Hiss Golden Messenger – Terms of Surrender

Vibe: Contemplative, Tender, Soothing, Warm, Bittersweet, Rustic, Open, Pastoral, Light

Themes: Family, Existential, Spirituality, Love

Musical Qualities: Soft, Melodic, Vocal Harmonies, Atmospheric Production, Lyrical

Instrumentation: Vocals, Acoustic & Electric Guitars, Banjo, Piano, Organ, Harmonica, Mandolin Synthesizer, Electric Bass, Lap Steel Slide Guitar, Omnichord, Drums, Percussion

Neko Case – Furnace Room Lullaby

Style: Alt-Country, Americana, Singer/Songwriter

Vibe: Bittersweet, Warm, Angsty, Rustic, Heartfelt, Confident, Passionate, Twangy, Love, Breakup, Reflective, Sentimental, Lush, Rootsy

Instrumentation: Electric & Acoustic Guitar, Lap Steel & Pedal Steel Slide Guitars, Fiddle, Electric & Upright Basses, Drums, Vocal Harmonies, Banjo, Mandolin, Organ, Accordion

Hiss Golden Messenger – Poor Moon

Style: Americana, Country Soul, Singer/Songwriter, Folk Rock

Vibe: Warm, Introspective, Existential, Rustic, Mystical, Reflective, Uplifting, Christian

Musical Qualities: Lush, Melodic, Lyrical

Angels of Light – We Are Him

Style: Gothic Americana, Experimental Folk-Rock

Vibe: Rustic, Creepy, Surreal, Autumnal, Nihilistic, Disturbing, Dark, Bittersweet, Rootsy

Musical Qualities: Acoustic, Rhythmic, Repetition, Vocal Harmonies

Neil Young – On the Beach

Style: Singer/Songwriter, Ditch Americana, Country Rock, Folk Rock

Moods: Loner, Introspective, Melancholy, Alienation, Bittersweet, Apocalyptic, Depressive, Lonely, Sombre, Rebellious

Mike and Lal Waterson – Bright Phoebus

Style: British Folk, Country-Influenced
Vibe: Contemplative, Earthy, Introspective, Melancholy, Rootsy, Rural, Storytelling
Musical Attributes: Acoustic, Vocal Harmonies, Lyrical, Melodic, Simple, Sparse

Magnolia Electric Co. – What Comes After the Blues

“Human hearts and pain should never be separate, then they wouldn’t tear themselves apart both trying to fit”. The first album under the Magnolia Electric Co. name touches on the loneliness and depression of much of Jason Molina’s work, but it also contains a fair amount of the hope, light, and perseverance one needs in times of struggle. The musicians here were recorded live in a room by the great Steve Albini, featuring slide guitar, fiddle, and beautiful vocal harmonies from Molina’s band members. With its mix of melancholy Americana, country-tinged rock, and stripped back folk, What Comes After the Blues feels like a continuation of Neil Young’s great ditch trilogy.