Impressionistic

Chick Corea – The Song of Singing

with Dave Holland & Barry Altschul

Style: Avant-Garde Jazz, Post-Bop

Vibes: Adventure, Searching, Knotty, Intense, Mysterious, Abstract, Complex, Energetic, Impressionistic

Musical Qualities: Virtuosic, Collective Improvisation, Polyphonic, Acoustic, Instrumental, Dissonant, Thematic, Technical

M. Sage – Paradise Crick

Style: Psychedelic Electronic, Ambient Americana

Vibes: Nature, Pastoral, Peaceful, Soothing, Hallucinogenic, Impressionistic, Light, Colorful, Forest

Instrumentation: Modular Synthesizer, Keyboards, Flute, Acoustic & Electric Guitars, Percussion, Violin, Autoharp, Harmonica, Penny Whistle, Vocals

Paul Bley Trio – Closer

Paul Bley (Piano); Steve Swallow (Upright Bass); Barry Altschul (Drums)

Style: Post-Bop, Avant-Garde Jazz

Vibes: Mysterious, Playful, Impressionistic, Exploratory, Reflective, Intimate, Morning

Musical Qualities: Sparse, Acoustic, Improvisation, Instrumental, Lo-Fi

Xylouris White – The Forest in Me

Style: Free-Folk, Cretan Folk Music

Vibe: Mysterious, Cinematic, Brooding, Meditative, Eerie, Forest, Spiritual

Musical Qualities: Acoustic, Instrumental, Improvisation

Instrumentation: Lute, Drums, Violin

The Necks – Travel

Style: Post-Minimalism, Atmospheric Chamber-Jazz, Free Improvisation

Vibe: Flowing, Patient, Focused, Suspenseful, Adventure, Hypnotic

Musical Qualities: Ostinato, Slow, Collective Improvisation, Minimalistic, Acoustic, Repetitive, Instrumental, Atmospheric

Instrumentation: Upright Bass, Drums, Piano, Organ

Modern Nature – No Fixed Point in Space

Style & Influences: Chamber Folk, Post-Rock, Chamber Jazz, Ambient Pop

Vibe: Patient, Winter Mornings, Impressionistic, Peaceful, Soothing, Nature, Meditative, Soft, Slow, Lush

Instrumentation: Fender Rhodes, Piano, Upright Bass, Electric Guitar, Bass Clarinet, Alto Saxophone, Violin, Drums, Dulcimer, Clarinet, Percussion, Tape Loops

The Revolutionary Ensemble – The People’s Republic

Personnel:
Leroy Jenkins
Sirone
Jerome Cooper

Style: Creative Music, Free Jazz, Avant-Garde Chamber Jazz

Moods: Intertwined, Sombre, Ritualistic, Exploratory, Urban, Contemplative, Impressionistic, Colorful, Political, Open, Free, Abstract

Jon Hassell – Vernal Equinox

featuring Nana Vasconcelos, David Rosenboom, Bill Winant, Miguel Frasconi, & Nicholas Kilbourn

Style: Fourth World, Ambient Jazz, Tribal Ambient

Moods: Mysterious, Tropical, Ethereal, Exploratory, Hypnotic, Impressionistic, Meditative, Soothing, Focused, Warm, Surreal, Woozy, Aquatic

Sandy Bull: E pluribus unum

Style: Acid Folk, Folk-Rock Influences: Arabic Folk, Blues, Raga

Moods: Mysterious, Confident, Serpentine, Searching, Psychedelic, Desert, Determined, Earthy, Flowing, Impressionistic, Introspective, Meandering, Meditative, Ritualistic

Musical Qualities: Modal, Acoustic, Improvisation, Instrumental, Solo, Bluesy

Instrumentation: Oud, Electric Guitar, Percussion, Electric Bass

Pullman – Viewfinder

featuring members of Tortoise, Codeine, Rex, Tower Recordings, etc.

