Six Organs of Admittance – Burning the Threshold
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Drag City
Laetitia Sadier – The Trip
The singer makes an album dealing with the grief and eventual acceptance that followed her sister’s suicide. The style is reminiscent of the spacey lounge-pop of her previous band, Stereolab, although much lighter and dreamier.
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Bill Callahan – Dream River
LP, Drag City, 2013 Overview In an interview around the release of Dream River, Bill Callahan said he wanted it to be “the last record you could listen to at the end of the day, before you go to bed, around midnight.” So for my first listen of the album I crawled into bed with my
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Jim O’Rourke – Insignificance
After a prolific career as a noise/improvisational/experimental guitarist and a few forays into folk and chamber pop, Jim O’Rourke surprised his audience with an album closer to straightforward rock than his audience could have ever expected of him. Yet underneath it’s catchy, cheery, and polished exterior, his lyrics are full of humorously bitter resentment. Like his debut singer/songwriter album Eureka, Insignificance is full of the meticulous and lush arrangements that Jim would become known for.
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Six Organs of Admittance – Asleep on the Floodplains
Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.
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Joanna Newsom – Have One On Me
Album Information: Released in 2010 on Drag City Records Produced by Joanna Newsom Arranged & Conducted by Ryan Francesconi Recorded by TJ Doherty, Noah Georgeson, Ryan Francesconi, Dana Gumbiner Mixed by Noah Georgeson & Jim O’Rourke Mastered by Steve Rooke at Abbey Road Studios Format: 3xLP Box Set, includes 12″x12″ lyric booklet with full musician
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David Grubbs – Creep Mission
Album Information: Released in 2017 on Blue Chopsticks Records (Imprint of Drag City Records) Eli Keszler – Drums, Percussion (Tracks 1,2,4) Jan St. Werner – Electronics (1,4) Nate Woolley – Trumpet (1,2,4,6,7) Recorded by Mitch Rackin at the Seaside Lounge, Brooklyn, Jan-Mar 2017 Mastered by Douglas Henderson Cover Art: Albert Oehlen Back Photo: Tom Van
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Jim O’Rourke – The Visitor
A fingerpicking folk odyssey that traverses through passages of delicate piano motifs, tribal drum circles, meditative ambience, celebratory horn arrangements, reverent organ drones, and even a cathartic drum solo, all within a single 40 minute track.
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Jim O’Rourke – Bad Timing
An introspective, instrumental journey of pastoral fingerstyle guitar, occasionally joined by piano, synth and horn arrangements
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Bitchin Bajas – Bitchitronics
Soothing, cosmic drones constructed with tape loops, synths, organs, guitar, mellotron and flute.
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