Political

Ilhan Mimaroglu – Sing Me a Song of Songmy

Style: Avant-Garde Classical, Electro-Acoustic, Tape Music, Creative Music, Third Stream

Vibes: Ominous, Sombre, Anxious, Cinematic, Dystopian, Surreal, Poetic, Chaotic, Cold, Complex, Eclectic, Exploratory

Themes: Political, Colonialism, War, Death, Liberation, History

Musical Qualities: Orchestral, Collage, Polyphonic, Dynamic, Spoken Word, Dense, Progressive, Sampling, Choral, Improvisation

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El-P – Fantastic Damage

featuring Aesop Rock, Vast Aire, DJ Abilities, Cage, Ill Bill, Camu Tao, Rob Sonic, Mr. Lif, C-Rayz Walz, Nasa

Style: Hip-Hop [Experimental, Hardcore, Industrial, East Coast, Abstract]

Vibes: Rebellious, Dystopian, Futuristic, Urban, Sarcastic, Rebellious, Aggressive, Chaotic, Surreal, Angry, Industrial, Confident, Political, Science Fiction, Energetic, Sexual, Colorful, Messy, Apocalyptic, Disturbing, Raw

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Nicholas Jaar – Sirens

Style: Ambient Pop, Progressive Electronic, Sound Sculpture, Downtempo

Moods: Urban, Surreal, Nocturnal, Cryptic, Mysterious, Retro-Futuristic, Hypnotic, Introspective, Motorik, Ethereal

Musical Qualities: Vocal Manipulation, Studio-as-an-Instrument. Rhythmic, Atmospheric, Lush, Sampling

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Henry Cow – Unrest

On their second LP, Henry Cow weaves together elements of eerie chamber music, free improvisation, and deconstructed prog to create something that seems like the missing link between the Canterbury jazz-rock of Soft Machine and Gong and the dissonant avant-rock of This Heat.

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Tom Rapp – Stardancer

Style: Folk-Rock, Singer-Songwriter, Acid Folk, Country-influenced

Moods: Autumnal, Moody, Sombre, Bittersweet, Conscious, Eclectic, Melancholy, Political, Mellow, Morning, Mournful, Retro, Psychedelic, Rebellious, Warm

Instrumentation: Acoustic & Electric Guitars, Flute, Piano, Organ, Dumbek, Bongos, Drums, Congas, Cello, Vibraphone, Harmonica, Banjo, Mandolin, Wind Chimes, Vocal Harmonies, Bells

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Anguish – Anguish

Anguish is a collaboration between German improvisers Mats Gustafsson & Andres Werliin of the Fire! Orchestra, Hans Joachim Irmler of FaUst, and Will Brooks & Mike Mare of industrial hip-hop legends Dälek.

Style: Industrial Hip-Hop, Dark Jazz, Post-Industrial, Experimental

Moods: Dystopian, Aggressive, Urban, Poetic, Political, Revolutionary, Cerebral, Existential, Sombre, Dark, Depressive, Cold, Mechanical, Heavy, Apocalyptic, Moody, Brooding, Conscious, Abstract, Cryptic, Industrial, Nocturnal, Ominous, Raw, Philosophical

Musical Qualities: Beats, Dissonant, Noisy, Improvisation, Rhythmic, Studio-as-an-Instrument

Instrumentation: Rapping, Sampler, Tenor Saxophone, Synthesizers, Electric Guitar, Drums, Percussion, Electronics, Effect Processing, Vocal Processing

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Exhaust – Exhaust

Style: Post-Rock, Avant-Dub, Experimental

Moods: Deconstructed, Urban, Motorik, Mechanical, Dystopian, Political, Moody, Raw

Musical Qualities: Loops, Noisy, Sampling, Repetitive, Atmospheric, Dub, Instrumental, Dynamic

Instrumentation: Drums, Electric Bass, Bass Clarinet, Sampler, Field Recordings, Tapes

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Jackie-O Motherfucker – Bloom

“I am not me” the chorus sings repeatedly, a spell to dissolve the ego and deconstruct the myth of American individualism, leaving fertile ground for a collective vision of abundance to bloom. The open-door band of multi-instrumentalists shakily weave through a suite of haunting drone seances, raggedly tender folk sing-a-longs, liberated group improvisations and triumphant post-rock discord. Once again Jackie-O Motherfucker continues their forward march to a beautiful anarchic world without losing touch with its roots in the weird American underground.

