Spiritual

Moor Mother – The Great Bailout

Sonically, this suite continuously transforms by folding different time-spaces on top of each other. Funereal keyboards and ethereal harp echoes give way to haunting trumpet improvisations over stark trap beats; choral spirituals emerge from gritty bass drones; spectral strings are set against glitchy samples. But this is not just music. This is quantum physics; temporal alchemy; ancestral communion; vibrational magic; spirit channeling. These sounds & words are ultimately an act of liberating history from the colonial clutches of a linear timeline, whose violent inertia charges forward to a hegemonic and apocalyptic horizon.

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Los Gigantes Dormidos – En Los Jardines de Mis Abuelos

“he music contains mostly indigenous instruments such as flutes and ceremonial percussion instruments, as well as classical guitar, electric bass, a persian Santoor and one small keyboard. The song texts are improvised prayers in English, Spanish and Nahuatl. Every recording session started with a guided meditation and ultimately turned into a spiritual journey. A psychedelic trip telling of holy lands, the great spirits that inhabit it and a newborn, yet ancient brotherhood.”

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Hannah Frances – Keeper of the Shepherd

While the progressive songwriter’s music retains a rootsy essence of folk and Americana, with passionate multi-tracked vocals and thorny knots of electric and acoustic guitars, the’ polyphonic chamber arrangements and shifting time signatures often push things further into prog territory, without ever losing their rustic warmth. The resulting songs are transcendent, haunting and earthy, rising triumphantly from the remaining layers of volcanic ash after a fiery existential catharsis.

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Gayle / Graves / Parker – WEBO

Recorded live on Jun 6 & 7, 1991

Style: Fire Music, Free Jazz

Vibes: RItualistic, Kinetic, Fiery, Entropic, Raw, Searching, Cathartic, Ecstatic, Spiritual, Healing, Energetic, Exploratory, Mysterious, Multi-Directional

Musical Qualities: Collective Improvisation, Acoustic, Dense, Dynamic, Polyphonic, Polyrhythmic, Dissonant, Instrumental, Live, Heavy

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Ghostface Killah – Iron Man

featuring Raekwon, Mary J. Blige, Method Man, RZA, Ol’ Dirty Bastard, Inspectah Deck, U-God, Cappadonna, Masta Killa, Street

Style: Hardcore Hip-Hop, Boom Bap, East Coast Hip-Hop

Vibes: Gritty, Introspective, Urban, Storytelling, Raw, Cinematic, Aggressive, Spiritual, Philosophical, Confident, Hedonistic, Sexual, Vulgar, Visceral, Communal, Angry, Passionate, Sentimental, Conceptual

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Merope – Vejula

Behind a luminous, translucent veil, we find ourselve immersed in ethereal, electro-acoustic sound worlds emerging from fragments of Lithuanian folk songs. With blissful instrumental contributions from Laraaji, Shahzad Ismaily, Bill Frisell, and Craig Taborn, the duo delicately weave celestial zithers, otherwordly vocals, warm guitar melodies, glitchy electronics and softly blooming synth pads into a colorful, healing cocoon full of harmonious secrets.

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Bruce Cockburn – In the Falling Dark

LP, True North, 1977, Canadian Pressing Recorded September-November, 1976 Style: Singer/Songwriter, Jazz-Folk Vibes: Uplifting, Nocturnal, Spiritual, Personal, Passionate, Reflective, Romantic, Christian, Compassionate, Contemplative, Mystical, Triumphant, Conscious, Intertwined, Poetic, Intricate, Autumnal Instrumentation: Vocals, Acoustic & Electric Guitars, Upright Bass, Flute, Drums, Dulcimer, Percussion, Trumpet Musical Qualities: Lyrical, Progressive, Melodic, Technical, Polished

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Maurice Louca – Bariy (Fera)

Style: Progressive Shaabi, Chamber Jazz, Arabic Psych, Arabic Folk

Vibes: Dreamy, Aquatic, Flowing, Hypnotic, Elegant, Intertwined, Spiritual, Searching, Passionate, Intricate, Surreal, Uplifting, Transcendent

Instrumentation: Acoustic & Electric Guitars, Drums, Percussion, Upright Bass, Oud, Violin, Theremin

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FYEAR

Style: Liberation Music, Industrial Jazz, Slam Poetry, Avant-Prog

Vibe: Dystopian, Rebellious, Anxious, Communal, Poetic, Bleak, Apocalyptic, Determined, Powerful, Conscious, Dark, Industrial, Intense, Winter, Climactic

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Elkhorn – Red Valley

Style: Acid Western, Psych Folk

Vibe: Journeying, Desert, Western, Hazy, Intertwined, Road Trip, Nature, Summer, Adventure, Earthy, Exploratory, Flowing, Focused, Impressionistic, Luminous, Pastoral, Patient, Psychedelic, Reflective, Rural, Spiritual, Warm

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White Boy Scream – Bakunawa

Style: Electro-Acoustic Opera, Sound Collage, Neoclassical Darkwave

Vibes: Ritualistic, Mythic, Decolonial, Cathartic, Spiritual, Intense, Chaotic, Powerful, Suspenseful, Personal, Storytelling

Musical Qualities: Operatic Vocals, Noise, Chants, Extended Technique, Vocal Processing, Sampling, Suite

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Ghost – Temple Stone

All tracks recorded live in sacred places (Seiryu Temple, Waseda Salvation Church)

