Style: Ritual-Psych, Free Rock, Krautrock
Vibe: Witchy, Ritualistic, Fiery, Tribal, Cathartic, Free, Hypnotic, Mysterious, Mystical, Primal, Psychedelic
Musical Qualities: Suite, Repetitive, Live, Collective Improvisation, Lo-fi, Percussive, Growling Vocals
Sunburned Circle – The Blaze Game Read More »
Personnel: Miles Davis – Trumpet, Organ; Pete Cosey – Electric Guitar; Reggie Lucas – Electric Guitar; Al Foster – Drums; Mtume – Percussion, Michael Henderson – Electric Bass; Dave Liebman – Soprano Saxophone, Tenor Saxophone, Flute
Style: Abstract Groove, Psychedelic Jazz Fusion
Vibe: Exploratory, Powerful, Menacing, Mysterious, Serpentine, Complex, Aggressive, Bluesy, Energetic, Groovy, Psychedelic
Miles Davis – Live in Tokyo 1973 Read More »
Released in 1965 on Impulse! Records
Format: LP
Style: Free Jazz
Vibe: Passionate, Complex, Fiery, Political
Musical Attributes: Improvisation, Acoustic, Progressive, Polyphonic, Odd Time Signatures
Archie Shepp – Fire Music Read More »
Released in 1973 on Flying Dutchman Records Format: LP
Gato Barbieri – Under Fire Read More »
Shakti means “Creative Intelligence, Beauty & Power” and trust me, these are all in abundance on these devotional jazz ragas. Featuring John McLaughlin joined by a quartet of Indian master musicians, this album is a blissfully uplifting and meditative release.
Shakti – Shakti with John McLaughlin Read More »
In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.
Shakti – Natural Elements Read More »
A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.
John Coltrane – Interstellar Space [Review] Read More »
