Brass

Alan Silva and His Celestrial Communication Orchestra – Luna Surface

featuring Leroy Jenkins, Archie Shepp, Malachi Favors, Anthony Braxton, Grachan Moncur III, Dave Burrell, Claude Delcloo, Kenneth Terroade, Bernard Vitet, Berb Guérin

Style: Free Space Music, Cosmic Jazz, Avant-Garde Big Band

Vibe: Intense, Chaotic, Bombastic, Ecstatic, Free, Cosmic, Hypnotic, Raw, Communal, Apocalyptic

Musical Qualities: Conducted Improvisation, Dense, Atonal, Dissonant, Acoustic

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The Art Ensemble of Chicago – We Are On the Edge

Style: Modern Creative, Chamber Jazz, Experimental Big Band, Great Black Music, Avant-Garde Classical

Vibe: Communal, Triumphant, Suspenseful, History, Eclectic, Colorful, Intricate, Ritualistic, Patient, Open, Complex, Theatric

Musical Qualities: Poly-Free Improvisation, Dynamic, Collective, Progressive Structures, Technical, Orchestral, Percussive, Reductionism, Suite, Polyphonic

Instrumentation: Trumpets, Upright Bass, Spoken Word, Operatic Vocals, Drums, Percussion, Saxophone, Cello, Violin, Viola

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John Carter – Fields

Style: Avant-Garde Jazz, Country-Jazz, Jazz Theater

Vibe: Rural, Historical, Sombre, Resolute, Intertwined, Passionate, Storytelling, Determined, Resolute, Heartfelt, Complex, Theatric, Conceptual

Musical Qualities: Suite, Acoustic, Progressive, Collective Improvisation, Polyphonic, Dynamic, Technical

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Sun Ra – Lanquidity [Definitive Edition]


Style: Cosmic Jazz Fusion, Avant-Garde Big Band

Vibe: Mysterious, Elegant, Hypnotic, Nocturnal, Cosmic, Futuristic, Spacey, Ethereal, Groovy, Mellow, Flowing

Musical Qualities: Rhythmic, Atmospheric, Collective Improvisation, Thematic, Polyphonic, Odd Time Signatures, Melodic, Progressive

Instrumentation: Fender Rhodes, Synthesizers (Arp, Minimoog, Crumar Electronic Keyboard), Organ, Piano, Bells, electric Guitar, Drums, Percussion, Group Vocals, Trumpet, Saxophone, Flute, Oboe, Bassoon, Congo, Baritone Sax, Bass Clarinet, Upright Bass

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Fire! – Defeat

Style: Avant-Garde Jazz, Progressive Fusion

Vibe: Nocturnal, Groovy, Primal, Surreal, Alien, Propulsive, Powerful, Seductive, Suspenseful, Moody, Monochromatic

Musical Qualities: Rhythmic, Polyphonic, Complex, Dissonant, Extended Technique, Thematic Improvisation, Repetition, Experimental Vocals

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Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

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Spencer Zahn – Sunday Painter

Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.

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Stereolab – Cobra and Phases Group Play Voltage in the Milky Night

Style: Progressive Pop, Space Age Pop

Influences: Kosmische Musik, Bossa Nova, French Pop, Lounge

Vibe: Spacey, Lush, Retro-Futuristic, Catchy, Groovy, Motorik, Nocturnal, Uplifting

Musical Attributes: Melodic, Headphone Album, Odd Time Signatures, Studio-as-an-Instrument, Progressive, Lyrical

Lyrics: Philosophical, Political, Communist, Bi-Lingual (English and French)

Instrumentation: Synthesizers, Vibraphone, Drums, Electric Bass, Electric Guitar, Vocals, Brass, Strings, Keys (Organ, Clavinet, Harpsichord, Wurlitzer)

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John Coltrane – Africa / Brass

Released in 1961 on Impulse! Records Red Ring 70s Reissue Format: LP Style: Modal Jazz, Post-Bop Musical Attributes: Polyrhythmic, Acoustic, Melodic, Dense, Improvisation, Instrumental, Africa-Inspired, Technical, Modal Personnell: John Coltrane – Tenor Saxophone Elvin Jones – Drums Reggie Workman – Upright Bass McCoy Tyner – Piano Horn section: Eric Dolphy – Arrangements Pat Patrick – baritone

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Mike Oldfield – Ommadawn

Style: Celtic New Age, Symphonic Prog

Vibe: Ethereal, Medieval, Spring, Mellow, Meditative, Rainy, Soothing, Cinematic, Eclectic, Epic, Pastoral

Musical Qualities: Suite, Orchestral, Lush, Atmospheric, Progressive, Studio-as-an-Instrument

Instrumentation: harp, electric guitar, acoustic bass, electric bass, bagpipe, uilleann pipes, acoustic guitar, 12-string guitar, classical guitar, mandolin, bodhran, bouzouki, banjo, spinet, piano, Organ, synthesizer, glockenspiel, percussion, choral vocals, brass, tympani, drums, percussion

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Charlie Haden – Liberation Music Orchestra

“The music in this album is dedicated to creating a better world; a world without war and killing, without racism, without poverty and exploitation; a world where men of all governments realize the vital importance of life and strive to protect it rather than destroy it. We hope to see a new society of enlightenment and wisdom where creative thought becomes the dominant force in all people’s lives” – Charlie Haden

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