Fred Frith, Chris Cutler, Dagmar Krause
Style: Rock in Opposition, Avant-Prog, Tape Music, Chamber Rock
Vibes: Dystopian, Sombre, Winter, Ominous, Anxious, Cold, Disturbing, Knotty, Suspenseful, Theatric, Eccentric
Musical Qualities: Dissonant, Complex, Uncommon Time Signatures, Extended Technique, Loops, Technical, Progressive, Studio-as-an-Instrument
Art Bears – Winter Songs Read More »
Style: Zeuhl, Jazz-Rock, Cosmic Opera, Avant-Prog
Vibe: Epic, Theatric, Menacing, Driving, Anxious, Science Fiction, Cosmic, Dramatic, Eccentric, Dark
Instrumentation: Operatic Vocals, Drums, Saxophone, Bass Clarinet, Trumpet, Percussion, Clarinet, Rhodes, Piano, Electric Bass, Flute
Magma II – 1001° centigrades Read More »
On their second LP, Henry Cow weaves together elements of eerie chamber music, free improvisation, and deconstructed prog to create something that seems like the missing link between the Canterbury jazz-rock of Soft Machine and Gong and the dissonant avant-rock of This Heat.
Henry Cow – Unrest Read More »
Style: Avant-Prog, Math Rock
Moods: Visceral, Angular, Hypnotic, Heavy, Deconstructed, Cold, Bombastic
Musical Qualities: Dissonant, Loops, Uncommon Time Signatures, Riffs, Percussive, Instrumental, Dynamic, Improvisation, Noisy, Repetitive, Rhythmic
Ahleuchatistas – Arrebato Read More »
Style: Zolo, Experimental Rock, Avant-Prog, Rock in Opposition, European-Folk Influenced
Vibe: Angular, Playful, Eccentric, Surreal, Disorienting
Musical Qualities: Dissonant, Uncommon Time Signatures, Progressive, Rhythmic, Technical
Fred Frith – Gravity Read More »
Style: Space Rock, Progressive Electronic, Avant-Prog
Moods: Mechanical, Ominous, Futuristic, Martial, Dystopian, Heavy, Cinematic, Cold, Driving, Spacey
Musical Qualities: Repetitive, Dynamic, Progressive, Pulse, Suite, Rhythmic, Instrumental, Odd Time Signatures, Riffs
Style: Prog, Chamber Rock
Vibe: Mercurial, Menacing, Bombastic, Cryptic, Muscular, Cerebral, Epic, Medieval, Aggressive, Bipolar, Heavy, Headphone Album
Musical Qualities: Dynamic, Complex, Progressive Structures, Uncommon Time Signatures, Percussive, Riffs,
Instrumentation: Electric Guitar, Violin, Mellotron, Electric Bass, Electric Keyboards, Percussion, Drums, Vocals
King Crimson – Lark’s Tongue in Aspic [Steven Wilson Mix] Read More »
Style: Progressive Rock, Jazz Rock, Symphonic Prog
Vibe: Alienation, Longing, Sentimental, Dramatic, Heartfelt, Cathartic, Introspective, Existential, Theatric, Lonely, Sad, Passionate, Epic
Musical Qualities: Technical, Progressive, Complex, Dynamic, Ballads
Instrumentation: Piano, Organ, Acoustic Guitar, Saxophones (Alto, Tenor, Baritone), Flute, Drums, Tympani, Electric Bass
Van Der Graaf Generator – H to He Who Am the Only One Read More »
Style: Progressive Rock, Experimental Rock
Vibe: Epic, Psychedelic, Chaotic, Bombastic, Cerebral, Complex, Cryptic, Energetic, Ominous, Intense
Musical Attributes: Dense, Polyphonic, Technical, Odd Time Signatures, Headphone Album, Studio-as-an-Instrument, Progressive
The Mars Volta – Amputechture Read More »
Originally released on CD in 2003 on Tzadik Records First vinyl pressing from Ice Level Music (2017) Format: LPx2
Kayo Dot – Choirs of the Eye Read More »
Style: Chamber Rock, Avant-Prog, Rock In Oppositon
Vibe: Anxious, Angular, Mysterious, Ominous, Dark, Dystopian
Musical Attributes: Instrumental, Complex, Dissonant
Instrumentation: Bassoon , Violin, Viola, Cello, Harmonium, Electric Guitar, Electric Bass, Drums
Univers Zéro – Univers Zero Read More »
Released in 1984 on Rift Records Format: LP
Skeleton Crew – Learn to Talk Read More »
Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP
This Heat – Deceit Read More »
Released in 1981 on Ralph records Format: LP?
Fred Frith – Speechless Read More »
Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures
Massacre – Killing Time Read More »
