Communist

Audio Liberation Technologies (Reflections of Dystopia) [Moon Glow Radio | 04.02.2023]

This brooding mix of gritty, nocturnal electronics, de-constructed experimentation, and post-industrial beats conceptualizes music as a liberation technology, channelling vital information & powerful energies within its sonic codes. Artists such as Dälek, Moor Mother, The Knife, Joe Rainey, & Efrim Menuck draw from theories of de-colonialism, marxism, Black Quantum Futurism, free jazz, anti-imperialism & anarchy to illuminate & confront oppressive systems as they really are, inspiring collective resistance, and illuminating new pathways forward.

Audio Liberation Technologies (Reflections of Dystopia) [Moon Glow Radio | 04.02.2023] Read More »

Robert Wyatt – Old Rottenhat

Style: Experimental Singer-Songwriter, Art Pop, Canterbury Scene, Jazz-Rock

Vibe: Political (Anti-Capitalist, Anti-Imperialist), Satirical, Conscious, Melancholy, Hypnotic

Musical Attributes/Instrumentation: Sparse, Studio-as-an-Instrument, Layered Vocals, Digital Keyboards, Drum Machines, Percussion, Synthesizers, Piano

Robert Wyatt – Old Rottenhat Read More »

Stereolab – Cobra and Phases Group Play Voltage in the Milky Night

Style: Progressive Pop, Space Age Pop

Influences: Kosmische Musik, Bossa Nova, French Pop, Lounge

Vibe: Spacey, Lush, Retro-Futuristic, Catchy, Groovy, Motorik, Nocturnal, Uplifting

Musical Attributes: Melodic, Headphone Album, Odd Time Signatures, Studio-as-an-Instrument, Progressive, Lyrical

Lyrics: Philosophical, Political, Communist, Bi-Lingual (English and French)

Instrumentation: Synthesizers, Vibraphone, Drums, Electric Bass, Electric Guitar, Vocals, Brass, Strings, Keys (Organ, Clavinet, Harpsichord, Wurlitzer)

Stereolab – Cobra and Phases Group Play Voltage in the Milky Night Read More »