Style: Chamber-Folk, Back-Porch Minimalism, Post-Rock

Moods: Peaceful, Back-Porch, Mellow, Airy, Focused, Impressionistic, Intertwined, Light, Open, Warm

Musical Qualities: Acoustic, Minimalist, Instrumental, Repetitive

Art Ensemble of Chicago – Nice Guys

Styles: Modern Creative, Avant-Garde Jazz

Moods: Communal, Colorful, Eclectic, Ritualistic, Uplifting, Playful, Suspenseful, Mysterious, Abstract, Noir, Open

Musical Qualities: Collective Improvisation, Percussive, Acoustic, Dynamic, Sparse

Eberhard Weber – Yellow Fields

Style: ECM Jazz, Atmospheric Jazz Fusion

Vibe: Ethereal, Adventurous, Autumnal, Pastoral, Misty, Impressionistic, Complex, Intricate

Musical Qualities: Thematic Improvisation, Reverbed Production, Chorus FX, Melodic, Uncommon Time Signatures

Instrumentation: Upright Bass (w/ heavy chorus), Soprano Saxophone, Keyboards, Drums

Califone – Quicksand/Cradlesnakes

Style: Weird Americana, Country-Psych

Moods: Back-porch, Rustic, Cryptic, Surreal, Lethargic, Pastoral, Impressionistic, Autumnal, Eclectic, Hypnotic, Meandering, Rootsy, Twangy, Sunny

Musical Qualities: Electro-acoustic, Repetitive, Studio-as-an-Instrument, Loops, Percussive, Improvisation

Ulaan Passerine – Sun Spar

Style: Shadow Americana, Free Folk, Country-Drone, Post-Rock

Moods: Western, Haunting, Ritualistic, Impressionistic, Meditative, Rustic, Cinematic

Musical Qualities: Collective Improvisation, Instrumental, Droney, Atmospheric

Jeremiah Chiu & Marta Sofia Honer – Recordings from the Åland Islands

Style: Ambient, Electroacoustic, Impressionism, Nature Recordings, Ambient Jazz, Sound Collage

Moods: Ethereal, Soothing, Aquatic, Flowing, Peaceful, Exploratory, Airy, Intimate, Nature

Musical Qualities: Field Recordings, Vignettes, Loops, Collage, Electro-Acoustic, Atmospheric, Improvisation

Old Fire – Voids

features vocals from Bill Callahan, Emily Cross (Loma), Adam Torres, & Julia Holter

Style: Haunted Folk, Ambient Americana, Southern Gothic

Moods: Desolate, Bleak, Haunting, Western, Cinematic, Stark, Sombre, Rustic, Melancholy, Brooding, Contemplative, Depressive, Nocturnal, Alienation, Dystopian, Impressionistic, Lonely, Moody, Mournful, Mythic, Noir, Personal

Musical Qualities: Suite, Atmospheric, Slow, Sampling, Electro-acoustic, Droney

John Surman – Upon Reflection

Style: Post-Minimalism, Ambient Jazz, Folk-Jazz, ECM Style

Moods: Meditative, Pastoral, Futuristic, Mysterious, Impressionistic, Hypnotic, Soothing, Searching

Musical Qualities: Electro-Acoustic, Minimalist, Instrumental, Pulse, Solo

Instrumentation: soprano saxophone, baritone saxophone, bass clarinet, synthesizer

Sandy Bull – Inventions

Styles: Free-Folk, Jazz-Folk, Classical Guitar, Country Blues

Moods: Searching, Impressionistic, Hypnotic, Meditative, Exploratory, Spiritual

Musical Qualities: Instrumental, Acoustic, Improvisation, Virtuosic

Eli Winter – Eli Winter

ft. jaimie branch, Tyler Damon, Sam Wagster, Cameron Knowler, David Grubbs, Ryley Walker, & Yasmin Williams

FFO: Jim O’Rourke (Bad Timing / The Visitor), William Tyler, Ry Cooder Instrumentals, Gastr Del Sol, Elkhorn, Moon Bros, Appalachian Folk, Leo Kottke, Jack Rose

