, Cathartic, Earthy, Psychedelic, Communal

Musical Qualities: Acoustic, Drone, Improvisation, Live, Dissonant, Instrumental, Dynamic

Instrumentation: Piano, Fiddle, Harmonium, Gong, Bells, Singing Bowl, Percussion, Banjo

Sumac – Love in Shadow

Style: Free Sludge, Post-Metal

Vibe: Heavy, Cathartic, Murky, Aggressive, Surreal, Complex, Epic, Primal, Abstract, Powerful

Musical Qualities: Dissonant, Noisy, Collective Improvisation, Growling Vocals, Progressive Structures, Odd Time Signatures, Fuzzy Riffs, Dynamic, Reductionism

King Krule – The Ooz

Style: Art Rock, Singer/Songwriter, Trip-Hop, Neo-Psychedelia

Influences: Lounge, Jazz, Post-Punk

Vibe: Brooding, Angsty, Woozy, Lonely, Nocturnal, Alienation, Depressive, Eclectic, Rainy, Urban

Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel,
Milford Graves, Chris Vatalaro, James Sultan

Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

Keiji Haino & Sumac

The sludge oozing out of this record is so toxic that all traces of metal have nearly disintegrated, and the fumes cause nightmarish hallucinations to any who inhale.

Style: Free-Sludge, Avant-Metal, Free Improvisation

Vibe: Primal, Murky, Aggressive, Hallucinogenic, Cathartic, Complex

Musical Attributes: Collective Improvisation, Dissonant, Noisy, Progressive

James Holden & the Animal Spirits – The Animal Spirits

These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine.  The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos. 

Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson

Avey Tare – Eucalyptus

Eucalyptus is a beautiful, enveloping excursion of aquatic psych-folk characterized by flowing, hallucinogenic instrumentation, atmospheric production, nature field recordings, and ghostly background vocals from one of my favorite singers, Angel Deradoorian. Avey Tare’s introspective and intimate lyrics mix psychedelic revelations, reminiscing, surreal imagery, and nature/water themes, often leading to profound realizations of a very personal sense of spirituality. The lush orchestrations are arranged by the amazing and unique violist Eyvind Kang, which include woodwinds, horns, strings, and pedal steel slide guitar from Susan Alcorn.

For fans of Animal Collective’s “Campfire Songs” and the slow portions of “Feels”.

Click for full review

Deradoorian – Eternal Recurrence

There is a fathomless void within each of us. And while many choose to run from it, clinging to anything to keep from falling in, Deradoorian dove right in on her meditative release, Eternal Reccurrence. Here she provides somewhat of a sonic roadmap for diving deep within yourself, guided by the blooming drones of harmonium, Juno synthesizers, and flutes. Arising from the ether, layers of otherworldly voices sing mantras of facing our Shadow (“Mirrorman”), finding the love that resides in the core of our being, and bringing it back with us into this material dimension.

Irreversible Entanglements – Irreversible Entanglements

“Four relentless bouts of inspired fire music forged from the true spirit of free jazz, driven by searing poetic narrations of Black trauma, survival and power” (from press release)

Click for review

Julie Byrne – Not Even Happiness

Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.?

Mdou Moctar – Sousoume Tamache

Guitar-genius Mdou Moctar visits Portland, Oregon from his home country of Niger to record a hypnotic solo album of desert folk sung in Tamasheq. Most songs consist of intricate fingerstyle acoustic guitar with occasional electric guitar overdubs to accent the melodies.