Acoustic

Bröselmaschine

Style: Acid Folk, Kosmische Folk, Progressive Folk

Vibes: Pastoral, Flowing, Surreal, Dreamy, Warm, Psychedelic, Sunny, Fantasy, Mellow

Musical Qualities: Acoustic, Progressive, Vocal Harmonies, Lush, Raga-Influenced

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Water Shrew Trio

Style: Drone, Free Folk

Vibes: Meditative, Forest, Peaceful, Contemplative, Nature, Soothing, Hypnotic, Psychedelic

Instrumentation: Harmonium, Hammered Dulcimer, Electronics, Acoustic Guitar

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The Pentangle

Style: Folk Baroque, British Folk, Acoustic Blues

Vibes: Intertwined, Rootsy, Pastoral, Breezy, Playful, Bluesy, Intricate, Uplifting

Instrumentation: Upright Bass, Vocal Harmonies, Drums, Acoustic Guitars

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Esmerine – Dalmak

Whilst in Istanbul for an artist residency, the adventurous Montreal chamber rock group recorded Dalmak with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, and drums with the saz, darbuka, bendir and several other instruments used in Turkish and Arabic folk music. Epic, modal themes emerge from watery beds of minimalistic polyrhythms and suspenseful string arrangments. While often sombre, mournful or foreboding, the musi seems driven by a collective sense of spiritual determination and hope.

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Third Ear Band

Style: Psychedelic Chamber Music, Free Folk, Neo-Medieval Folk, Dhrupad

Vibes: Mystical, Medieval, Nature, Alchemical, Flowing, Meditative, Ritualistic, Mysterious, Earthy, Occult

Instrumentation: Cello, Oboe, Percussion, Violin/Viola

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Dorothy Carter – Troubadour

LP, Celeste Recording, 1976 Style: Neo-Medieval Folk, Progressive Folk, Traditional [Appalachian, Celtic, European, Hymns] Vibes: Hypnotic, Flowing, Rootsy, Medieval, Passionate, Meditative, Peaceful Musical Qualities: Acoustic, Suite, Pulse Instrumentation: Voice, Hammered Dulcimer, Psalteries, Flute Tamboura, Ch’in

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Joseph Allred – Hoddmímis Holt

Style: Appalachian Folk Music, American Primitivism

Vibes: Rootsy, Spiritual, Warm, Passionate, Meditative, Religious, Storytelling, Sentimental, spiritual, storytelling

Musical Qualities: Acoustic, Traditional, Lyrical, Droney, Open Tunings, Solo, Sparse

Instrumentation: Vocals, Harmonium, Acoustic Guitars (6- & 12-String), Autoharp, Piano, Banjo

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Andrew Hill – Point of Departure

featuring Eric Dolphy, Joe Henderson, Tony Williams, Richard Davis, Kenny Dorham

Style: Avante-Garde Jazz, Post-Bop

Vibes: acoustic, Knotty, Searching, Complex, Woozy, Serpentine, Exploratory, Elegant improvisation, innovative, knotty, nocturnal, passionate, playful, polyphonic, progressive, reflective, rhythmic, thematic, woozy,

Musical Qualities: Polyphonic, Acoustic, Thematic Improvisation, Progressive

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Paul Bley Trio – Closer

Paul Bley (Piano); Steve Swallow (Upright Bass); Barry Altschul (Drums)

Style: Post-Bop, Avant-Garde Jazz

Vibes: Mysterious, Playful, Impressionistic, Exploratory, Reflective, Intimate, Morning

Musical Qualities: Sparse, Acoustic, Improvisation, Instrumental, Lo-Fi

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Alan Silva and His Celestrial Communication Orchestra – Luna Surface

featuring Leroy Jenkins, Archie Shepp, Malachi Favors, Anthony Braxton, Grachan Moncur III, Dave Burrell, Claude Delcloo, Kenneth Terroade, Bernard Vitet, Berb Guérin

Style: Free Space Music, Cosmic Jazz, Avant-Garde Big Band

Vibe: Intense, Chaotic, Bombastic, Ecstatic, Free, Cosmic, Hypnotic, Raw, Communal, Apocalyptic

Musical Qualities: Conducted Improvisation, Dense, Atonal, Dissonant, Acoustic

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The Necks – Travel

Style: Post-Minimalism, Atmospheric Chamber-Jazz, Free Improvisation

Vibe: Flowing, Patient, Focused, Suspenseful, Adventure, Hypnotic

Musical Qualities: Ostinato, Slow, Collective Improvisation, Minimalistic, Acoustic, Repetitive, Instrumental, Atmospheric

Instrumentation: Upright Bass, Drums, Piano, Organ

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Oregon – Music of Another Present Era