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Audio Liberation Technologies (Reflections of Dystopia) [Moon Glow Radio | 04.02.2023]

This brooding mix of gritty, nocturnal electronics, de-constructed experimentation, and post-industrial beats conceptualizes music as a liberation technology, channelling vital information & powerful energies within its sonic codes. Artists such as Dälek, Moor Mother, The Knife, Joe Rainey, & Efrim Menuck draw from theories of de-colonialism, marxism, Black Quantum Futurism, free jazz, anti-imperialism & anarchy to illuminate & confront oppressive systems as they really are, inspiring collective resistance, and illuminating new pathways forward.

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Pearls Before Swine – One Nation Underground

Style: Acid Folk, Singer/Songwriter, Chamber-Folk

Moods: Surreal, Philosophical, Pacifist, Eclectic, Medieval, Cryptic, Melancholy, Spring, Morning, Conscious, Moody, Whimsical, Protest, Political, Psychedelic, Acerbic

Instrumentation: Acoustic Guitar, Harpsichord, Organ, Autoharp, Banjo, Mandolin, Vibraphone, Audio Oscillator, Electric Bass, English Horn, Clavioline, Sarangi, Finger Cymbals, Swinehorn

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Horse Lords – Comradely Objects

Style: Experimental Rock, Totalism, Math Rock

Influences: Tishoumaren, Krautrock, Free Jazz

Moods: Triumphant, De-Hypnotizing, Propulsive, Knotty, Angular, Kinetic, Energetic, Dancey, Embodied, Tangled, Communist, Chaotic

Musical Qualities: Polyrhythmic, Complex, Dense, Just Intonation, Instrumental, Uncommon Time Signatures, Microtonal, Dissonant, Polyphonic, Technical, Repetitive, Drones

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Moor Mother – Jazz Codes

Style: Jazz Rap, Great Black Music, Experimental Hip-Hop, Future Jazz

Moods: Conscious, Surreal, Futuristic, Mystical, Uplifting, Warm, History, Cryptic, Poetic, Storytelling, Spiritual, Ethereal, Eclectic, Sombre, Summer, Political

Musical Qualities: Lush, Lyrical, Suite, Beats

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Moor Mother – Circuit City

Style: Future Jazz, Free Jazz Theater, Jazz Poetry

Vibe: cathartic, cerebral, dystopian, energetic, futuristic, bombastic, intense, noisy, passionate, poetic, political, powerful, rebellious, urban, heavy, AfroFuturist

Musical Attributes: Complex, Conceptual, Dense, Dissonant, Spoken Word, Theatric, Progressive, Polyphonic, Improvisation

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Irreversible Entanglements – Open the Gates

Style: Free Jazz, Future Jazz, Jazz Poetry, Liberation Music

Vibe: Ritualistic, Triumphant, Aquatic, Communal, Futuristic, Philosophical, Poetic, Anthemic, Cerebral, Confident, Conscious, Determined, Epic, Existential, Groovy, Healing, Heavy, Liberation, Political, Powerful, Rebellious, Evocative, Mystical, Intertwined

Musical Qualities: Thematic, Collective Improvisation, Acoustic Instrumentation, Spoken Word, Progressive Structures, Rhythmic, Polyphonic, Dynamic, Complex, Dub Fx

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Swamp Dogg – Rat On!

Style: Country-Soul, Funk

Vibe: Anthemic, Bittersweet, Triumphant, Political, Satirical, Playful, Groovy, Sunny, Conscious, Heartfelt, Warm, Sentimental, Rebellious, Philosophical

Musical Qualities: Lush, Rhythmic, Polished, Melodic, Lyrical

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Robert Wyatt – Old Rottenhat

Style: Experimental Singer-Songwriter, Art Pop, Canterbury Scene, Jazz-Rock

Vibe: Political (Anti-Capitalist, Anti-Imperialist), Satirical, Conscious, Melancholy, Hypnotic

Musical Attributes/Instrumentation: Sparse, Studio-as-an-Instrument, Layered Vocals, Digital Keyboards, Drum Machines, Percussion, Synthesizers, Piano

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Horse Lords – The Common Task

The Common Task is an incessant barrage of jolting polyrhythms that simultaneously hypnotize and disorient.

