James Blood – Tales of Captain Black

Style: Free Funk, Avant-Garde Jazz, Abstract Groove, No Wave

Vibe: Frenetic, Knotty, Disjointed, Funky, Angular, Chaotic, Triumphant, Playful, Energetic, Free, Manic, Bombastic

Musical Qualities: Harmolodic, Polyphonic, Polyrhythmic, Collective Improvisation, Dissonant, Uncommon Time Signatures, Instrumental

Robbie Basho – Visions of the Country

Style: American Primitivism, Singer/Songwriter, Folk, Raga?Vibe: Mystical, Nature, Open, Passionate, Pastoral, Peaceful, Airy, Contemplative, Earthy, Impressionistic, Meditative, Morning, Spring, Spiritual,
Musical Attributes: Acoustic, Indian-Influenced, Sparse, Technical

Susan Alcorn Quintet – Pedernal

Style: Avant-Chamber Jazz, Poly-Free Improvisation

Vibe: Abstract, Open, Suspenseful

Musical Attributes: Thematic Collective Improvisation, Instrumental

Instrumentation: Slide Guitar, Violin, Electric Guitar, Drums, Upright Bass

The Same – The Same

LP, Originally released in 1981 by Unlikely Records Freedom to Spend Reissue (2021) Style: Ambient Pop, Experimental Home Recording, Minimal … More

Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

Loren Connors – Blues: The “Dark Paintings” of Mark Rothko

Style: Ambient Blues, Solo Electric Guitar

Vibe: Longing, Soothing, Nocturnal, Impressionistic, Lonely, Meditative, Melancholy, Suspenseful,

Musical Qualities: Sparse, Improvisation (solo), Atmospheric, Instrumental, Lo-fi

Muhal Richard Abrams – Colors in Thirty-Third

Style: Creative Music, Chamber Jazz, Free Jazz, Post-Bop

Vibe: Colorful, Sentimental, Impressionistic, Eclectic, Energetic, Introspective

Musical Qualities: Acoustic, Dynamic, Poly-free Improvisation, Complex, Spacious

Mogwai – Rave Tapes

Style: Post-Rock, Space Rock, Electronic-Rock, Kosmische-Influenced

Vibe: Futuristic, Nocturnal, Mechanical, Focused, Cinematic, Restrained

Musical Qualities: Instrumental, Dynamic, Pulse, Studio-as-an-Instrument

L’Rain – Fatigue

Style: Free Pop, Progressive R&B, Psychedelic Soul, Art Pop, Gospel-Influenced

Vibe: Woozy, Ethereal, Cryptic, Impressionistic, Heartfelt, Imaginative, Dramatic, Dreamy, Eclectic

Musical Attributes: Progressive, Lush, Vocal Manipulation, Sampling, Vignettes, Studio-as-an-Instrument, Groovy, Collage

Eberhard Weber’s Colours – Silent Feet

Style: Chamber Jazz, ECM Jazz

Vibe: Impressionistic, Peaceful, Lush, Triumphant, Climactic, Open, Airy, Bright

Musical Attributes: Progressive, Acoustic, Instrumental, Melodic, Improvisation (Structured, Chordal), Dynamic, Technical

Instrumentation: Upright Bass, Soprano Sax, Piano, Drums

Slint – Spiderland

Style: Post-Rock, Math Rock, Post-Hardcore, Slowcore

Vibe: Angsty, Angular, Cold, Heavy, Impressionistic, Suspenseful

Lyrical Themes: Alienation, Existential, Poetic, Storytelling

Musical Attributes: Dynamic, Slow, Dissonant, Raw, Repetitive

Tortoise – TNT

Style: Post-Rock, Experimental Rock
Influences: Dub, Kosmische Musik, Bossa Nova, Lounge, Minimalism, Jazz, Electronic
Vibe: Contemplative, Eclectic, Focused, Futuristic, Impressionistic, Lush, Meditative, Peaceful, Soothing
Musical Attributes: Atmospheric, Complex, Digital Production, Percussive, Polyphonic, Studio-as-an-Instrument, Loops, Headphone Album, Rhythmic, Pulse, Instrumental, Progressive, Polished

Ezra Feinberg – Recumbent Speech

Style: Post-Rock, Post-Minimalism, Progressive Folk

Influences: Kosmische Musik, American Primitive Guitar, Minimalism

Vibe: Airy, Nocturnal, Pastoral, Peaceful, Focused, Imaginative, Impressionistic, Contemplative, Warm

Musical Attributes: Atmospheric, Instrumental, Progressive, Pulse, Odd Time Signatures, Pulse, Dynamic, Headphone Album, Minimalistic

Spencer Zahn – Sunday Painter

Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.

Off World – 1

Style: Progressive Electronic, Experimental
Vibe/Mood: Ethereal, Spacey, Futuristic, Mysterious, Suspenseful, impressionistic
Musical Attributes: Atmospheric, Instrumental, Studio-as-an-instrument (Loops, Editing, Dubs), Vignettes, Improvisation
Instrumentation: Synthesizer, Drum Machine

Jim White and Marisa Anderson – The Quickening

This impressionistic and contemplative collaboration channels deep American folk roots through free flowing improvisations. The panoramic and sensitive drumming of Jim White (Dirty Three, Cat Power, etc) is a perfect match for Marisa Anderson’s primitivist guitar sensibilities, which feel both immediate and abstract.

The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

Ensemble Pearl – Ensemble Pearl

Style: Drone-Rock, Dark Ambient. Experimental

Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,

Musical Attributes:  Dissonant, Repetitive, Sparse, Instrumental, Noisy

Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara

Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil … More

Brokeback – Field Recordings from the Cook County Water Table

Doug McComb’s first album as Brokeback is imbued with pastoral Impressionism, experimentalism, and a sense of Zen contentment. The record is mostly centered around his Bass VI, a short-scale bass with six strings that is trebly enough to function in both guitar and bass roles. This versatile instrument is usually wet with chorus and reverb that sculpt a fluid, aquatic tone to complement the slow, tranquil melodies. Outside of some solo pieces Doug is joined by a variety of accompaniment including lap steel guitar, synth, upright bass, Rhodes, vocals from Mary Hansen, and light percussion provided by producer/Tortoise bandmate John McEntire. This is a record that can be appreciated from a passive impressionistic standpoint, as well as under the microscopic attention of an engaged ear. (Follow link for full review)

Recommended for fans of Tortoise or Ennio Morricone’s spaghetti Western soundtracks

Dirty Three – Horse Stories

The third album from the Melbourne (Au) violin/guitar/drum trio consists of loose, drifting instrumentals that conjure images of vast, open plains. Though the music here is often melancholic and lethargic, it is occasionally swept up with bursts of passionate energy and possessed by cathartic longing (especially the pleading and utterly beautiful violin solo on “Warren’s Lament”). All three instrumentalists have very individual styles that complement and dialogue with each other in refreshingly unique ways.