LP, Vanguard, 1972 featuring Collin Walcott, Ralph Towner, Glen Moore, and Paul McCandless Style: Ecstatic Chamber-Music, Raga-Jazz Vibe: Flowing, Ethereal, Searching, Bright, Airy, Intertwined, Soothing, Spiritual, Spring, Elegant Musical Qualities: Acoustic, Virtuosic, Raga, Lush, Thematic Improvisation, Progressive, Melodic Instrumentation: Classical Guitar, Tabla, Oboe, Sitar, Upright Bass, Piano, English Horn, Mridangam, Violin, Flute, Percussion, 12-String Guitar,

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Jimmy Lyons – Other Afternoons

Jimmy Lyons – Alto Saxophone; Lester Bowie – Trumpet; Alan Silva – Upright Bass; Andrew Cyrille – Drums
Style: Free-Bop, Avant-Garde Jazz

Vibe: Warm, Spontaneous, Sunny, Driving, Playful, Intertwined, Autumnal, Passionate, Energetic, Kinetic, Responsive, Exploratory

Musical Qualities: Collective Improvisation, Swing, Polyphonic, Acoustic, Technical

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Stephen Micus – Koan

Style: Mystical Folk, New Age, Fourth World

Vibe: Ethereal, Meditative, Introspective, Airy, Searching, Healing, Mysterious, Soothing

Musical Qualities: Soft, Acoustic, Reverb-Heavy, Minimalistic, Instrumental

Instrumentation: Shakuhachi, Zither, Gender, Sarangi, Rabab, Bodhran, Angklung, Kyeezee, Bells, Acoustic Guitar

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Steve Tibbetts – Yr

Style: Progressive Folk, Jazz Fusion, ECM Jazz

Vibes: Mystical, Pastoral, Ethereal, Ancient, Pagan, Earthy, Exploratory, Smooth, Spiritual

Musical Qualities: Acoustic, Atmospheric, Complex, Instrumental, Uncommon Time Signatures, Percussive, Polyrhythmic, Progressive, Shred, Technical

Instrumentation: Acoustic & Electric Guitars, Congas, Drums, Kalimba, Synthesizer, Tabla, Electric Bass, Bongos

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Daniel Higgs – Say God

Style: Mystical Folk, Devotional Poetry, New Age

Moods: Poetic, Mystical, Devotional, Spiritual, Meditative, Surreal, Eccentric, Cosmic, Ecstatic, Utopian

Musical Qualities: Mantra, Spoken Word, Acoustic, Sparse, Improvisation

Instrumentation: Voice, Banjo, Sruti Box, Harmonium

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Michael O’Shea

Style: Avant-Folk, Post-Minimalism

Moods: Hypnotic, Mysterious, Meditative, Ritualistic, Nocturnal, Haunting, Ethereal

Musical Qualities: Pulse, Homemade Instrument, Minimalistic, Solo, Improvisation, Repetitive, Electro-Acoustic, Extended Technique, Sparse

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Ravi Shankar – Chants of India

Produced by George Harrison

Style: Vedic Chants, Hindustani Classical Music

Vibe: Devotional, Meditative, Nocturnal, Spiritual, Peaceful, Ritualistic, Reflective, Soothing, Ecstatic, Hypnotic, Intricate, Psychedelic

Instrumentation: Group Vocals, Sitar, Autoharp, Strings (Viola, Violin, Cello), Flute, Tabla, Veena, Mridangam, Morsing, Tamboura, Harp, Santoor, Acoustic Guitar, Glockenspiel, Vibraphone

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Billy Hart – Enchance

featuring Buster Williams, Dewey Redman, Dave Holland, Oliver Lake, Eddie Henderson, Don Pullen & Thabo Michael Carvin

Style: Jazz-Fission, Spiritual Jazz, Post-Bop

Moods: Exploratory, Forest, Spiritual, Nocturnal, Triumphant, Communal, Energetic, Free, Knotty, Intertwined, Mysterious, Spontaneous

Musical Qualities: Polyphonic, Collective Improvisation, Ostinato, Acoustic, Complex, Dense, Progressive, Technical

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Espers

Style: Wyrd Folk, Progressive Folk, Acid Folk

Moods: Forest, Sombre, Enchanting, Gloomy, Mystical, Medieval, sombre, Melancholy, Mellow, Mysterious

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Heart of the Ghost – Live at Rhizome

Jarrett Gilgore (alto saxophone); Luke Stewart (upright bass); Ian McColm (drums)
with Dave Ballou (trumpet)

Style: Free Jazz

Moods: Adventurous, Earthy, Driving, Exploratory, Free, Energetic, Abstract, Colorful, Communal, Complex, Determined

Musical Qualities: Collective Improvisation, Ostinato, Polyrhythmic, Dense, Acoustic, Uncommon Time Signatures, Instrumental, Dynamic, Live Recording

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