Lester Bowie – Numbers 1&2
Released in 1968 on Nessa Records Recorded on August 11th & 25th, 1967 Format: LP
Released in 1968 on Nessa Records Recorded on August 11th & 25th, 1967 Format: LP
Originally released in 1964 on Blue Note Records 2009 Music Matters audiophile pressing Format: LPx2, 45rpm
The Books’ music is simultaneously funny, innovative, catchy and enlightening. They use found sound and spoken word mixed with innovative recording techniques and acoustic instruments to create beautiful sound-collages that somehow create unity between all these disparate sources, as if they were all meant to be together. Everything these guys do, solo or together, is absolute genius.
Released in 1969 on Atlantic Format: LP Pressing quality: While this album is a masterpiece, these early pressings/masters sound a little tinny and lacking in low end. The recent reissues I’ve heard seem to be improved quality.
Originally released in 1972 on United Artists Unofficial Pressing Format: LP, Translucent green vinyl
Originally released in 1980 on Piano Records 2016 Light in the Attic Repress Format: LP, 45rpm on side A, any speed for side B
Originally released in 1977 on Clocktower Records Later pressing
Originally released in 1971 on United Artists Records Unofficial pressing on purple and brown marbled vinyl Format: LPx2
Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.
Originally released in 1972 on Brain Records 2010 Grönland Pressing Format: LP, White Vinyl
Originally released in 1991 on Polydor 2011 pressing on Ba Da Bing Records Format: LP
Originally released in 1999 on Temporary Residence 2016 expanded edition
Originally released in 1979 on Piano Records 2016 Modern Classics pressing on Light I’m the Attic Records Format: LP, includes foldout booklet
Halvorson has been developing her own idiosyncratic and multi-dimensional language on guitar for almost two decades now (perhaps most clearly heard on her 2015 solo album, Meltframe). On Code Girl, this language is augmented by a dramatic and powerful quintet, featuring the symbiotic rhythm section of her usual trio Thumbscrew, as well as Ambrose Akinmusire’s expressive trumpet playing and Amirtha Kidambi’s intensely operatic vocals, singing cryptic lyrics penned by Halvorson. Together the band uses complex five-part counterpoint to weave intricate webs of melody, rhythm, and texture through progressive and dynamic structures.
Side note: It’s interesting how the number 5 is so prominent in all the album images (pentagons, fingers, toes, stars, etc)
Released in 1999 on These Records Originally recorded for BBC in 1977
Discpline marks the first in a trilogy of complex prog-meets-new-wave masterpieces that have been relished by anxious overthinkers for decades…featuring polyrhythmic riffs, innovative guitar textures, overwrought sing-talking, and a strong inter-band chemistry.
Eric Chenaux’s gentle falsetto is the most constant, tangible element on an album characterized by a permanent state of flux. The guitars are warbly and unsteady with their fluctuating tones, volume, and pitch. Yet, despite their experimental nature, they never sound abrasive and, together with some mellow Wurlitzer, create a soft, pillowy environment for Chenaux’s romantic crooning about the nature of love, the moon, and warm nights.
Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures
Originally released in 1996 on Thrill Jockey Records 2012 pressing
An acoustic trio of piano, upright bass, and drums utilize creative extended techniques to play evolving minimalist compositions of mutating grooves, polyrhythms, and textures.
Released in 1981 on ECM Records Recorded in concert in May, 1980 at Amerika Haus München, Germany Format: LPx2
Recorded live at Cafe Monmartre in Copenhagen, Denmark on November 23, 1962 Released in 1976 on Arista Records
This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.
A hypnotic, meditative minimalist classic whose influence can be traced throughout several threads of modern music.
A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.
Album Information Originally released in 1981 This pressing was released in 2013 on Grönland Records Format: LP Features parallel groove on one side so different track plays depending on where needle lands
This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.
Album Information: Originally released in 1973 on United Artist Recordings This pressing was released in 2014 on Mute Records
Album Information: This album was self-released on CD in 1997 This pressing was released by Constellation Records in 2013 Format: 2xLP, 180g, Includes die-cut sleeve with 4 alternative cover inserts
Album Information: Released in 1967 on Takoma Records This album was originally released on 100 copies in 1959, but was re-recorded in 1967 for this issue This album is included in the Library of Congress’ National Recording Registry for being considered culturally significant.
Styles: Noise Pop, Art Rock, Neo-Psychedelia, Math-Pop
Moods: Playful, Cryptic, Energetic, Eclectic, Colorful, Angular, Tangled, Deconstructed
Musical Qualities: Uncommon Time Signatures, Catchy, Flux Tempo, Dynamic, Riffs, Progressive
“Classic creative bop melodies and golden era beat memories woven into a vibrant new thread of psychedelic soul jazz”
Style: Art Rock, Ambient (Side B)
Moods: Manic, Cryptic, Surreal, Alienation, Anxious, Abstract, Lonely, Futuristic
Musical Qualities: Studio-as-an-Instrument, Groovy, Atmospheric
The past, present, and future of jazz converge on this progressive new release from the legendary drummer Jack DeJohnette, who’s played on everything from Miles Davis’ Bitches Brew to albums with Keith Jarrett, Alice Coltrane, Freddie Hubbard, and numerous other masters since the late 60?s. Joining him are two descendants of the classic John Coltrane Quartet, Ravi Coltrane on tenor and soprano sax and Matthew Garrison (son of Jimmy Garrison) on electric bass and electronics. Rather than dwell in the shadows of their fathers, these two have already developed their own powerful and unique voices which are welcome additions to the jazz lineage.