Can – Future Days
LP, Mute Records, 2014 reissue
Complex
Miles Davis – Nefertiti
Released in 1968 on Columbia Records Recorded in 1967 Format: LP
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Crown Larks – Populations
Psychedelic post-punk from Chicago with noise rock dissonance, free jazz sax freak outs, Rhodes keyboards, proggy time signatures, and anxious vocals drenched in delays.
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Omar Rodriguez-Lopez – Solar Gambling
Album Information: Released in 2009 on Rodriguez Lopez Productions Artwork by Sonny Kay Recorded on the E-Clat Morgue Portable Disaster Unit by Lars Stalfors, Omar Rodriguez Lopez, and Jon Debaun Format: LP, Translucent Yellow, Limited to 750 copies
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Ryley Walker – Deafman Glance
Acoustic-shredder/singer-songwriter ventures out of the jazz-inflected folk-rock territory explored by his last few albums to create something that feels fully himself. Deafman Glance is full of angular left turns, complex structures, airy flutes, jazz detours, and psychedelic atmospheres. A balance of great songwriting, jazz musicianship, and experimental/art-rock tendencies. Recommended to fans of Tortoise’s Standards, Tim Buckley’s Starsailor, and King Crimson’s Red. (Click for full review).
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Joe Henderson – Black is the Color
Abstract fusion grooves, driving hard bop, and spacious modal jazz with horn overdubs and spacey synthesizers.
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Joanna Newsom – Have One On Me
Album Information: Released in 2010 on Drag City Records Produced by Joanna Newsom Arranged & Conducted by Ryan Francesconi Recorded by TJ Doherty, Noah Georgeson, Ryan Francesconi, Dana Gumbiner Mixed by Noah Georgeson & Jim O’Rourke Mastered by Steve Rooke at Abbey Road Studios Format: 3xLP Box Set, includes 12″x12″ lyric booklet with full musician
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Miroslav Vitous – Magical Shepherd
Czech bassist Miroslav crafts some flashy jazz funk with Herbie Hancock, percussionist Airto Moreira, vocalists Cheryl Grainger & Onike, and rotating drummers James Gadson and Jack DeJohnette (Gadson for the funkier/disco oriented tracks and DeJohnette on the fewer more psychedelic cuts). Thanks to generous synth overdubbing by Miroslav and Herbie, each track is incredibly spacey and great for a headphone listen.
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McCoy Tyner – Sahara
Album Information: Released on Milestone Records in 1972
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Shakti – Natural Elements
In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.
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Flying Lotus – You’re Dead
A psychedelic, transcendent fusion of hip-hop, jazz, prog, and IDM meant to simulate the cosmic experience of death. Featuring Kendrick Lamar, Thundercat, Herbie Hancock, Kamasi Washington, Snoop Dogg, and others..,
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Soft Machine – Volume Two
Soft Machine’s second album is an eclectic suite packed full of whimsical psychedelia, Dadaist detours, complex prog structures and jazz-inspired musicianship.
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Joni Mitchell – The Hissing of Summer Lawns
Jazz Fusion-inflected Folk Rock with poetic lyricism, ethereal atmospheres, spacey synths, and a lot of fretless bass.
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John Coltrane – Interstellar Space [Review]
A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.
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