Material – Temporary Music

Style: Industrial Jazz-Funk, Abstract Fusion, No Wave

Vibe: Futuristic, Menacing, Cold, Groovy, Mechanical, Hypnotic, Industrial, Dystopian

Musical Qualities: Rhythmic, Repetitive, Dub Production, Instrumental, Percussive, Sampling

Instrumentation: Saxophone, Electric Bass, Drums, Percussion, Electric Guitar, Rhythm Box, Prepared Piano, Clarinet

Avec le Soleil sortant de sa bouche – Pas pire pop [I ♥ You So Much]

Style: Art Rock, Progressive Pop, Post-Punk

Influences: Krautrock, No Wave, Afrobeat, Funk

Vibe: Driving, Muscular, Motorik, Mechanical, Hypnotic, Cathartic, Primal, Epic, Messy

Musical Qualities: Rhythmic, Repetitive, Noisy, Progressive

David Bowie – Scary Monsters (and Super Creeps)

Style: Glam Rock, Art Pop, Funk Rock

Vibe: Sleek, Eccentric, Energetic, Anxious, Grandiose, Urban, Dystopian, Theatric, Playful, Passionate, Futuristic, Manic, Sleazy, Surreal

Musical Qualities: Groovy, Polished, Dense, Catchy, Riffs, Anthemic, Rhythmic

Steve Hillage – Aura

Style: Progressive Pop, Space Rock, Synth-Funk, Canterbury Scene

Vibe: Playful, Spacey, Colorful, Anthemic, Groovy

Musical Qualities: Catchy, Progressive, Polished, Riffs, Rhythmic, Technical, Shred

Betty Davis – Betty Davis

Style: Funk

Vibe: Gritty, Sexual, Raw, Powerful, Groovy, Passionate, Aggressive, Heavy, Energetic

Instrumentation: Vocals, Piano, Organ, Backup Singers, Electric Bass, Electric Guitar, Drums, Clavinet, Trumpet, Saxophones (A2)

Kendrick Lamar – To Pimp a Butterfly

Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.

Miroslav Vitous – Magical Shepherd

Czech bassist Miroslav crafts some flashy jazz funk with Herbie Hancock, percussionist Airto Moreira, vocalists Cheryl Grainger & Onike, and rotating drummers James Gadson and Jack DeJohnette (Gadson for the funkier/disco oriented tracks and DeJohnette on the fewer more psychedelic cuts). Thanks to generous synth overdubbing by Miroslav and Herbie, each track is incredibly spacey and great for a headphone listen.