chamber

Meredith Monk – Dolmen Music

featuring Julius Eastman, Collin Walcott, and others

Style: Abstract Choral Music, Sound Poetry, Modern Chamber Music, Post-Minimalism

Vibes: Mysterious, Ritualistic, Mystical, Somatic, Impressionistic, Nocturnal, Spiritual

Instrumentation: Experimental Vocals, Percussion, Cello, Piano, Vocal Harmonies, Violin

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Esmerine – Dalmak

Whilst in Istanbul for an artist residency, the adventurous Montreal chamber rock group recorded Dalmak with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, and drums with the saz, darbuka, bendir and several other instruments used in Turkish and Arabic folk music. Epic, modal themes emerge from watery beds of minimalistic polyrhythms and suspenseful string arrangments. While often sombre, mournful or foreboding, the musi seems driven by a collective sense of spiritual determination and hope.

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Third Ear Band

Style: Psychedelic Chamber Music, Free Folk, Neo-Medieval Folk, Dhrupad

Vibes: Mystical, Medieval, Nature, Alchemical, Flowing, Meditative, Ritualistic, Mysterious, Earthy, Occult

Instrumentation: Cello, Oboe, Percussion, Violin/Viola

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Maria BC – Spike Field

Style: Dream Folk, Experimental Songwriter, Ambient-Folk

Vibes: Ethereal, Melancholy, Hazy, Intimate, Soothing, Haunting, Dreamy, Autumnal, Cryptic, Tender, Mellow, Reflective, Mysterious, Nocturnal, Flowing

Musical Qualities: Soft, Glitchy, Atmospheric, Lyrical, Electro-Acoustic

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Julie Byrne – The Greater Wings

with Jake Falby, Alex Somers, Eric Littmann, Marilu Donovan, Jefre Cantu-Ledesma & Nadia Hulett

Style: Chamber-Folk, Singer/Songwriter, Ambient Pop, New Age

Vibes: Heartfelt, Reflective, Loving, Bittersweet, Mournful, Healing, Introspective, Compassionate, Observational, Poetic, Contemplative, Ethereal, Summer

Musical Qualities: Lyrical, Soft, Lush, Orchestral

Instrumentation: Vocals, Acoustic & Electric Guitars, Strings, Piano, Synthesizers, Harp, Modular Synthesizer

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Oregon – Music of Another Present Era

LP, Vanguard, 1972 featuring Collin Walcott, Ralph Towner, Glen Moore, and Paul McCandless Style: Ecstatic Chamber-Music, Raga-Jazz Vibe: Flowing, Ethereal, Searching, Bright, Airy, Intertwined, Soothing, Spiritual, Spring, Elegant Musical Qualities: Acoustic, Virtuosic, Raga, Lush, Thematic Improvisation, Progressive, Melodic Instrumentation: Classical Guitar, Tabla, Oboe, Sitar, Upright Bass, Piano, English Horn, Mridangam, Violin, Flute, Percussion, 12-String Guitar,

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Björk – Fossora

Styles: Progressive Pop, Post-Industrial Chamber Music, IDM, Gabber, Deconstructed Club

Moods: Earthy, Knotty, Sensual, Futuristic, Surreal, Romantic, Mystical, Passionate, Messy, Hallucinogenic, Intense, Forest, Eccentric, Epic, Tribal

Musical Qualities: Polyphonic, Dense, Dynamic, Complex, Glitchy, Progressive, Uncommon Time Signatures, Electro-Acoustic

Instrumentation: Digital Programming, Woodwinds (Bass Clarinet, Oboe, Clarinet), Strings, Choral Vocals

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Willie Nelson – Spirit

Style: Outlaw Country, Singer/Songwriter, Flamenco-Influenced

Vibe: Tender, Breakup, Reflective, Patient, Personal, Lonely, Longing, Peaceful, Romantic, Bittersweet, Heartfelt, Intimate, Melancholy, Mellow, Sentimental, Spiritual

Musical Qualities: Acoustic, Lush, Lyric-Driven, Chamber Arrangements

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Osjan – Roots

Style: Free Folk, Organic Music, Progressive Folk, Psychedelic Chamber Music

Moods: Ritualistic, Ancient, Flowing, Tribal, Earthy, Communal, Hypnotic, Intertwined, Medieval, Mysterious, Mystical, Nocturnal

Musical Qualities: Percussive, Collective Improvisation, ?Acoustic, Suite, Thematic, Progressive, Atmospheric, Repetitive

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Dirty Three – Ocean Songs

Style: Chamber Rock, Slowcore, Post-Rock

Vibe: Aquatic, Melancholy, Flowing, Patient, Soothing, Meditative, Longing, Lonely, Dreamy, Mellow, Lethargic

Musical Qualities: Atmospheric, Loose, Soft, Instrumental, Loops, Improvisation

Instrumentation: Violin, Drums, Electric Guitar, Loops, Melodica, Piano, Harmonica

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Modern Nature – Island of Noise

