Group Vocals

Batsumi – Batsumi

Style: Cape Jazz, Afro-Jazz, Spiritual Jazz

Vibes: Warm, Communal, Groovy, Spiritual, Sunny, Warm, Uplifting

Instrumentation: Group Vocals, Tenor Saxophone, Percussion, Flute, Multiple Drummers, Jaw Harp, Upright Bass, Organ, Bongos, Guitar

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Bon Iver – 22, a Million

Style: Glitch-Pop, Art Pop, Singer/Songwriter

Vibes: Cryptic, Surreal, Mechanical, Mystical, Existential, Knotty, Warm, Alienation, Bittersweet, Futuristic, Anthemic

Musical Qualities: Glitchy, Catchy, Sampling, Distorted, Vocal Manipulation, Dense, Melodic, Electro-Acoustic, Lush, Vocal Harmonies, Digital Production

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Matana Roberts – Coin Coin Chapter Five: In the Garden

Style: Free Jazz, Creative Music, Liberation Music, Jazz Poetry, Spiritual Jazz

Vibe: Passionate, Rootsy, Poetic, Storytelling, Rebellious, Compassionate, Intertwined, Haunting, Spiritual, Driving, Communal, Triumphant, Sad, Powerful

Themes: Ancestry, History, Feminism, Trauma, Memory, Black Liberation, Identity, Death

Musical Qualities: Suite, Thematic, Graphic Score, Improvisation, Spoken Word, Complex, Group Vocals

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Alabaster DePlume – Come With Fierce Grace

Style: Spiritual Jazz, Progressive Jazz

Vibe: Polyvocal, Communal, Uplifting, Warm, Triumphant, Flowing, Driving, Groovy, Raw, Hypnotic, Reflective, Colorful, Spiritual, Rebellious, Compassionate

Musical Qualities: Collective Improvisation, Thematic, Polyphonic, Dub, Suite, Loose, Rhythmic, Percussive, Studio-as-an-Instrument, Analogue Recording

Instrumentation: Tenor Sax, Electric Guitar, Synthesizers, Electric Bass, Multiple Drummers, Tabla, Upright Bass, Cello, Group Vocals, Piano, Percussion

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Carlos Niño & Friends – (I’m just) Chillin’, On Fire

with Josh Johnson, André 3000, Deantoni Parks, Jamael Dean, Jamire Williams, Adam Rudolph, Aaron Shaw, Laraaji, Kamasi Washsington, Sibusile Xaba, Mia Doi Tod, Woo, Photay, Surya Botofasina & others

Style: “Spiritual Improvisational Space Collage”, Ambient Jazz, New Age

Vibe: Ethereal, Communal, Utopian, Meditative, Playful, Exploratory, Soothing, Conscious, Spiritual

Musical Qualities: Collage, Beats, Collective Improvisation, Sampling, Lush, Spoken Word

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Ravi Shankar – Chants of India

Produced by George Harrison

Style: Vedic Chants, Hindustani Classical Music

Vibe: Devotional, Meditative, Nocturnal, Spiritual, Peaceful, Ritualistic, Reflective, Soothing, Ecstatic, Hypnotic, Intricate, Psychedelic

Instrumentation: Group Vocals, Sitar, Autoharp, Strings (Viola, Violin, Cello), Flute, Tabla, Veena, Mridangam, Morsing, Tamboura, Harp, Santoor, Acoustic Guitar, Glockenspiel, Vibraphone

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Matana Roberts – Coin Coin Chapter Two: Mississippi Moonchile

Style: Jazz (Spiritual, Avant-Garde, Folk), Modern Creative, Spirituals

Moods: Spiritual, Storytelling, Passionate, Reflective, Intertwined, Rootsy, Warm, Uplifting, Poetic, Communal

Musical Qualities: Suite, Progressive, Acoustic, Collage, Complex, Dense, Conducted Improvisation, Thematic,

Instrumentation: Alto Saxophone, Group Vocals, Wordspeak, Operatic Vocals, Piano, Trumpet, Upright Bass, Drums

