Information: Originally released in 1971 This deluxe pressing was released in 2013 on Klimt Records Format: LPx2 (second LP contains bonus tracks)
Caravan – In the Land of Grey and Pink [Deluxe Edition] Read More »
Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.
Kendrick Lamar – To Pimp a Butterfly Read More »
Released in 1968 on Columbia Records Recorded in 1967 Format: LP
Miles Davis – Nefertiti Read More »
Psychedelic post-punk from Chicago with noise rock dissonance, free jazz sax freak outs, Rhodes keyboards, proggy time signatures, and anxious vocals drenched in delays.
Crown Larks – Populations Read More »
Album Information: Released in 2009 on Rodriguez Lopez Productions Artwork by Sonny Kay Recorded on the E-Clat Morgue Portable Disaster Unit by Lars Stalfors, Omar Rodriguez Lopez, and Jon Debaun Format: LP, Translucent Yellow, Limited to 750 copies
Omar Rodriguez-Lopez – Solar Gambling Read More »
Acoustic-shredder/singer-songwriter ventures out of the jazz-inflected folk-rock territory explored by his last few albums to create something that feels fully himself. Deafman Glance is full of angular left turns, complex structures, airy flutes, jazz detours, and psychedelic atmospheres. A balance of great songwriting, jazz musicianship, and experimental/art-rock tendencies. Recommended to fans of Tortoise’s Standards, Tim Buckley’s Starsailor, and King Crimson’s Red. (Click for full review).
Ryley Walker – Deafman Glance Read More »
Abstract fusion grooves, driving hard bop, and spacious modal jazz with horn overdubs and spacey synthesizers.
Joe Henderson – Black is the Color Read More »
Album Information: Released in 2010 on Drag City Records Produced by Joanna Newsom Arranged & Conducted by Ryan Francesconi Recorded by TJ Doherty, Noah Georgeson, Ryan Francesconi, Dana Gumbiner Mixed by Noah Georgeson & Jim O’Rourke Mastered by Steve Rooke at Abbey Road Studios Format: 3xLP Box Set, includes 12″x12″ lyric booklet with full musician
Joanna Newsom – Have One On Me Read More »
Czech bassist Miroslav crafts some flashy jazz funk with Herbie Hancock, percussionist Airto Moreira, vocalists Cheryl Grainger & Onike, and rotating drummers James Gadson and Jack DeJohnette (Gadson for the funkier/disco oriented tracks and DeJohnette on the fewer more psychedelic cuts). Thanks to generous synth overdubbing by Miroslav and Herbie, each track is incredibly spacey and great for a headphone listen.
Miroslav Vitous – Magical Shepherd Read More »
Album Information: Released on Milestone Records in 1972
McCoy Tyner – Sahara Read More »
In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.
Shakti – Natural Elements Read More »
A psychedelic, transcendent fusion of hip-hop, jazz, prog, and IDM meant to simulate the cosmic experience of death. Featuring Kendrick Lamar, Thundercat, Herbie Hancock, Kamasi Washington, Snoop Dogg, and others..,
Flying Lotus – You’re Dead Read More »
Soft Machine’s second album is an eclectic suite packed full of whimsical psychedelia, Dadaist detours, complex prog structures and jazz-inspired musicianship.
Soft Machine – Volume Two Read More »
Jazz Fusion-inflected Folk Rock with poetic lyricism, ethereal atmospheres, spacey synths, and a lot of fretless bass.
Joni Mitchell – The Hissing of Summer Lawns Read More »
A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.
John Coltrane – Interstellar Space [Review] Read More »