James Blood – Tales of Captain Black

Style: Free Funk, Avant-Garde Jazz, Abstract Groove, No Wave

Vibe: Frenetic, Knotty, Disjointed, Funky, Angular, Chaotic, Triumphant, Playful, Energetic, Free, Manic, Bombastic

Musical Qualities: Harmolodic, Polyphonic, Polyrhythmic, Collective Improvisation, Dissonant, Uncommon Time Signatures, Instrumental

Robbie Basho – Visions of the Country

Style: American Primitivism, Singer/Songwriter, Folk, Raga?Vibe: Mystical, Nature, Open, Passionate, Pastoral, Peaceful, Airy, Contemplative, Earthy, Impressionistic, Meditative, Morning, Spring, Spiritual,
Musical Attributes: Acoustic, Indian-Influenced, Sparse, Technical

Susan Alcorn Quintet – Pedernal

Style: Avant-Chamber Jazz, Poly-Free Improvisation

Vibe: Abstract, Open, Suspenseful

Musical Attributes: Thematic Collective Improvisation, Instrumental

Instrumentation: Slide Guitar, Violin, Electric Guitar, Drums, Upright Bass

The Same – The Same

LP, Originally released in 1981 by Unlikely Records Freedom to Spend Reissue (2021) Style: Ambient Pop, Experimental Home Recording, Minimal Wave Vibe/Mood: Aquatic, Nocturnal, Hypnotic, Impressionistic, Moody, Intertwined, Dreamy, Headphone album Musical Qualities: Loops, Home Recording, Atmospheric, Percussive, Polyphonic, Pulse, Electro-Acoustic Instrumentation: electric guitar, casio vl-tone, vocals, marimba, electric bass, acoustic guitar, digital organ

Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

Muhal Richard Abrams – Colors in Thirty-Third

Style: Creative Music, Chamber Jazz, Free Jazz, Post-Bop

Vibe: Colorful, Sentimental, Impressionistic, Eclectic, Energetic, Introspective

Musical Qualities: Acoustic, Dynamic, Poly-free Improvisation, Complex, Spacious

Mogwai – Rave Tapes

Style: Post-Rock, Space Rock, Electronic-Rock, Kosmische-Influenced

Vibe: Futuristic, Nocturnal, Mechanical, Focused, Cinematic, Restrained

Musical Qualities: Instrumental, Dynamic, Pulse, Studio-as-an-Instrument

L’Rain – Fatigue

Style: Free Pop, Progressive R&B, Psychedelic Soul, Art Pop, Gospel-Influenced

Vibe: Woozy, Ethereal, Cryptic, Impressionistic, Heartfelt, Imaginative, Dramatic, Dreamy, Eclectic

Musical Attributes: Progressive, Lush, Vocal Manipulation, Sampling, Vignettes, Studio-as-an-Instrument, Groovy, Collage

Eberhard Weber’s Colours – Silent Feet

Style: Chamber Jazz, ECM Jazz

Vibe: Impressionistic, Peaceful, Lush, Triumphant, Climactic, Open, Airy, Bright

Musical Attributes: Progressive, Acoustic, Instrumental, Melodic, Improvisation (Structured, Chordal), Dynamic, Technical

Instrumentation: Upright Bass, Soprano Sax, Piano, Drums

Tortoise – TNT

Style: Post-Rock, Experimental Rock
Influences: Dub, Kosmische Musik, Bossa Nova, Lounge, Minimalism, Jazz, Electronic
Vibe: Contemplative, Eclectic, Focused, Futuristic, Impressionistic, Lush, Meditative, Peaceful, Soothing
Musical Attributes: Atmospheric, Complex, Digital Production, Percussive, Polyphonic, Studio-as-an-Instrument, Loops, Headphone Album, Rhythmic, Pulse, Instrumental, Progressive, Polished

Ezra Feinberg – Recumbent Speech

Style: Post-Rock, Post-Minimalism, Progressive Folk

Influences: Kosmische Musik, American Primitive Guitar, Minimalism

Vibe: Airy, Nocturnal, Pastoral, Peaceful, Focused, Imaginative, Impressionistic, Contemplative, Warm

Musical Attributes: Atmospheric, Instrumental, Progressive, Pulse, Odd Time Signatures, Pulse, Dynamic, Headphone Album, Minimalistic

Spencer Zahn – Sunday Painter

Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.

