Josh Abrams & Natural Information Society

Style: Psychedelic Jazz, Creative Music, Post-Minimalism

Influences: Gnawa, Kosmische Music, Spiritual Jazz, Minimalism

Vibe: Earthy, Hypnotic, Exploratory, Mysterious, Ritualistic, Psychedelic

Musical Attributes: Acoustic, Improvisation, Minimalistic, Percussive, Polyrhythmic

Ahleuchatistas – Head Full of Poison

Genre: Experimental Rock, Brutal Prog, Math Rock

Vibe: Exploratory, Cathartic, Cold, Angular, Adventurous

Musical Attributes: Instrumental, Complex, Loops, Dissonant, Odd Time Signatures, Progressive, Percussive, Dynamic, Improvisation

Nuke Watch – Countdown

Style: Organic Beat Music, Tribal Ambient, Ritual Psych-Folk, Progressive Electronic

Vibe: Hallucinogenic, Exploratory, Mysterious, Meditative, Hypnotic

Musical Attributes: Electro-Acoustic, Beats, Percussive, Polyphonic, Loops

Loma – Don’t Shy Away

Style: Art Pop, Trip-Hop, Ambient Pop

Vibe: Existential, Brooding, Cathartic, Exploratory, Futuristic, Heartfelt, Introspective, Sentimental

Musical Attributes: Atmospheric, Loops, Polished, Lush, Progressive, Headphone Album, Lyrical

Miles Davis – Double Image

Style: Abstract Groove, Jazz Fusion, Raga Jazz, Avant-Garde Jazz, Ambient Jazz

Vibe: Exploratory, Abstract, Mysterious, Chaotic, Hypnotic, Psychedelic, Suspenseful

Musical Attributes: Collective Improvisation, Polyrhythmic, Rhythmic, Dense, Complex, Polyphonic

Featuring Dave Holland, Ron Carter, Herbie Hancock, Wayne Shorter, Bennie Maupin, Jack DeJohnette, Chick Corea, Joe Zawinul, Airto Moreira and others

John Surman, John McLaughlin, Dave Holland, Karl Berger, Stu Martin – Where Fortune Smiles

Style: Free Jazz, Avant-Garde Jazz

Vibe: Triumphant, Energetic, Epic, Exploratory, Loose, Spiritual, Suspenseful, Angular, Chaotic

Musical Attributes: Polyphonic, Progressive, Complex, Dissonant, Dynamic, Technical, Acoustic, Improvisation (Collective, Thematic), Instrumental

Tarantel – We Move Through Weather

Style: Post-Rock, Experimental Rock
Vibe: Exploratory, Hypnotic, Meandering, Murky, Mysterious, Nature, Abstract, Aquatic, Driving, Droney, Psychedelic
Musical Attributes: Instrumental, Repetitive, Atmospheric, Studio-as-an-Instrument, Loops, Innovative, Dynamic

John Coltrane – Live at the Village Vanguard Again!

Style: Spiritual Jazz, Free Jazz
Vibe: Passionate, Spiritual, Exploratory, Triumphant, 
Musical Attributes: Complex, Modal, Thematic, Acoustic, Live, Improvisation, Dynamic, Instrumental

Eddie Henderson – Realization

Style: Abstract Funk, Jazz Fusion, Spiritual Jazz

Lineup: Eddie Henderson, Herbie Hancock, Bennie Maupin, Lenny White, Billy Hart, Buster Williams, Pat Gleeson

Vibe: Cosmic, Exploratory, Groovy, Atmospheric, Spacey, Spiritual

Musical Attributes: Collective Improvisation, Polyrhythmic, Odd Time Signatures, Studio-as-an-Instrument

The Mars Volta – Amputechture

Style: Progressive Rock, Experimental Rock

Vibe: Epic, Psychedelic, Chaotic, Bombastic, Cerebral, Complex, Cryptic, Energetic, Ominous, Intense

Musical Attributes: Dense, Polyphonic, Technical, Odd Time Signatures, Headphone Album, Studio-as-an-Instrument, Progressive

Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]

Third Ear Band – Alchemy

Style: Free Folk, Chamber Music, Progressive Folk

Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, Medieval, Exploratory

Musical Attributes: Acoustic, Improvisation, Instrumental, Minimalistic

Instrumentation: Oboe, Violin, Viola, Recorder, Percussion (Tabla, Drums, Chimes), Cello

Ambarchi / O’Malley / Dunn – Shade Themes from Kairos

Style: Drone-Rock, Experimental Rock

Influences: Dark Ambient, Psych Rock, Kosmische, Noise, Drone-Metal

Vibe: Shadowy, Ominous, Brooding, Dark, Driving, Haunting, Hypnotic, Mysterious, Exploratory, Nocturnal, Hallucinogenic

Musical Attributes: Studio-as-an-instrument, Dissonant, Droney

Fontanelle – Vitamin F

Fontanelle’s Vitamin F feels heavily indebted to the dense, psychedelic grooves of Bitches Brew and the Mwandishi albums, and while it doesn’t quite reach the majestic heights of those legendary records, it’s definitely a worthwhile slab of wax for fans of polyrhythmic funk, winding improvisations, and spacey keyboard atmospheres.