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The Art Ensemble of Chicago – Bap-Tizum

Style: Avant-Garde Jazz, Modern Creative, Spiritual Jazz, Free Jazz

Moods: Ritualistic, Passionate, Cathartic, Open, Colorful, Visceral, Warm, Communal, Free, Abstract, Chaotic, Exploratory, Responsive, Tribal, Spiritual

Musical Qualities: Collective Improvisation, Percussive, Suite, Live, Dynamic, Polyphonic, Group Vocals

Instrumentation: Trumpet, Flugelhorn, Kelphorn, Bass Drum, Percussion, Saxophones (Alto, Soprano, Sopranino, Tenor, & Bass), Clarinet, Drums, Alto Flute, Conga, Vibraphone, Upright Bass, Electric Bass, Log Drum, Gong, Whistle, Bass Marimba

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Alabaster DePlume – GOLD

Style: Art Pop, Spiritual Jazz, Dub Poetry, Collage Pop

Moods: Triumphant, Conversational, Uplifting, Conscious, Communal, Heartfelt, Passionate, Hypnotic, Intertwined, Intimate, Intricate, Playful, Rebellious, Love, Poetic, Reflective, Soothing, Spiritual, Warm,

Musical Qualities: Suite, Improvisation, Analogue Recording, Tape Edits, Dub Production, Sound Collage, Thematic, Polished, Catchy

Instrumentation: Saxophone, Spoken Word, Upright Bass, Drums, Group Vocals, Tabla, Synthesizers, Percussion, Guitar, Cello

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Outkast – ATLiens

Style: Southern Rap, Psychedelic Hip-Hop, Neo-Soul

Vibe: Futuristic, Spacey, Philosophical, Surreal, Urban, Cerebral, Confident, Conscious, Storytelling, Determined, Conceptual

Musical Qualities: Technical, Progressive, Lyrical, Sampling, Group Vocals, Rhythmic

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Jackie-O Motherfucker – Liberation

Style: Free Folk, Mystical Americana, Drone, Free Improvisation, Post-Rock

Vibe: Weary, Hopeful, Rustic, Communal, Spiritual, Ragged, Eerie, Melancholy, Deconstructed, Hypnotic, Communal, Haunting, Raw, Suspenseful, Intertwined

Musical Qualities: Collective Improvisation, Dynamic, Lo-Fi, Atmospheric, Droney, Group Vocals, Dub FX

Instrumentation: Electric Guitars, Vibraphone, Flute, Drums, Violin, Cello, Clarinet, Saxophone, Banjo, Melodica, Sitar, Electronics, Turntable, Keyboards, Trumpet, Electric Bass

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Sun Ra – Lanquidity [Definitive Edition]

Style: Cosmic Jazz Fusion, Avant-Garde Big Band

Vibe: Mysterious, Elegant, Hypnotic, Nocturnal, Cosmic, Futuristic, Spacey, Ethereal, Groovy, Mellow, Flowing

Musical Qualities: Rhythmic, Atmospheric, Collective Improvisation, Thematic, Polyphonic, Odd Time Signatures, Melodic, Progressive

Instrumentation: Fender Rhodes, Synthesizers (Arp, Minimoog, Crumar Electronic Keyboard), Organ, Piano, Bells, electric Guitar, Drums, Percussion, Group Vocals, Trumpet, Saxophone, Flute, Oboe, Bassoon, Congo, Baritone Sax, Bass Clarinet, Upright Bass

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Jackie-O Motherfucker – Fig 5.

Style: Mystical Americana, Free Folk, Post-Rock, Drone

Vibe: Haunting, Meandering, Rootsy, Rustic, Nocturnal, Mysterious, Deconstructed, Ragged, Communal, Murky, Abstract, Lethargic, Hallucinogenic, Raw

Musical Qualities: Collective Improvisation, Instrumental (except B1,C1), Loose, Lo-fi, Dynamic, Droney, Noisy, Group Vocals (B1), Harmonies (B1, C1)

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Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

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Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

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Human Behavior – Bethpage

The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.

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