David Lord – Forest Standards, Vol. 2

Style: Jazz Fusion, Future Jazz, Post-Rock

Vibe: Forest, Knotty, Intricate, Nature, Impressionistic, Mysterious

Musical Attributes: Improvisation, Modal

[Click for album overview, listening links, and more information]

Off World – 1

Style: Progressive Electronic, Experimental
Vibe/Mood: Ethereal, Spacey, Futuristic, Mysterious, Suspenseful, impressionistic
Musical Attributes: Atmospheric, Instrumental, Studio-as-an-instrument (Loops, Editing, Dubs), Vignettes, Improvisation
Instrumentation: Synthesizer, Drum Machine

Jim White and Marisa Anderson – The Quickening

This impressionistic and contemplative collaboration channels deep American folk roots through free flowing improvisations. The panoramic and sensitive drumming of Jim White (Dirty Three, Cat Power, etc) is a perfect match for Marisa Anderson’s primitivist guitar sensibilities, which feel both immediate and abstract.

The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

Anthony Braxton – Five Pieces 1975

Released in 1975 on Arista Records Format: LP Syle:  Avant-Garde Jazz Vibe: Cerebral, Complex, Exploratory, Impressionistic Musical Attributes: Improvisation, Innovative, Melodic, Technical Personell: Anthony Braxton (Saxophone, Clarinet, Bass Clarinet, Flute), Kenny Wheeler (Trumpet, Flugelhorn), Dave Holland (Upright Bass), Barry Altschul (Drums)

Ensemble Pearl – Ensemble Pearl

Style: Drone-Rock, Dark Ambient. Experimental

Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,

Musical Attributes:  Dissonant, Repetitive, Sparse, Instrumental, Noisy

Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara

Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil Taylor – Piano Alan Silva – Upright Bass Henry Grimes – Upright Bass Andrew Cyrille – Drums Jimmy Lyons – Alto Saxophone Eddy Gale Stevens, Jr. – Trumpet Ken McIntyre – Alto Saxophone, Oboe, Bass …

Cecil Taylor – Unit Structures Read More »

Brokeback – Field Recordings from the Cook County Water Table

Doug McComb’s first album as Brokeback is imbued with pastoral Impressionism, experimentalism, and a sense of Zen contentment. The record is mostly centered around his Bass VI, a short-scale bass with six strings that is trebly enough to function in both guitar and bass roles. This versatile instrument is usually wet with chorus and reverb that sculpt a fluid, aquatic tone to complement the slow, tranquil melodies. Outside of some solo pieces Doug is joined by a variety of accompaniment including lap steel guitar, synth, upright bass, Rhodes, vocals from Mary Hansen, and light percussion provided by producer/Tortoise bandmate John McEntire. This is a record that can be appreciated from a passive impressionistic standpoint, as well as under the microscopic attention of an engaged ear. (Follow link for full review)

Recommended for fans of Tortoise or Ennio Morricone’s spaghetti Western soundtracks

Dirty Three – Horse Stories

The third album from the Melbourne (Au) violin/guitar/drum trio consists of loose, drifting instrumentals that conjure images of vast, open plains. Though the music here is often melancholic and lethargic, it is occasionally swept up with bursts of passionate energy and possessed by cathartic longing (especially the pleading and utterly beautiful violin solo on “Warren’s Lament”). All three instrumentalists have very individual styles that complement and dialogue with each other in refreshingly unique ways.