Released in 1968 on JCOA Records Format: LPx2, includes 12″ booklet
Originally released in 1957 on Riverside 1980 Original Jazz Classics reissue Format: LP
Released in 1971 on Warner Bros. Format: LP, white label promo
Released in 1974 on Atlantic Records Format: LP
Released in 1999 on Constellation Records Format: LPx2 (D-side is blank)
Originally released in 1965 on Impulse Records 2010 Analogue Productions Pressing Format: LPx2, 45RPM
Originally released in 2013 on Erased Tapes 2015 VinylMePlease Pressing Format: LPx2
Originally released in 1994 on Thrill Jockey Records 2016 reissue Recorded November 29 thru December 5, 1993
Released in 1977 on Sky Records Format: LP Original German Pressing
Releases in 1972 on Warner Bros. Records Format: LP
Released in 2004 on 4AD Records Format: LP
Originally released on K records in 2003 Recorded between 2001-2002 2013 Reissue on PW Elverum & Sun Format: LP
This hypnotic, noisy, and improvisatory live album from Australian experimenter, collaborator, and improviser Oren Ambarchi features two separate performances of his epic composition “Knots”. (Click for full review)
Released in 2004 on Dim Mak Records Format: 12″ EP
Originally released as 2 separate releases in 1988 and 1989 on Venture Records 2019 Grönland compilation Format: LPx2
Released in 2004 on Warp Records Format: LPx2
Released in 1996 on Mo Wax Records Format: LPx2
Released in 1998 on Warp Records Format: LP
Released in 1970 on Straight Records Format: LP
Released in 1968 on Nessa Records Recorded on August 11th & 25th, 1967 Format: LP
Originally released in 1964 on Blue Note Records 2009 Music Matters audiophile pressing Format: LPx2, 45rpm
Released in 2001 on Thrill Jockey Records Format: LP
The Books’ music is simultaneously funny, innovative, catchy and enlightening. They use found sound and spoken word mixed with innovative recording techniques and acoustic instruments to create beautiful sound-collages that somehow create unity between all these disparate sources, as if they were all meant to be together. Everything these guys do, solo or together, is absolute genius.
Released in 1969 on Atlantic Format: LP Pressing quality: While this album is a masterpiece, these early pressings/masters sound a … More
Released in 1971 on Harvest Records Format: LP
Released in 2007 on Warp Records Format: LPx2
Originally released in 1972 on United Artists Unofficial Pressing Format: LP, Translucent green vinyl
Released in 1986 on Virgin Records Format: LP
Originally released in 1980 on Piano Records 2016 Light in the Attic Repress Format: LP, 45rpm on side A, any … More
Originally released in 1977 on Clocktower Records Later pressing
Originally released in 1971 on United Artists Records Unofficial pressing on purple and brown marbled vinyl Format: LPx2
Released in 1998 on Drag City Format: LP
Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.
Originally released in 1972 on Brain Records 2010 Grönland Pressing Format: LP, White Vinyl
Originally released in 1991 on Polydor 2011 pressing on Ba Da Bing Records Format: LP
Originally released in 1999 on Temporary Residence 2016 expanded edition
Originally released in 1979 on Piano Records 2016 Modern Classics pressing on Light I’m the Attic Records Format: LP, includes … More
Originally released in 1969 on Columbia Records 1977 Pressing
Released in 1999 on These Records Originally recorded for BBC in 1977
Originally released in 1968 on EMI 1986 Fame Pressing
Discpline marks the first in a trilogy of complex prog-meets-new-wave masterpieces that have been relished by anxious overthinkers for decades…featuring polyrhythmic riffs, innovative guitar textures, overwrought sing-talking, and a strong inter-band chemistry.
Eric Chenaux’s gentle falsetto is the most constant, tangible element on an album characterized by a permanent state of flux. The guitars are warbly and unsteady with their fluctuating tones, volume, and pitch. Yet, despite their experimental nature, they never sound abrasive and, together with some mellow Wurlitzer, create a soft, pillowy environment for Chenaux’s romantic crooning about the nature of love, the moon, and warm nights.
Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures
Originally released in 1996 on Thrill Jockey Records 2012 pressing
An acoustic trio of piano, upright bass, and drums utilize creative extended techniques to play evolving minimalist compositions of mutating grooves, polyrhythms, and textures.
Released in 1981 on ECM Records Recorded in concert in May, 1980 at Amerika Haus München, Germany Format: LPx2
Recorded live at Cafe Monmartre in Copenhagen, Denmark on November 23, 1962 Released in 1976 on Arista Records
Released in 1959 on Atlantic Records 1970’s Pressing
This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.
A hypnotic, meditative minimalist classic whose influence can be traced throughout several threads of modern music.
Information: Released in 1978 on PVC Records Format: LP
A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.
Album Information Originally released in 1981 This pressing was released in 2013 on Grönland Records Format: LP Features parallel groove … More
This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.
Album Information: Originally released in 1973 on United Artist Recordings This pressing was released in 2014 on Mute Records
Album Information: This album was self-released on CD in 1997 This pressing was released by Constellation Records in 2013 Format: … More
Released in 1973 on CBS/Columbia Format: LP
Album Information: Released in 1967 on Takoma Records This album was originally released on 100 copies in 1959, but was … More
Album Information: Released in 1973 on Virgin Records Origin: Hamburg, Germany
Album Information: Released in 2007 by Polyvinyl Record Co
“Classic creative bop melodies and golden era beat memories woven into a vibrant new thread of psychedelic soul jazz”
Album Information: Released in 1977 by RCA Records. Recorded September-October in 1976 in Hérouville, France and West Berlin, Germany This pressing … More
The past, present, and future of jazz converge on this progressive new release from the legendary drummer Jack DeJohnette, who’s played on everything from Miles Davis’ Bitches Brew to albums with Keith Jarrett, Alice Coltrane, Freddie Hubbard, and numerous other masters since the late 60′s. Joining him are two descendants of the classic John Coltrane Quartet, Ravi Coltrane on tenor and soprano sax and Matthew Garrison (son of Jimmy Garrison) on electric bass and electronics. Rather than dwell in the shadows of their fathers, these two have already developed their own powerful and unique voices which are welcome additions to the jazz lineage.