Style: Experimental Rock, Math Rock, Post-Rock, Totalism
Vibe: Hypnotic, Surreal, Triumphant, Complex, Political
Musical Attributes: Microtonal, Polyrhythmic, Repetitive, Odd Time Signatures, Saharan Africa-Influenced, Technical, Instrumental

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Jamila Woods – Heavn

Style: Soul, Art Pop

Vibe: Confident, Heartfelt, Introspective, Colorful, Triumphant, Uplifting, Urban, Loner

Lyrical Themes: Conscious, Poetic, Political, Personal, Black Pride, Love, Feminist

Musical Attributes: Groovy, Lush, Headphone Album, Polished, Catchy, Technical

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Stereolab – Cobra and Phases Group Play Voltage in the Milky Night

Style: Progressive Pop, Space Age Pop

Influences: Kosmische Musik, Bossa Nova, French Pop, Lounge

Vibe: Spacey, Lush, Retro-Futuristic, Catchy, Groovy, Motorik, Nocturnal, Uplifting

Musical Attributes: Melodic, Headphone Album, Odd Time Signatures, Studio-as-an-Instrument, Progressive, Lyrical

Lyrics: Philosophical, Political, Communist, Bi-Lingual (English and French)

Instrumentation: Synthesizers, Vibraphone, Drums, Electric Bass, Electric Guitar, Vocals, Brass, Strings, Keys (Organ, Clavinet, Harpsichord, Wurlitzer)

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Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

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Black Ox Orkestar – Ver Tanzt?

These impassioned, and often mournful, renditions of klezmer folk songs (both traditional and original) are infused with elements of free jazz, drone, and chamber music to create something both rooted and urgently modern (Even 15 years after its release). The mostly acoustic band features violinist Jessica Moss (also of Silver Mt. Zion) and upright bassist Thierry Amar (asmz, GY!BE) in addition to singer/multi-instrumentalist Scott Levine Gilmore and Clarinetist/Guitarist Gabe Levine.

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Godspeed You Black Emperor! – Slow Riot For New Zero Kanada EP

“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”

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lojii – lofeye

Categorization and comparison are the least of lojii’s worries, instead prioritizing creative expression and finding spiritual truth and power in this dimly lit dystopia. He delivers his prophetic words with a focused, unwavering determination, while the beats are gritty and nocturnal with their open percussion, eerie synths, and negative space. Don’t miss out on this one.

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Alfonso Lovo – La Gigantona

Released in 2012 by Numero Group Recorded in 1976 Format: LP Overview Originally recorded in 1976, this psychedelic latin-jazz masterpiece never got a proper release due to both a lack of interest from record labels and Lovo’s family having to flee from Nicaragua in fear of the mass executions committed by the Sandinista government. Thanks

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Poliça – United Crushers

The brooding, atmospheric synth-pop of Poliça’s third LP finds Channy Leaneagh’s passionate vocals once again supported by prominent bass grooves, driving dual drummers, and occasional string and horn arrangements, all mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and as well as more political topics such as police violence.

For fans of Portishead, The Knife

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Joan Baez – Come From the Shadows

“What I’m asking you to do is take some risks. Stop paying war taxes, refuse the armed forces, organize against the air war, support the strikes and boycotts of farmers, workers and poor people, analyze the flag salute, give up the nation state, share your money, refuse to hate, be willing to work…in short, sisters and brothers, arm up with love and come from the shadows”

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Kendrick Lamar – To Pimp a Butterfly

Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.

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Jerusalem in My Heart – If He Dies, If If If If If If

At the core of these electrouacoustic Arabic folk songs lies expressive vocals and the buzuk, a fretted lute which Radwan Ghazi Moumneh plays with a near religious determination. While these instruments are played nakedly and organically, it is the production and recording that really exhibits the experimental and atmospheric nature of the music. Acoustic instruments are re-sampled and processed to create granular and rhythmic accompaniment, while waves of white noise, synths and field recordings are used to adorn and enhance the emotional twists and turns of the raw acoustic performances.

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Dälek – Endangered Philosophies

Inner Gatefold (Left)Inner Gatefold (Right)Back Cover Vinyl Etching Album Information: Released in 2017 on Ipecac/Deadverse Format: LPx2 with D-side etching Overview After over two decades of challenging the system, questioning minds, and musical boundaries, New Jersey’s Dälek have distilled their diverse and experimental style of hip-hop into their most streamlined release yet. Endangered Philosophies features distorted

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