glockenspiel

Esmerine – Dalmak

Whilst in Istanbul for an artist residency, the adventurous Montreal chamber rock group recorded Dalmak with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, and drums with the saz, darbuka, bendir and several other instruments used in Turkish and Arabic folk music. Epic, modal themes emerge from watery beds of minimalistic polyrhythms and suspenseful string arrangments. While often sombre, mournful or foreboding, the musi seems driven by a collective sense of spiritual determination and hope.

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Marion Brown – Duets

Compilation of two duo records:
“Creative Improvisation Ensemble” recorded with Wadada Leo Smith in 1970
“Soundways” recorded with Elliott Schwartz in 1973

Style: Creative Music, Free Improvisation, Avant-Garde Jazz

Vibes: Open, Suspenseful, Abstract, Deconstructed, Intertwined, Restrained, Searching, Spontaneous

Musical Qualities: Dynamic, Poly-Free Improvisation, Atonal, Percussive, Slow, Sparse, Instrumental

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Ravi Shankar – Chants of India

Produced by George Harrison

Style: Vedic Chants, Hindustani Classical Music

Vibe: Devotional, Meditative, Nocturnal, Spiritual, Peaceful, Ritualistic, Reflective, Soothing, Ecstatic, Hypnotic, Intricate, Psychedelic

Instrumentation: Group Vocals, Sitar, Autoharp, Strings (Viola, Violin, Cello), Flute, Tabla, Veena, Mridangam, Morsing, Tamboura, Harp, Santoor, Acoustic Guitar, Glockenspiel, Vibraphone

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Mike Oldfield – Ommadawn

Style: Celtic New Age, Symphonic Prog

Vibe: Ethereal, Medieval, Spring, Mellow, Meditative, Rainy, Soothing, Cinematic, Eclectic, Epic, Pastoral

Musical Qualities: Suite, Orchestral, Lush, Atmospheric, Progressive, Studio-as-an-Instrument

Instrumentation: harp, electric guitar, acoustic bass, electric bass, bagpipe, uilleann pipes, acoustic guitar, 12-string guitar, classical guitar, mandolin, bodhran, bouzouki, banjo, spinet, piano, Organ, synthesizer, glockenspiel, percussion, choral vocals, brass, tympani, drums, percussion

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