Choral

Ilhan Mimaroglu – Sing Me a Song of Songmy

Style: Avant-Garde Classical, Electro-Acoustic, Tape Music, Creative Music, Third Stream

Vibes: Ominous, Sombre, Anxious, Cinematic, Dystopian, Surreal, Poetic, Chaotic, Cold, Complex, Eclectic, Exploratory

Themes: Political, Colonialism, War, Death, Liberation, History

Musical Qualities: Orchestral, Collage, Polyphonic, Dynamic, Spoken Word, Dense, Progressive, Sampling, Choral, Improvisation

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Björk – Fossora

Styles: Progressive Pop, Post-Industrial Chamber Music, IDM, Gabber, Deconstructed Club

Moods: Earthy, Knotty, Sensual, Futuristic, Surreal, Romantic, Mystical, Passionate, Messy, Hallucinogenic, Intense, Forest, Eccentric, Epic, Tribal

Musical Qualities: Polyphonic, Dense, Dynamic, Complex, Glitchy, Progressive, Uncommon Time Signatures, Electro-Acoustic

Instrumentation: Digital Programming, Woodwinds (Bass Clarinet, Oboe, Clarinet), Strings, Choral Vocals

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Richard Dawson – Ruby Cord

Style: Progressive Songwriter, Prog-Folk, Art Rock

Moods: Sombre, Epic, Lonely, Futuristic, Dystopian, Cryptic, Melancholy, Poetic, Mythic

Themes: Alienation, Apocalypse, Medieval, Science Fiction, Fantasy

Qualities: Progressive Structures, Lush Arrangements, Storytelling, Suite, Conceptual, Complex

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Sergius Golowin – Lord Krishna von Golka

Style: Spiritual Folk, Kosmische, Prog

Vibe: Devotional, Ritualistic, Ethereal, Exploratory, Visionary, Mystical, Cosmic, Meditative, Mysterious

Musical Qualities: Progressive, Chants, Studio-as-an-Instrument, Acoustic, Atmospheric, Spoken Word, Raga, Dynamic, Percussive, Choral Vocals, Jams

Instrumentation: Acoustic Guitar, Tabla, Organ, Mellotron, Bongo, Chimes, Bells, Flute, Harmonica

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Björk – Medulla

Style: Art Pop, Experimental Electronic, Trip-Hop

Vibe: Somatic, Primal, Sensual, Passionate, Winter, Ancestral, Complex, Imaginative, Surreal, Heartfelt

Musical Qualities: A’Cappella, Choral Vocals, Experimental Vocals (Throat Singing, Beat Boxing, Manipulated Vocal Production), Studio-as-an-Instrument

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Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

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Mike Oldfield – Ommadawn

Style: Celtic New Age, Symphonic Prog

Vibe: Ethereal, Medieval, Spring, Mellow, Meditative, Rainy, Soothing, Cinematic, Eclectic, Epic, Pastoral

Musical Qualities: Suite, Orchestral, Lush, Atmospheric, Progressive, Studio-as-an-Instrument

Instrumentation: harp, electric guitar, acoustic bass, electric bass, bagpipe, uilleann pipes, acoustic guitar, 12-string guitar, classical guitar, mandolin, bodhran, bouzouki, banjo, spinet, piano, Organ, synthesizer, glockenspiel, percussion, choral vocals, brass, tympani, drums, percussion

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