Style: Ritual Folk, Acid Folk

Vibes: Mystical, Ancient, Ritualistic, Spiritual, Forest, Psychedelic, Mysterious, Medieval, Haunting, Dreamy, Eclectic

Instrumentation: Chants, Flutes, 12-String Guitar, Cello, Drums, Organ, Hurdy Gurdy, Harp, Piano, Horn

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Batsumi – Batsumi

Style: Cape Jazz, Afro-Jazz, Spiritual Jazz

Vibes: Warm, Communal, Groovy, Spiritual, Sunny, Warm, Uplifting

Instrumentation: Group Vocals, Tenor Saxophone, Percussion, Flute, Multiple Drummers, Jaw Harp, Upright Bass, Organ, Bongos, Guitar

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Keiji Haino / Jim O’Rourke / Oren Ambarchi – With Pats on the Head, Just One Too Few Is Evil One Too Many Is Good That’s All It Is

On their twelfth live recording, the electrifying power trio continues to expand the vocabulary of their improvised sonic sorcery. One LP of mysterious duo invocations, followed by two LPs of primordial free rock. Through concentrated force and harnessed chaos, the trio patiently pushes primordial riffs to their noisiest, most visceral limits, striving to become the sound itself.

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Embryo’s Reise

Recorded September 1978 – May 1979 in Pakistan, India, Afghanistan, & Germany

Style: Free-Psych, Krautrock, Prog, Jazz-Rock, Raga Rock, Arabic Folk

Vibes: Adventure, Communal, Triumphant, Exploratory, Warm, Psychedelic, Bluesy, Playful, Energetic, Spiritual

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Yes – Relayer

Style: Progressive Rock, Symphonic Prog

Vibes: Triumphant, Epic, Uplifting, Fantasy, Bombastic, Complex, War, Spiritual, Ethereal

Musical Qualities: Virtuosic, Suite, Uncommon Time Signatures, Dense, Lush, Progressive

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Miguel Atwood-Ferguson – Les Jardins Mystiques Vol. 1

featuring Deantoni Parks, Austin Peralta, Thundercat, Kamasi Washington, DOMi & JD Beck, Jeff Parker, Carlos Niño, Bennie Maupin, Jamael Dean, Jamire Williams, Josh Johnson, Brandon Coleman, Devin Daniels, Lara Somogyi, Liza Wallace, Sara Andon, Alison Bjorkedal, Ambrose Akinmusire, Dexter Story & more

Style: Cosmic Chamber-Jazz, Progressive Exotica, Jazz Fusion, Third Stream

Vibes: Ethereal, Mystical, Cosmic, Immersive, Communal, Epic, Colorful, Flowing, Contemplative, Fantasy, Reflective, Spiritual, Eclectic

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Joseph Allred – Hoddmímis Holt

Style: Appalachian Folk Music, American Primitivism

Vibes: Rootsy, Spiritual, Warm, Passionate, Meditative, Religious, Storytelling, Sentimental, spiritual, storytelling

Musical Qualities: Acoustic, Traditional, Lyrical, Droney, Open Tunings, Solo, Sparse

Instrumentation: Vocals, Harmonium, Acoustic Guitars (6- & 12-String), Autoharp, Piano, Banjo

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Abdul Wadud – By Myself

Style: Free-Improvisation, Chamber-Jazz, Spiritual Jazz

Vibes: Contemplative, Searching, Autumnal, Intimate, Elegant, Free, Spiritual, Meditative, Bittersweet, Mysterious, Hypnotic, Passionate, Pastoral

Instrumentation: Cello

Musical Qualities: Improvisation, Solo, Instrumental, Sparse

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Matana Roberts – Coin Coin Chapter Five: In the Garden

Style: Free Jazz, Creative Music, Liberation Music, Jazz Poetry, Spiritual Jazz

Vibe: Passionate, Rootsy, Poetic, Storytelling, Rebellious, Compassionate, Intertwined, Haunting, Spiritual, Driving, Communal, Triumphant, Sad, Powerful

Themes: Ancestry, History, Feminism, Trauma, Memory, Black Liberation, Identity, Death

Musical Qualities: Suite, Thematic, Graphic Score, Improvisation, Spoken Word, Complex, Group Vocals

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Alabaster DePlume – Come With Fierce Grace

Style: Spiritual Jazz, Progressive Jazz

Vibe: Polyvocal, Communal, Uplifting, Warm, Triumphant, Flowing, Driving, Groovy, Raw, Hypnotic, Reflective, Colorful, Spiritual, Rebellious, Compassionate

Musical Qualities: Collective Improvisation, Thematic, Polyphonic, Dub, Suite, Loose, Rhythmic, Percussive, Studio-as-an-Instrument, Analogue Recording

Instrumentation: Tenor Sax, Electric Guitar, Synthesizers, Electric Bass, Multiple Drummers, Tabla, Upright Bass, Cello, Group Vocals, Piano, Percussion

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Carlos Niño & Friends – (I’m just) Chillin’, On Fire

with Josh Johnson, André 3000, Deantoni Parks, Jamael Dean, Jamire Williams, Adam Rudolph, Aaron Shaw, Laraaji, Kamasi Washsington, Sibusile Xaba, Mia Doi Tod, Woo, Photay, Surya Botofasina & others

Style: “Spiritual Improvisational Space Collage”, Ambient Jazz, New Age

Vibe: Ethereal, Communal, Utopian, Meditative, Playful, Exploratory, Soothing, Conscious, Spiritual

Musical Qualities: Collage, Beats, Collective Improvisation, Sampling, Lush, Spoken Word

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