Style: Chamber Pop, Post-Rock, Chamber Jazz, Singer/Songwriter

Vibe: Reflective, Warm, Intertwined, Nature, Breezy, Spiritual, Morning, Apocalyptic, Uplifting

Musical Qualities: Lush, Soft, Suite, Melodic

Instrumentation: Vocals, Soprano Saxophone, Piano, Trumpet, Upright Bass, Electric Guitar, Drums, Cello, Reed Organ, Viola, Alto Saxophone, Bass Clarinet

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Bert Jansch – Birthday Blues

Style: Chamber Folk, British Folk, Acoustic Blues, Jazz-Folk

Vibe: Breezy, Mellow, Contemplative, Autumnal, Uplifting, Melancholy, Warm, Joyful, Love, Intertwined, Reflective, Poetic

Musical Qualities: Acoustic, Melodic, Lush, Rootsy, Bluesy, Chamber Arrangements

Instrumentation: Acoustic Guitar, Upright Bass, Flute, Saxophone, Harmonica

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Sam Prekop – Sam Prekop

Featuring Jim O’Rourke, Josh Abrams, Rob Mazurek, Chad Taylor, John McEntire, Julie Pomerleau, & Archer Prewitt

Style: Chamber Pop, Jazz Pop, Lounge Music

Influences: Bossa Nova, Math Rock, Post-Rock

Vibe: Gentle, Breezy, Intricate, Summer, Intertwined, Mellow, Bright, Smooth

Musical Qualities: Lush, Soft, Polished, Melodic

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Helena Espvall & Masaki Batoh

On this self-titled collaboration, acid folk luminaries Helena Espvall (Espers) and Masaki Batoh (Ghost) create mysterious and earthy interpretations of traditional Medieval, Swedish, Japanese, and Finnish folk songs, plus a Son House cover, an original, and a handful of free improvisations.

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Popol Vuh – Hosianna Mantra

Style: Ecstatic Chamber Music, Kosmische, Neoclassical New Age

Vibe: Spiritual, Ethereal, Mystical, Meditative, Mysterious, Soothing, Peaceful, Mellow, Ritualistic, Sentimental, Religious (Christian), Pastoral

Musical Qualities: Acoustic, Lush, Chamber Arrangements, Atmospheric, Melodic, Suite

Instrumentation: Harpsichord, Piano, Electric Guitar, Oboe, Tanpura, Hymnal Vocals, Violin

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Comus – First Utterance

Style: Avant-Folk, Progressive Folk

Moods: Ominous, Forest, Surreal, Dark, Theatrical, Disturbing, Hallucinatory, Mysterious, Ritualistic, Aggressive, Complex, Shadowy

Musical Qualities: Acoustic, Percussive, Chamber Arrangements, Technical

Instrumentation: Acoustic Guitar (6 & 12-Strings), Violin, Viola, Oboe, Flute, Percussion, Electric Bass

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Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

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King Crimson – Islands

Style: Progressive Rock, Jazz-Rock, Chamber Music

Vibe: Pastoral, Mythical, Mysterious, Epic, Bombastic, Mellow, Aquatic, Dreamy

Musical Qualities: Dynamic, Progressive, Complex, Improvisation, Uncommon Time Signatures

Instrumentation: Electric Guitar, Mellotron, Saxophones, Flute, Piano, Drums, Electric Bass, Upright Bass, Cornet, Oboe

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Roy Harper – Valentine

Released in 1974 Chrysalis Pressing (US, 1978) Format: LP Style: Psychedelic Chamber Folk, Singer/Songwriter, Progressive Folk Vibe: Romantic, Floating, Heartfelt, Introspective, Psychedelic, Intimate, Contemplative, Dreamy, Elegant, Mellow, Morning, Peaceful, Airy Musical Qualities: Vocal Harmonies, Acoustic, Sparse, Lush, Progressive, Lyrical, Melodic

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Between – And the Waters Opened

Style: Psychedelic Chamber Music, Kosmische Musik, Ritual-Folk, Global Fusion

Vibe: Spiritual, Meditative, Communal, Psychedelic, Earthy, Forest, Ritualistic, Tribal

Musical Qualities: Acoustic, Atmospheric, Chamber, Droney, Raga, Percussive, Chants

Instrumentation: Oboe, Keyboards, Conga, Acoustic Guitar, Bamboo Flute

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Spires that in the Sunset Rise – Psychic Oscillations [Review]

Psychedelic electro-acoustics and earthy minimalism from long-running avant-folk group Spires that in the Sunset Rise. The multi-instrumentalist duo of Ka Baird and Taralie Peterson ritualistically loop and layer a hypnotic tapestry of pre-verbal vocalizations, upright bass, flute, saxophone, synth, and autoharp, running each instrument through trippy stereo delays, visually represented by the two minute-apart clocks next to each other on the album cover. While not as witchy or jarring as the their early releases, Psychic Oscillations finds the band as entrancing as ever.

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