Ensemble Pearl – Ensemble Pearl

Style: Drone-Rock, Dark Ambient. Experimental

Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,

Musical Attributes:  Dissonant, Repetitive, Sparse, Instrumental, Noisy

Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara

Dave Harrington Group – Pure Imagination, No Country

Innovative guitarist and producer Dave Harrington (Darkside) uses his latest record to explore the outer reaches of improvisation and compositional post-production. Pure Imagination, No Country is jazz-rock fusion stripped of its retro connotations—fusing hard grooves, free flights of collective improvisation, and futuristic ambience to create something that is at turns atmospheric and in your face.

Recommended for fans of Bill Frisell, Terje Rypdal, or Jaga Jazzist

Tarentel – Ghetto Beats on the Surface of the Sun (#3)

Style: Drone, Post-Rock, Experimental Rock, Tape Music
Vibe/Moods: Murky, Exploratory, Hallucinogenic, Mysterious, Nature, Abstract
Musical Attributes: Drones, Loops, Dissonant, Atonal, Studio-as-an-Instrument, Repetitive

Herbie Hancock – Mwandishi

Released in 1971 on Warner Bros. Format: LP, white label promo

Herbie Hancock – Crossings

Releases in 1972 on Warner Bros. Records Format: LP

Circle – Paris-Concert

While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.

Tarentel – The Order of Things

The Order of Things takes you on a strange journey, starting off with a long ambient song built around field recordings, light acoustic guitar and some weird drones in the background. Highly recommended if you’re a fan of experimental post-rock, drone, or music that doesn’t like to be easily categorized.


Creative Construction Company – CCC

Featuring some of Chicago’s finest musicians and founding members of the AACM, (Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Richard Davis, Wadada Leo Smith, and Steve McCall), this 36 minute spontaneous composition doesn’t focus on soloing or instrumental technicality or rambunctious improvisIng, but creating and progressing an initially suspenseful, mysterious mood through focused, cohesive movements, with new sounds, moods, and melodies around every corner. Most of the musicians here play multiple instruments to sustain a versatile color palette.

Soft Machine – Third

Pulling away from the jazzy psych-pop of their first two albums, Soft Machine gears towards sprawling sidelong compositions of spacey prog infused with thematic jazz fusion improvisations, compositional edits, and heavy doses of experimental post-production (Click for Full Review)

Tangerine Dream – Phaedra

While the music on Zeit feels motionlessly suspended in the empty vastness of space, the music on Phaedra seem to discover a swampy alien planet, Pulsing sequencers, dramatic mellotrons, airy flutes, and sweeping synthesizers are drenched in strange echoes and reverbs to create suspenseful alien soundscapes.

Grails – Deep Politics

Darkly cinematic rock instrumentals with some creeping, Dostoevskian vibes. This is probably the most meticulous and progressive album I’ve heard from these guys, who are always finding new ways of funneling their omnivorous library of influences into their dramatic and atmospheric psych rock stylings.

Esmerine – Dalmak

Whilst in Istanbul for an artist residency, the adventurous Canadian chamber rock group (featuring past members of Silver Mt. Zion and GY!BE) recorded with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, drums, and tenor banjo with the saz and several other instruments used in Turkish and Arabic folk music.

Keiji Haino, Jim O’Rourke, & Oren Ambarchi – This Dazzling, Genuine “Difference” Now Where Shall It Go?

Released in 2017 on Black Truffle Records Recorded live on October 28, 2014 at SuperDeluxe Tokyo by Masahide Ando Format: … More

Collin Walcott/Don Cherry/Nana Vasconcelos – Codona

Spacious, Raga-inflected improvisations from Collin Walcott, Don Cherry, and Brazilian percussionist Nana Vasconcelos. Walcott has studied sitar directly under Ravi Shankar, and tabla under Alla Rakha, while trumpeter and flutist Don Cherry, after playing regularly with Ornette Coleman, has proceeded to travel around the world to study various musical traditions. Their wide influences come together organically to create meditative and exploratory music. A melodic and atmospheric fusion of airy flutes, watery sitar, hypnotic hammered dulcimer arpeggiations, driving webs of percussion, and bassy throat singing.

Yonatan Gat – Universalists

The new album from guitarist Yonatan Gat finds cohesiveness in its sprawling diversity. Stylistically it combines the rawness of garage rock, the thematic improvisation of Free jazz, and the experimental editing of musique concréte with psychedelic production, Arabic and Klezmer scales and surfy tremelo guitars.

Natural Information Society & Bitchin Bajas – Automaginary

On Automaginary, the Gnawa-inspired cosmic jazz of Natural Information Society is augmented by the flowing textures of Chicago new age trio Bitchin Bajas to create an album of enveloping drones and trance-inducing rhythms. (Follow link for full Review)

Miles Davis – Bitches Brew

Recorded August 19-21, 1969 Originally released in 1970 on Columbia Records 2008 Legacy Pressing Format: LPx2

Miles Davis – Get Up With It

This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.

Julian Priester Pepo Mtoto – Love, Love

I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.

Tonto’s Exploding Head Band – Zero Time

A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.